The story of Danny Wilkerson is one of patience and perseverance. Having seen the Beatles on the Ed Sullivan Show at the age of 4, he knew at that age that he wanted to be a musician.

And so began the tough, trying life in the music business for Wilkerson, who spent years playing in local bands, managing and producing, even writing the alma mater for his daughter’s high school.

And he waited.

Finally, this year, he accomplished his goal: to write and record an Album of his own. And Wilkerson is a treasure trove of hooks and wonderfully orchestrated melodies, a testament to life and love, with nods to many of his influences.

The opening measures of the album make you think you’re listening to an early Chicago album, with horns setting a relaxed tone. But then the pace quickens, and you’re suddenly hearing a joyful pop tune as Wilkerson proclaims, “Everybody loves to love.” It then takes on a “Band on the Run/Back Seat of My Car” structure, with mini-suites and tempo changes. By the end of the song, you’ve heard a mini concerto with enough ideas for a small album.

Lennon and McCartney’s fingerprints are all over the album. “Endless Haze” features a string quartet similar to “Eleanor Rigby.” The syncopated drumbeat on “How She Lost My Heart” recalls “Ticket to Ride.” “When Your Number’s Up,” written with power pop songwriter and collaborator Bleu when Wilkerson found out he had prostate cancer, is a smack of realism: “You only get only one life, so many days so many nights to try to get it right.”

An alarm clock abruptly changes the song into a speedy bridge reminiscent of McCartney’s contribution to “A Day in the Life” as Wilkerson shows us how quickly life passes – Going to school, getting married, having a baby – before settling the song back into its former pace.

But for the most part, Wilkerson is a celebration of love, consistently upbeat and joyous. “For the first time in my life I’m in love,” he proclaims in “Enough for Somebody,” a danceable tune that features horns and a chorus of backup singers that just may battle “That Thing You Do!” for the title of perfect pop song.

“My glass isn’t half full / It’s overflowing,” he sings in “Too Much of a Good Thing,” which begins with a keyboard and launches into a chorus that has Wilkerson proclaiming that it “makes me happy I’ve got you.”

With Wilkerson, you can’t have too much of a good thing – it’s full of memorable hooks, soaring harmonies and varied instrumentation. Even the slower songs such as “Carry the One” sound happy. But clocking in at only 10 songs, it leaves you wanting more.

The album ends with a piano ballad, “Comes in Waves,” has a tender beginning that reminds you of John Hiatt’s “Have a Little Faith in Me” but has a memorable bridge that comes out of nowhere, with strings lending a refreshing change. It’s a perfect epilogue to a perfect album. And for Danny Wilkerson, patience has paid off.

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