Redeemed is the newest album from New York-based artist Phil Gammage, whose bluesy rock and folk sound is propelled by rich lyrical narratives and dynamic pursuits — from the hauntingly psychedelic balladry of “Messages from the Grave” to the southern rock ‘n’ roll heat within “Johnny Lee.”

“Good Place” opens the album with a warming sound, as playful keys, warming organs, and frolicking acoustics guide into debonair vocals. “It’s a good place to fall in love,” the vocals stir within the charismatic rise. Seamless alternation between subdued narratives and rousing soaring makes for a compelling kick-off to Redeemed. “Right On” follows with a bluesy immersion; harmonica leads into a wary vocal presence, telling the tale of a man “who made the evening news,” with perilous escapades. The artist’s knack for personality-filled songwriting continues here and throughout Redeemed.

Another highlight comes in the album’s title track, showing a soulful gospel inspiration alongside a traditional folk enamoring. The “devil’s waiting,” opening and quest for self-introspection compel into the “now I’ll be Redeemed,” catharsis; check out its music video here. “Messages from the Grave” captivates with a ghostlier sparseness, also touting a music video, while “The Rain” concludes the album in enthralling form. Twangy guitars and hazy organs complement a nostalgic vocal dreaminess, with bouncy piano adding further to the infectious, throwback quality. Redeemed shows an abundance of quality songwriting from Phil Gammage.

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“The Rain” and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

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