Robert Richardson’s Cinematography Style

Robert Richardson is a hugely talented cinematographer who’s been nominated for three Oscars. In reading about his work, I was struck by some common elements in his projects. Here are a few things that he does, which you can use to improve your own videos:

Richardson uses very little coverage. The average scene takes less than eight takes to complete and lasts only four seconds. This means that Richardson has the talent nailed down early on, and he knows exactly how to get the performances he needs without wasting time shooting over and over again.

This isn’t to say that Richardson shoots only one angle per scene — he’s not afraid to repeat the same setup from different angles when necessary. He just does so very quickly, knowing that what matters most is getting the performance right.

Richardson loves shooting in natural light. He doesn’t need a lot of it — in fact, some of his most famous shots were done with just a single light source — but he always knows how to make the most of whatever light he has available.

Richardson shoots with wide lenses. His work on Platoon, JFK and The Aviator was shot with an 18mm lens, while Apocalypse Now was filmed with a 21mm lens. These focal lengths give Richardson the

What Is Robert Richardson Known For?

What is Robert Richardson known for? His most famous work is the portrait of George Washington that is on the one dollar bill. Richardson was born in Boston, Massachusetts on December 7, 1760. He was one of seven children of a father who was a bookseller and stationer. His father died when he was just ten years old and his mother died four years later.

Towards the end of the American War of Independence, Robert Richardson joined a volunteer militia and saw action at the Battle of Yorktown on October 19, 1781. During the battle he was wounded by grapeshot which struck him in his right leg.

The wound became badly infected and left Richardson lame for the rest of his life. In 1783 he studied with Benjamin West in London and while there also studied at the Royal Academy Schools. After returning to America he stayed in Philadelphia where he set up his own studio and established himself as a portrait painter. He converted to Roman Catholicism shortly before marrying Ann Deering in 1790

Robert Richardson’s first major commission was for a portrait of George Washington in 1789 but it was not possible to paint it until Washington had become President four years later. In 1795 Richardson became Director of the Pennsylvania Academy of Fine Arts, but resigned from this position eight

How Do You Light Like Robert Richardson?

“Film is very forgiving,” Richardson says. “You can light it in a million ways, and you can shoot it in a million ways.” And while he doesn’t rely on one lighting method over another, he has come to favor a setup that gives him maximum flexibility.

The Richardson Method uses a combination of soft light (from large sources) and hard light (from small sources). It helps to have assistants who can move the lights quickly, but Richardson can do it himself if necessary. The key is to keep the lights movable so that a single source can be placed at multiple positions around the set.

Richardson likes to use six-foot fluorescent fixtures for his key lights — he prefers F-series bulbs because they’re daylight balanced. Most are made by Strand or Kino Flo, but any brand will do as long as you have enough fixtures.

He keeps two or three on the floor off to either side of the camera, shining toward the center of the set. The light should fall at about a 45-degree angle toward the subject’s face; when used with an overhead boom stand, this gives an attractive wrap-around effect known as loop lighting. Richardson keeps two more of these lights on stands near either side of the camera; they’re

How Old Is Robert Richardson?

How old is Robert Richardson?

He looks like he’s in his mid to late 50s. But he’s actually around 70 years old. And he’s a brilliant photographer, who has won an Oscar and a BAFTA.

The man in question is one of the greatest cinematographers alive today. He’s shot every kind of film imaginable: from action to drama, from sci-fi to documentaries. He’s worked with the biggest names in Hollywood and even directed several movies himself.

And yet, Robert Richardson remains an enigma to most people. He rarely does interviews and keeps his private life out of the spotlight. This is what we know about him.

Family Background

Robert James Richardson was born on July 30th, 1945 in Brooklyn, New York City. His mother was a print model and his father was an advertising executive at the J Walter Thompson Company. Richardson had an older brother named David, who died when he was just nine years old from Leukemia.

His parents divorced when he was young and his mother remarried Anthony Falco, a businessman who helped develop the first camera for NASA. Robert moved with his mother to Tucson when he was 12 years old but returned to New York when he was 17 years old to attend New York University

Robert Richardson Once Upon A Time In Hollywood

With the release of Once Upon a Time in Hollywood, Quentin Tarantino fans have only grown stronger. What a time to be alive! It’s hard to imagine anyone could love the director more than I do, but his latest film has managed to make me fall even deeper under his spell.

Tarantino is a master filmmaker and he has an almost supernatural gift for storytelling—a true magician. He takes us on a ride that is thrilling, terrifying, and funny as hell. Once Upon a Time in Hollywood is the best of Tarantino; it’s everything we could want from this incredible filmmaker. And when it ends, we want more. We want to get lost in Tarantino’s world forever.

Here are 10 more of my favorite movies from one of my favorite filmmakers:

Pulp Fiction — This movie is utterly brilliant, start to finish. It’s like taking a voyage into Tarantino’s mind. The movie is filled with great characters, great dialogue, and it just never stops moving forward at full speed. You can’t afford not to see this movie if you’re a Tarantino fan or a fan of crime films in general. Kill Bill: Volumes 1 & 2 — These are two “masterpieces” that feature Uma

Bob Richardson’s Philosophy

I was born in Duluth, Minnesota and raised in a small town called Cloquet. I headed to the big city of Minneapolis to play football at the University of Minnesota. I graduated with a degree in business and played professional football for the Chicago Bears in 1969-70 and then the St. Louis Cardinals before being traded to the Miami Dolphins where I played for two years.

I wasn’t a very good football player but was very lucky to have many great coaches who taught me that “It’s not how big you are, it’s how good you are” If you can learn from your mistakes and continue to get better, success will follow.

When I retired from playing football, I began my career as a financial advisor with Waddell & Reed Financial. It was here that I learned that my favorite part of working with clients wasn’t just helping them achieve their financial goals; it was also making friends along the way.

Now, over 40 years later, I am still helping people reach their goals and earn their trust  as a Principal Financial Advisor at Edward Jones.

Specializing in retirement planning and investment management, my passion is helping families reach their financial goals so they will be able to enjoy a more comfortable retirement lifestyle. When you’re secure financially, you

Light Like Robert Richardson

What inspired this post was a question I got from a reader named Sean. He emailed me asking, “What are some of the film-specific tips that Robert Richardson shares in his tutorials?”

I’ll be honest with you. I remember watching and being inspired by Robert Richardson’s tutorials when they were first released to the public, but I watched them so long ago that I don’t remember much about what he said. I do remember, however, that he was very calm in front of the camera and had a relaxed approach to teaching lighting.

Tutorials like Richardson’s can be great learning tools if you’re trying to figure out how to use your camera or how to approach a particular type of photo shoot. Unfortunately, there are a lot of people in online photography communities who are too quick to tell you that you’re doing everything wrong if you haven’t gotten the exact same result as them.

They’ll say things like “You need an expensive camera” or “You need expensive lenses.” Maybe they have those things and maybe they don’t. The point is, it doesn’t matter because everyone has different resources and everyone learns differently.

All these people trying to one-up each other can make it intimidating for beginners to learn the ropes and get started with photography.

Cinematography Tips From Oscar Winning DP Robert Richardson

There are a couple of ways to achieve depth of field. If you’re working with a small camera, it may have a setting built in which will allow you to achieve this effect. If not, it’s easy enough to accomplish by adding a neutral density (ND) filter. This will cut the amount of light reaching the camera’s sensor and thus allow you to shoot in bright conditions without overexposing your images.

The essence of achieving depth of field is to use longer focal lengths combined with wide apertures.

If you are shooting on a DSLR or mirrorless camera, you can select the widest aperture on your lens, which will be indicated by an f-number such as f/2.8 or f/4. With SLRs, this is usually achieved by stopping the lens down using the aperture ring on the lens itself. If your lens doesn’t have an aperture ring, consult your manual for instructions on how to “stop down” the lens using the camera controls.

Different focal length lenses give different effects and compositions when you combine them with wide apertures and shallow depths of field. Generally speaking, longer focal lengths result in narrower angles and shallower depths of field. One hundred millimetre lenses are enough for full-body portraits

H3 Tag:

Robert Richardson Working With Auteurs

It’s hard to believe that it’s already been ten years since I worked with the legendary DP Robert Richardson on his first feature film, The Man From Elysian Fields. We didn’t know each other very well at the time, but I had met him a few times through my agent and through mutual friends. I was always impressed by his work and wanted to do something together, but we never really had a great project or fit until Elysian.

I read the novel in manuscript form when I was out of work after completing Eyes Wide Shut. It was a dark, brooding book about a struggling novelist who gets involved with the wife of a famous actor, who is also his best friend — a relationship he can’t quite get out of.

When we met about the project, Robert was just getting off of Steven Spielberg’s A.I., and he said he wanted to make something more like his first film, One False Move — gritty and real. He didn’t want any “Hollywood” element in it — no big production company and no stars. When I heard that, I thought: well then, this is the guy for this project!

Robert Richardson Halo Lighting And Expressive Techniques

Hi everybody, my name is Robert Richardson, and in this course we are going to be talking about the techniques of lighting and the use of light to create expressive images. I think that one of the most powerful things in a photographers kit bag is light and how we can use it to create photographs that have life and movement.

Tonal range is half the story when it comes to using light to create fantastic images. I know that sounds like an oversimplification but as you will see, it is true. There are some amazing photographers out there who do not know anything about light, they are only concerned with tone range, which I think is a shame because in this course we will see how simply changing the way we use our light can transform any image.

To give you an example, let’s say that we had two objects here, one white and one black. Now, the obvious thing to do with them would be to take a photograph that showed off their tonal range and all their detail by shooting them in direct sunlight or by shooting them in shadow. This will show us all of their tonal range but it won’t tell as much of a story as if we were able to shoot them in a more expressive manner.

Robert Richardson A Variety Of Angles, Shots, And Movement

There are a lot of things that you can do to improve your photography. If you’re taking pictures with your cell phone, there are a few apps that make it easier to take pictures that look better than what you would normally get on your phone. Of course, the best way to improve your picture is to learn more about photography. There are a lot of classes available so that you can learn how to use lighting and other techniques.

TIP!

Different photographers have different styles. Try out different photographers and see what they do. You might even want to try out several photographers before making a choice.

When you take pictures with your cell phone, don’t just snap a photo randomly. For example, if you want to take a picture of a flower, position the mobile device so that the subject is at an angle in relation to the sun so that it shines in the petals. This will make your photos much more interesting and attractive than when you don’t do this.

Lighting is very important in photography. You can take great pictures without perfect lighting, but it will be very tough for you if you don’t have any good lighting at all. Lighting makes colors appear correct and can make or break an image depending on how well it’s done. Natural

Robert Richardson Mixed Medias And Textures

Richardson’s mixed media paintings of the female body are sensual, provocative and often represent an exploration of power relations. The artist, who has been called “the Picasso of the new millennium,” is a master of combining diverse techniques, such as painting, photography, collage and drawing to create his images.

Toning paper with paint can add texture to your work. Here’s how:

Select a piece of toning paper or canvas the same size as your drawing or painting.

Choose a Black & White charcoal pencil (such as Derwent Studio Graphitint) and begin creating marks within the surface of the paper. This will create a rich black tone that will show through your paint.

Apply a coat of oil-based primer first, then use an acrylic medium in a colour base to tint the primer – for example yellow for sunny days or blue for night time. Allow this to dry thoroughly.

Create marks on the toned surface using coloured pencils such as Art Spectrum Coloursoft, or watercolour pencils by Faber Castell Polychromos and Caran d’Ache Luminance for deep pigments that will glow through your acrylic paint layers later on.

A couple of years ago I was able to catch a spectacular exhibit of Robert’s work at the Lowe Museum in Miami Beach. He had some amazing pieces, including one of my favorite ones: The Cornfield.

I can’t believe I never got any pictures of that piece! We ended up talking about it for a long time, and he told me how he worked with all different kinds of mediums and textures to create his masterpieces. He also showed me how you could use different objects as part of your artwork. What a great experience!

Robert Richardson The Lasting Importance Of Contrast

Contrast is one of the most important elements in the creation and appreciation of art. Contrast is the difference between two or more elements, typically colors, values, or textures that attract our eyes when they are used together. When we use contrasting elements in a piece of art, they create a visual tension which pulls the viewers eyes into the work.

Toned Paper:

Contrast is typically created by using darker darks and lighter lights so that the viewer has a point of interest such as an area to focus on in a painting. An example of this would be using a dark background color with muted tones in the subject matter while using light colors for accents. This can be seen in many pieces of art including painted portraits, still life’s, florals and landscape paintings.

Analogous Colors:

This form of contrast is created by using different variations on one color such as red-orange, blue-green and yellow-orange. This type of contrast helps move the eye around the painting creating movement and attracting attention to specific points in the painting.

Color Palette:

Contrast also comes into play when choosing colors for your artwork. If you are going to use a limited color palette ( 3 – 5 colors ) then select colors that have significant contrast.

The post Robert Richardson Cinematography Style: A Look At One Of The Masters appeared first on Filmmaking Lifestyle.