Runtime: 1hr 36min
Director: Danny Boyle
Release Date: 23rd February 1996
Rating: 18 (UK), R (US)
Due to the much-anticipated release of T2 Trainspotting this weekend, this throwback Thursday called for a re-watch (and review) of the original motion picture.
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Trainspotting was undoubtedly huge; launching director Danny Boyle and the lead cast into stardom shortly after its release - in particular, Ewan McGregor, who went on to perform high-profile roles in films such as Moulin Rouge, Star Wars and Black Hawk Down. Trainspotting was iconic in so many ways; the acting, soundtrack and honest scripting all left their mark on everyone that watched.
Most memorable of all must be Rentons' (McGregor) "Choose Life" speech during the opening scenes, which was not only reprised throughout the movie but brought to life once more in the trailer for its' sequel: T2 Trainspotting. The entirety of the film is filled with moments like this - fast-paced, raw and utterly glorious.
Most memorable of all must be Rentons' (McGregor) "Choose Life" speech during the opening scenes, which was not only reprised throughout the movie but brought to life once more in the trailer for its' sequel: T2 Trainspotting. The entirety of the film is filled with moments like this - fast-paced, raw and utterly glorious.
The plot doesn't shield from the harsh realities of the characters' lives; Trainspotting is critical in its storytelling - following Renton and his heroin-addicted lifestyle with his so-called "mates" Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle) and Tommy (Kevin McKidd), all portrayed excellently authentic. Scenes like 'the worst toilet in Scotland' provides a great example of how Trainspotting does not care just how disgusted or distressed the viewer may be; it simply shows what it needs to to get the point across.
What is the point though? How did Trainspotting tell such a story of desperate criminal activity whilst still managing to be relatable and enjoyable? The answer lies in its' scripting, casting and uninspiring set. The characters and environment are designed to be as incredibly ordinary as possible, of no real interest and deliberately bland. Characters we love to hate and hate to love and identify with even though we differ greatly. That's the magic of Trainspotting entirely.
Trainspotting is daring and rife with idiosyncrasy; a movie that you can respect while you watch it. Many filmmakers can only dream of recreating what Trainspotting achieved, and in trying only convey an air of pretentiousness. The film still holds up today, is still seemingly somewhat relevant, and the acting is still wonderful even by modern-day standards. I can only hope the sequel can live up to expectation: the bar is set very, very high.
9/10
