Stop Motion and GIF creation
from the editor’s perspective
Stop Motion projects are really exciting for me, as the post production process is different from that of a typical video based project. Since stop motion is essentially animation – but created using photos – it requires a different way of looking at it, we approach a stop motion project as an animator rather than a video editor.
In this blog, we’re treating stop motion similarly to how we would treat moving GIFs. With the need to provide more engaging content for social media channels – particularly for Instagram, it feels as though GIFs and stop motion short form video are now the same thing. Even though we aren’t delivering GIFs in that file format – people associate moving GIFs and stop motion content as the same thing.
I guess what we typically deliver are short clips in the spirit of GIFs. The best way to think of a GIF is as the halfway point between images and videos. The main advantage of using them is that they are engaging and can stand out more than a still image and are a lot smaller and easier to digest than traditional video, so they can be uploaded easily to the web and are perfect for Mobile device users.
We start by making a rough selection of the images we want to use (not unlike our video process), the main difference here is that naturally the changes are very slight on a shot by shot basis and we tend to need a variation off all decided upon shots, we can’t just cut something. Unlike video we tend to do this before importing it into our editing software.
Since our images are taking at such a high quality, we have a lot of room to play with when it comes to framing, the images are massive so we need to start by scaling them right down to our desired Frame size, this helps later if we plan on exporting different crops (1×1, 9×16 etc.)
Once we have our image sequence framed correctly we can start with the compositing. This can be a slow process since we have to consider each individual frame and involves cutting elements – such as wires, rigs or stands – out or adding others in.
A large part of editing stop motion is making things appear natural. Since our eyes compensate for certain aspects of motion – which standard video frame rates adheres to – and stop motion does not. Movement in stop motion can appear unnatural as it isn’t recorded as a single fluid motion but rather frame by frame. To make things seem more natural we need to manually add in motion blur.
To keep things consistent in a stop motion video, camera movements are limited. So adding in virtual camera motion when needed is part of the process, the complexity depends entirely on the project
Once we are happy with the video, we can start the colour grading process. This is largely the same with other videos but we need to remember each of the elements that make up the video, as each frame will typically be made up of different images from the compositing earlier. Stop motion is a lot less forgiving than video when it comes to any changes in lighting etc. so we need to consider this and potentially amend frames on an individual basis.
We finish by adding any titles and logs which weren’t part of the animation, reformatting for the various socials and any other finessing required. Stop motion is great because it allows for real creativity and some truly unique projects. There is a real sense of control which is hard to emulate in a more traditional video project.
We all feel that, working collaboratively on this amazing jewellery photography shoot, we created great quality content for Maggie’s website and social. We’d all love to work with Maggie again in the future, and we’d be thrilled to have more opportunities to elevate her brand with key jewellery photography.
Ryan Booth, Video Editor
“Fun, innovative and unflappable. Pocket Creatives are great to work with – whether it’s finding the perfect lighting for trifle to capturing GoPro footage on a whisk, they always approach every situation with a steady yet game-changing attitude. I see the whole team as trusted creative partners to make great content together.”
Kitty Aldis, River Group
“I have been working with Steven and the brilliant Pocket Creatives crew for 3 years – in fact since they started out. They have captured in excess of 100 recipes, produced 7 videos including 2 crowdfunding campaigns, their work, professionalism, and commitment to client satisfaction second to none. What’s more is how they have developed, evolved and grown in creativity, experience, and inspiration.
On a personal front the individuals in the team have to most wonderful personalities – an absolute joy to work with!”
Tanya Robertson-Lambert, Tanya’s Just Real
“I worked with Steven and his Pocket Creatives team to create a recipe video, and I couldn’t recommend their services enough! From the ideation stage, through to filming and editing the finished product, at every stage, the whole team were first-class, going above and beyond to create a compelling, high-quality recipe video that generated heaps of engagement. I would definitely work them again.”
Ben Cullen, OLIO
