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The Evolution of a Project

Daily Sketching Project on display during my open studio

Where did my 100 Day Project Go?

Back in June I started my 3rd 100 days project:   Mark-making (aka sketching) using a variety of tools on paper. 

Wondering what happened to it?

On Day #50 I posted the first 50 of the sketches. 

And then I went on vacation – to Malaysia – for 3 weeks. 

I briefly considered bringing along my sketching supplies and continuing my projects.  And by briefly, I mean I didn’t even consider it.  I had no desire to burden my vacation with a requirement that I needed to do a daily sketch.

So I put the entire project on hold while I was away.  Earlier I had decided not to exhibit the work so it was an easy decision to put the project on hold for 3 weeks.

Are 100 Day Projects Realistic?

Before I share what happened with my project, I want to write a bit about my view of 100 day projects.

Prior to 2015, I never considered doing any sort of “one a day” type projects. 

Here’s the reality – there are very few things I do daily. 

When I started my first 100 day project –  this is what I wrote: 


“The idea behind this project is to make 1 per day.  Every day.  For 100 days.

I knew going into this work that making 1 work a day wasn’t realistic for me.  This isn’t how I work.

I don’t make one artwork to completion and then start the next.  I’m more of a batch worker.

I also like to take vacations every now and again and taking my work with me is rather challenging.

Yet I wanted to do to this project along with hundreds of other New Zealanders as it felt like a really go way of getting back to my studio after the move.

So I decided I’m doing this 100 day project on my own terms.

I will complete 100 textile paintings by the end of the 100 days – working on the project every day that I am home, which will be most days.”

In reality it took me another month beyond 100 days to complete that project.  I took breaks, went on vacation, then I’d complete 3 or more a day to “catch up”.  At one point I was more than 25 days behind and I considered giving up.  But I was loving the project and had committed to an exhibition.

The project was a huge commitment of time.  The only thing I worked on during those 130+ days was the project.  Which was fine as I was getting myself back to work in my Studio after moving to New Zealand.

In 2017 I signed up again – knowing much more about what I was getting myself into.  So I made simpler work.  Instead of 3-6 hours each day I did a project that took 2-3 hours a day to complete. 

And still, I took vacations, I worked in batches, I didn’t make 1 a day.  It is just not how I work. 

While on the marketing side of things I made it sound very pretty – I was making work while I was on vacation – I had the work all finished in time for exhibit – yay me. 

The reality is that it stressed me out again to have fallen behind.  Again – I was more than 20 days behind at one point.  Vacations, even if I’m making a bit of work here and there, really cut into this sort of project.  And I really dislike that feeling of needing to “catch up.”

And again it was pretty disruptive – I couldn’t work on much else in the studio for 1/3 of the year as my time was committed to the 100 day project.

So when 2018 rolled around I looked for something that took even less time – hence the sketching.  And it was less disruptive – using a different media.

I considered skipping it altogether since I didn’t want a distraction to my studio time, but I had previously committed to leading a group and felt it wouldn’t be good to not participate. 

Within a few days of the 2018 sketching project starting, I went out of town for an art exhibition and immediately fell behind.   I  did manage to catch up AND it was disruptive to my regular studio practice.  Definitely not what I wanted.  I started resenting the project.

So are these types of projects realistic?  For me – I would say it is a resounding No. 

Yes – there is value in stretching oneself and I think there are ways to do it without the unnecessary expectation of making work every day for 100 days.  I travel too much to ever be home that many days in a row!

From Project to Habit

What has become of my 100 day project?  It has morphed into a sketching habit. Which was my goal all along.  To be more consistent with my sketching for my artwork.

While I don’t sketch daily – I don’t need that pressure – I do sketch frequently.  It is a habit.  It is part of my artistic process.

Sometimes I do a small sketch on paper like I did with my 100 day project.  I’m also exploring larger sketches.  And I sketch in my sketchbooks. 

During my open studio in November, I shared some of the sketches from my 100 day project. 

Because they were not for sale, they were an excellent conversation starter. 

I do not translate  my sketches into fabric.
Sketching to train my eye.
I sketch to become a better artist.  Not make a sale.

Completing the 100 Sketches

In addition to all of the above – I’m a huge believer in completion.  There is a magic to it.  And so I have set a goal to complete my 100 sketches by end of the month.  Only 13 more to go.  I’ll post images of them all when I get to the end.



This post first appeared on Lisa Call – Textile Paintings — Abstract Conte, please read the originial post: here

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The Evolution of a Project

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