When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all lighting scenarios I enjoy making photos in with consistent results.

With Kodak’s prices on the rise and the limited availability of many Film Stocks both in quantity and variety here in Lisbon, Portugal led me to Lomography CN 400 and to see if and how I could integrate it into work or even better if it could replace any of my current go-to film stocks.

Continue reading 5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo at EMULSIVE.