Fotoğrafı anlamak denildiğinde aklınıza ne geliyor? Sade bir vatandaşın Facebook profil resmi mi? Yoksa bir haber fotoğrafı mı? Yoksa kendi fotoğrafınıza bakarken hissettikleriniz mi? Fotoğraf bundan çok daha fazlası. Tüm meslek hayatımda öğrendiğim yegane bilgi bu. Fotoğraf bizim gördüklerimizden ötede çok daha derin anlamlar içeren bir oldu. Daha önceki yazılarımda bundan bahsetmiştim aslında. Fotoğrafın bir felsefeye hizmet ettiğini ve bir konu bütünlüğü oluşturmak için fotoğrafı çeken kişinin neler yapması gerektiğinden uzun uzun bahsetmiştim. Kendi çektiğim bir fotoğrafı incelerken de yine uzun uzun açıklamıştım.
Fotoğraf kusursuz bir cinayete benzer. Fotoğraf dediğimiz şey kadrajın dışında kalan her şeyin yok olmasıdır. İşte kusursuz cinayet budur. Bu temel felsefe fotoğrafı yaratan ana unsur olmasının yanında Facebook profil resimlerinden diğer sosyal medya görsellerine kadar pek çok fotoğraf aslında bu felsefi görüş ile bağdaşmasına rağmen, bu görüşü en iyi kamufle eden fotoğraflardır.
Gördüğümüz kişi, bir profil fotoğrafındaki mutlu ifadesiyle dikkatleri kendi üstüne çekerken aslında çok daha derin bir felsefeye hizmet ettiğinin ne yazık ki farkında değildir. Çok geçmeden gelen beğeniler onun iyi kamufle olmuş cinayetini daha da örtbas ederken sevinci doruklara çıkan insanın zevkine diyecek yoktur. Fotoğraf karesine yarım yamalak giren kişiler ve fotoğraf karesinin ışında kalanlar kimse için önemli değildir. Neden önemli olsun ki zaten? Kimsenin umurlarında değiller. Neden umurlarında olsunlar ki zaten? Onlar yabancılardır. Ve yabancıları öldürmek mübahtır. Gerçekten mübah mıdır? Profil fotoğrafları tabi ki kişiye özeldir. Profilin tanıdıkları tarafından tanınmasını sağlar. Ancak bunun yanında fotoğrafın felsefesine ve düsturuna tam olarak da ters değildir. Hepimiz küçük yaşlarımızdan beri vesikalık fotoğraflar çektiriyoruz. Bunlar bizlerin asıl profil fotoğrafıdır. Bizi asıl yansıtan bu fotoğraflardı işte. Facebook profil fotoğrafını vesikalık fotoğraftan yapmak kadar değişik bir durum olamaz. Sakın beni yanlış anlayıp "her kes profil fotoğrafına vesikalık fotoğrafını koysun" dediğimi düşünmeyin. Bu çok saçma olurdu. Demek istediğim sadece facebook profil fotoğraflarının sizi gerçekten yansıttığını düşünmeyin.
Bir Fotoğraftaki İnsan Ögesi
Fotoğrafın İki Yüzü Eskiden Vardı
For english
Understanding the Photo
What is your mind when you say that you understand the photo? Is it a simple citizen's Facebook profile picture? Or is it a news photograph? Or are you feeling it when you look at your own photograph? Photography is much more than that. This is the only information I have ever learned in my professional life. The photograph was far more meaningful than our views. I mentioned that in my previous writings. I have long talked about what photography is supposed to serve as a philosophy and what a photographer should do to create a subject matter. I have also explained for a long time when I look at a photograph I took.The photo looks like a perfect shot. The thing we call photography is that everything else outside the frame disappears. This is the perfect murder. This basic philosophy is not only the main factor that creates the photograph, but also many photographs from Facebook profile pictures to other social media images are the best camouflage photographs, although this philosophical view is in harmony with it.
Unfortunately, the person we see is unaware that, while taking a look at his happy expression in a profile photo, it actually serves a much deeper philosophy. Those who do not come too late will cover up his good camouflage murder even more, and there is no taste for the pleasure of the man who comes to the joyous peaks. It does not matter to anyone who enters half-duped photographs and who is in the picture. Why do you matter anyway? Nobody cares. Why do you care about them anyway? They are strangers. And killing strangers is a must. Is it really permissive? Profile photos are of course personally specific. It allows the profile to be recognized by the acquaintances. However, it is not exactly the opposite of the philosophy and motive of the photograph. We've been taking photographs since we were all young. These are the actual profile pictures of us. These are the photographs that really reflected us. Facebook profile photo can not be as different as making a photograph. Do not you think that I misunderstand me and say "put your passport photo in every profile picture". That would be ridiculous. I mean, just do not think that facebook profile photos really reflect you.
Human Factor in a Photographic
There are no people who think of a photo. But there are many things that people use. These are proofs that a person lived here. And strong reasons for the human mind to write scripts for itself. So even if we do not see a person in a photo, at least the human thing is enough for us to be close to the photo. Even human beings can be strong enough to cause me to have more affinity than the person himself. Think of a promising person, a very strong portrait photograph taken with a perfect technique. However, you can not provide anyone with the obligation to be close to the person in this photo. This is all about the conditions and culture of the person. If a person does not have a connection with herself in a photograph of a person, she will not look for more than ten seconds. "Who is this photo? How beautiful is this photo ..." and it is over ... The audience has lost the photo. However, this does not apply to portraits that fully convey the feelings of the photographer. The photographer took the photograph so that it captured the feelings of someone. Portrait photographs where we can see joy, joy, unhappiness, grief, and so on, often go on a lane other than these elements. The extreme difficulty of photographing these photographers undoubtedly causes people to take part in the photograph. Because the human element contains a material that any person can connect with. For example, a plate, every human place on the plate. That's why even a photograph of an ordinary plate taken with a good technique will have an effect on the photographer.
The human thing is important because it makes it easier for the person looking at the photo to find a vacation from himself. In addition to all of these, human influence is less influenced by cultural differences. An ordinary plate is also photographed in France You are photographed in Spain The same is true for a person who looks at the photo in Turkey.
The Two Faces of the Photograph Was Used
Think of a photo ... Your mind did not get a picture that you looked at on a computer or on the phone? This is extremely normal. I have a picture that looks the same on a computer. Because this is the day. The photo was digitized. And the fact that we used photography in the old man's mind is now a photograph. I will not do this philosophy, I just want you to do it. Open any photo, face it, then ask yourself "Is this a photo?" After giving an answer to yourself, a little tip for your research: "This is not a pipe" I guess what I mean by those with little interest is that. Nevertheless, as a thing to be learned in the digitalizing world,
This post first appeared on Photo Stories, FotoÄŸraflar Ve Hikayeleri, please read the originial post: here