What Is Hyperlink Cinema?

The most famous example of hyperlink cinema may be the opening sequence of the Coen brothers’ The Big Lebowski. In it, the Dude (Jeff Bridges) takes a journey from his bathtub to his front door, all the while listening to and speaking to an unseen narrator.

Description: Hyperlink cinema is a narrative film that relies on the use of hyperlinks to transition between scenes. This technique was first used in Robert Zemeckis’ Forrest Gump (1994), in which Tom Hanks’s character is followed through different periods of his life by way of hyperlinks.

This technique has been used by filmmakers such as Quentin Tarantino and Charlie Kaufman, who have both utilized hyperlink cinema in their films.The technique has become increasingly more popular with modern filmmakers, particularly those who work with digital media.

Tone: Though not set in stone, there are some general rules that are commonly followed when writing a screenplay for hyperlink cinema.One such rule dictates that each scene should end with a link or clue that will lead into the next scene, much like an actual hyperlink on a website would lead users to another page.

Another rule is that no scene can be longer than one page so that audiences do not lose interest or become distracted.

The Origin Of Hyperlink Cinema

All the best directors are bloggers now. No, not really.

But there is a cinematic experience that’s becoming more and more popular in blogs and online videos that’s worth discussing: the hyperlink film.Truly, it is cinema at its most primitive.

A filmmaker takes a selection of clips, often taken from other movies or television shows, and puts them together with an audio track behind them.The results can be baffling, hilarious, disturbing, or all three.

It’s also an art form that has some literary similarities to the choose-your-own-adventure novel — you’re never quite sure what you’re going to get next.And if you’ve ever tried one of those books as a kid (I was a fan of the “Junior Sherlock Holmes” series), you know how exciting that can be.

There are multiple ways to do a hyperlink film; I’m going to analyze two of them here.The first is just to string different non sequitur clips together with no connecting theme between them — this is a kind of collage-as-film approach:This method has some obvious limitations: there has to be something that ties the clips together or it becomes pointless or confusing (the only reason this film.

Directors Associated With Hyperlink Cinema

Directors Associated With Hyperlink Cinema, Hyperlink cinema is a distinct filmmaking style that characterizes the films of the Wachowski siblings and writer-director James McTeigue.It is characterized by its distinctive visual style, which often incorporates highly elaborate action sequences, and its highly ambitious and densely interconnected storylines.

Tasha: I have a question. I had an idea for a story where someone wakes up one day and they’re just in a world that’s full of nothing but media.

All they see is screens: computer screens, television screens, cell phone screens—even the sky and the landscape is just a big film screen filled with advertising. They have to navigate this media landscape to figure out what actually happened to them and how they got there.

Would you be interested in reading it? Woody: I would love to read that! That sounds like it could be really cool because it incorporates so many different types of storytelling if you think about it—it’s part science fiction film, part mystery, part horror movie, part dystopian political tract.It’s got all these elements but put together in an original way.

Plus, if you did it right, you could use elements of hyperlink cinema as well—the whole thing could be one giant flashback.

History Of Hyperlink Cinema

The most important factor in hyperlink cinema is the concept of a “world” that exists outside of the screen, which is not unlike the idea of an “universe” created by a novel.This is where hyperlink cinema differs from other films that have interlinking plotlines like Pulp Fiction, Memento and Run Lola Run.

In those films, each plotline occupies its own universe, and the plotlines only cross over in the way they intersect with each other on screen.But in hyperlink cinema, they also intersect with their real-world counterparts in the minds of the viewers.

Tristram Shandy (a comic novel published in installments starting in 1759) features some elements of hypertext, but it isn’t really what we think of as a hyperlink film. It does, however, presage several ideas that would later appear in such films:for example, Tristram’s narrative digressions are at times reminiscent of the non-linear storytelling technique later made famous by Pulp Fiction and similar films.

And before computers were invented, there were still ways to tell stories using multiple text sources. One notable example is Julio Cortazar’s Hopscotch (1962), a novel written as sixty-four chapters.

Hyperlink cinema is a style of filmmaking where multiple stories are told and the viewer can access different stories at different points in the film.

Essential Films Of Hyperlink Cinema

The movement of hyperlink cinema is about more than just the film, it’s about an experience that involves the audience.The first step to understanding hyperlink cinema is to explore the idea of interactivity.

The idea of interactivity is one that has been present in art for years, but has only recently been implemented into film and new media. Interactive cinema is a fairly new genre.

It has been growing since its conception in the late 1980s due to a number of technological advancements. The following are some examples of hyperlink cinema movies:The Last Action Hero (1993), This film follows a boy named Danny who finds himself transported into a fictional action movie starring Arnold Schwarzenegger named Jack Slater IV (played by Arnold Schwarzenegger).

As Danny interacts with characters and objects in the film he begins to alter both worlds and create new realities.This movie uses action figures to interact with the film, which enables the spectator to change the course of events within the movie.

The effect this has on audiences is that it allows them to physically enter into the world of cinema and become a part of it.Film by Antonio Campos (2004),Film by Michael Apted (2003).

Importance Of Hyperlink Cinema

In the field of web design, the concept of a hyperlink cinema is a film that runs on a website and is composed of interconnected links. These types of films are usually embedded in the pages of websites.

They are also known as “click-through documentaries” or “interactive films”.If you intend to create a hyperlink cinema, you should know that it can be beneficial for both you and the visitors of your site.

The audience will appreciate what you are offering them, and you will enjoy the benefits that come with it.You might wonder why any individual would want to create this type of site. Here are 5 reasons to help you decide:

A hyperlink cinema can help your business – if you have created a website dedicated to promoting your business or service, then this type of site will increase awareness about your brand and will help build trust among your potential clients;It engages your audience – people who visit this type of site usually spend more time on it than those who visit regular sites;It promotes interactivity – people who view this type of cinema often feel like they have become part of the film;It is entertaining and fun – although these types sites are primarily used to promote businesses or services.

Hyperlink Cinema Theory

One of the most influential cinematographers of the last half century, Gordon Willis ended his career with a series of films that he shot in a hyperlink style. His use of color and shadow was so distinctive that it was almost possible to identify his work visually.

The hyperlink cinema theory is an idea developed by film critic David Bordwell, who writes: “The films of Jean-Luc Godard, Francis Ford Coppola, Paul Thomas Anderson, Wong Kar Wai, and others create a ‘hyperlink cinema’ in which individual scenes do not work as self-contained units, but rather plug into each other like parts in a machine.”Hyperlink films can be recognized by their distinctive visual style.

They use multiple cameras, which produce crisp images in shallow focus.The films are edited in nonlinear fashion—often to the point where individual shots cannot be identified as beginning, middle or end,.

The soundtracks often feature voiceover narration, or dialogue that is frequently drowned out by background noise… The films favor long takes and minimal cutting.A hyperlink film usually has several parallel storylines that don’t converge until the climax.

These stories may be interwoven but they’re never directly connected. As a result, the films are free to jump.

The End Of Hyperlink Cinema

The death of hyperlink cinema is an idea that’s been making the rounds recently. In a nutshell, it holds that we’ve all decided collectively to abandon the complex narratives of earlier eras–where stories were told in multiple fixed spatial and temporal dimensions–in favor of more streamlined, linear narratives.

It’s not a hard idea to support empirically: one need only look at the contemporary film landscape with its focus on franchises, reboots, sequels, adaptations and remakes to see that we’re much more interested in telling stories by going back to the well than we are in trying new things.And yet there’s something about the ideas of hyperlink cinema and its death that feels like a premature eulogy.

Let’s consider the term hyperlink cinema for a moment.What does it mean? Well, it means what it sounds like: films made up of multiple narrative threads that all connect together by way of hyperlinks embedded in each scene or sequence.

It’s not simply a question of there being several different story arcs or characters; rather, these arcs are all presented as equally important and equally connected to one another (or at least as equally connected as they possibly can be). This isn’t just one story happening alongside another; it’s every story happening at once.

Hyperlink Cinema – Wrapping Up

Hyperlink cinema is a term coined by David Bordwell in his book on the topic, “The Way Hollywood Tells It.” Essentially, it’s the idea that films don’t contain a plot line as much as they contain a plot web.

These webs are formed by the connections between characters and the connections between action and reaction, sometimes across long periods of time.Towards a Definition of Hyperlink Cinema, As I’ve been writing this series about hyperlink cinema, I’ve run into several problems.

For one thing, there’s no one way to go about structuring a hyperlink film.There are as many ways to do it as there are hyperlink films, and probably just as many ways not to do it.

Secondly, I’ve realized that my notion of hyperlink cinema is really more of an umbrella term than the specific kind of cinema I was initially looking for.Rather than simply being a specific structural approach to filmmaking, it seems that many different kinds of narrative structures can be called “hyperlink.”

And even “narrative” isn’t really accurate, since hyperlink cinema isn’t strictly limited to narratives: documentaries and experimental films can also be hyperlink films (and in fact, many hyperlink filmmakers produce non-fiction pieces as well).

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