Ice Patterns, Hudson River / Olympus OM-D E-M1 , f/4 @1/60 sec, ISO 200, 40mm (effective)

“Great Photography is about depth of feeling, not depth of field.” - Peter Adams

Processing Images With Vision

A great print relies on proper Processing and interpretation to achieve good tonal separation, rich gradations, sharpness, and what I like to call emotional impact. Every photograph you capture needs your interpretation, otherwise they just become a record of what you saw, not what you felt.

For instance let’s imagine you’re enjoying a serene moment at Cades Cove in Great Smoky Mountain National Park. The light is soft and magical and the forest floor is carpeted with beautiful wildflowers of all shapes and colors, all wet with a rain shower that has saturated their colors and created a great opportunity for photography. And most importantly, you feel like this is where you want to be—you’re inspired and in the flow, distracting thoughts all but non-existent.

The camera will capture the light that hits the sensor, but that doesn’t contain your feelings and opinions about the subject. Without proper interpretation of the Raw file, how do we know what inspired you? The rain, the setting, the colors of the flower or flowers, or something else that makes you who you are? Was this just a walk through the woods and you snapped what you saw, or did you study each flower, appreciate its beauty, enjoying the wonderful gift of nature? That’s what interpretation is all about, and every great photographer from the past to the present has interpreted his/her images in a similar way.

Think Processing Instead of Post-Processing

Developing your images in Lightroom or other Raw developer is part of the Creative workflow, and should not be detached or separated from the original inspiration. When we think of this as “post-processing”, I think it detaches it from the creative side of our brains, and puts the focus on the tools—in this case the software—and whether or not we’re making adjustments that are correct and/or routine. This is the main reason why I avoid presets and formulaic approaches to editing. Plus it becomes all too easy to reach for that preset and get predictable results instead of letting the image Guide you intuitively.

We should really be looking at each photograph as a unique expression, and then deciding how the tools can best help us to achieve our overall Vision for the image. This means learning the tools so we know what we can and can’t do with them, and then using that to guide the editing process.

In other words, using our example from the Smoky Mountains, how can Lightroom help you convey the feelings you had on the trail? What can we do to the image to make the developing as creative and organic as possible? I don’t think of this as post-processing, but rather as a necessary step in the making of the image. The closer you associate the two, the more your processing will align with your vision as a photographer.

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