Mini Biography By: L.H. Wong
Biography – Filmography Rithy Panh by Wikipedia
RITHY PANH: LIVING THE EXPERIENCE OF GENOCIDE IN BODY AND SOUL – THIERRY CRUVELLIER
The preservation of memory – Daniel Besant
Award-winning filmmaker Rithy Panh has dedicated his life and work to ensuring that Cambodia’s struggles are never forgotten
The Sounds of Everyday Life in Rithy Panh’s Documentaries – Panivong Norind
French Forum 35(2):181-190 DOI:10.1353/frf.2010.0004
Rithy Panh Scours Memories in Search of Truth – JODY MCPHILLIPS
Cambodian filmmaker Rithy Panh’s search for catharsis – Poppy McPherson
Related Articles
Rithy Panh – Amnesia in Cambodia
IDFA 2013 | Masterclass Rithy Panh
A reconstruction of a memory, to counteract the propaganda: that is what Rithy Panh’s latest and highly personal film The Missing Picture is. During his master class in Tuschinski he held forth on the role cinema has in his life and the necessity of taking a stand.
Land Of Wondering Souls – Rithy Panh (2000) / Full Movie
S21: The Khmer Rouge Killing Machine – Rithy Panh (2003) / Full Movie
The Missing Picture – Rithy Panh (2013) *Oscar Nominated Film HD / Full Movie
The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide – Julian J I Koch
https://doi.org/10.1080/10509208.2022.2102858
This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the “Final Solution” (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.
trailer – clip only
Enemies of the People – Rithy Panh (2009)
Exile – Rithy Panh (2016)
Graves Without a Name – Rithy Panh (2018)
Irradiated / Irradiés – Rithy Panh (2020) – Clip (English Subs)
simak pula
The Complexity of Evil : Perpetration and Genocide – Kajian-kajian Timothy Williams Tentang Genosida Rwanda dan Kamboja
Genocide in Cambodia and East Timor – Studi Perbandingan Genosida Kambodja dan Timor Timur Bersama Noam Chomsky, Ben Kiernan, Michael G. Van, Christopher Anderson
Kompilasi Ben Kiernan : Kuliah dan Wawancara Tentang Genosida dan Kejahatan Terhadap Kemanusiaan, serta Studi Komparatif Genosida Kamboja dan Timor Timur
periksa pula bibliografi Kamboja (dalam perbandingan)
Para Sineas dan Pekerja Film Mengungkap Jejak Sejarah Hitam Genosida / Kejahatan Kemanusiaan / Tragedi 1965-1966
IDFA 2013 | Masterclass Rithy Panh
A reconstruction of a memory, to counteract the propaganda: that is what Rithy Panh’s latest and highly personal film The Missing Picture is. During his master class in Tuschinski he held forth on the role cinema has in his life and the necessity of taking a stand.
Land Of Wondering Souls – Rithy Panh (2000) / Full Movie
S21: The Khmer Rouge Killing Machine – Rithy Panh (2003) / Full Movie
The Missing Picture – Rithy Panh (2013) *Oscar Nominated Film HD / Full Movie
The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide – Julian J I Koch
https://doi.org/10.1080/10509208.2022.2102858
This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the “Final Solution” (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.
trailer – clip only
Enemies of the People – Rithy Panh (2009)
Exile – Rithy Panh (2016)
Graves Without a Name – Rithy Panh (2018)
Irradiated / Irradiés – Rithy Panh (2020) – Clip (English Subs)
simak pula
The Complexity of Evil : Perpetration and Genocide – Kajian-kajian Timothy Williams Tentang Genosida Rwanda dan Kamboja
Genocide in Cambodia and East Timor – Studi Perbandingan Genosida Kambodja dan Timor Timur Bersama Noam Chomsky, Ben Kiernan, Michael G. Van, Christopher Anderson
Kompilasi Ben Kiernan : Kuliah dan Wawancara Tentang Genosida dan Kejahatan Terhadap Kemanusiaan, serta Studi Komparatif Genosida Kamboja dan Timor Timur
periksa pula bibliografi Kamboja (dalam perbandingan)
Para Sineas dan Pekerja Film Mengungkap Jejak Sejarah Hitam Genosida / Kejahatan Kemanusiaan / Tragedi 1965-1966
Simak 1800 ‘entry’ lainnya pada link berikut
Daftar Isi Perpustakaan Genosida 1965-1966
Road to Justice : State Crimes after Oct 1st 1965 (Jakartanicus)
Definisi yang diusulkan D. Nersessian (2010) untuk amandemen/ optional protocol Konvensi Anti-Genosida (1948) dan Statuta Roma (2000) mengenai Pengadilan Kejahatan Internasional. (disalin dari Harry Wibowo)
