Recently, the ancient Chinese fantasy immortal drama Till The End of The Moon starring Luo Yunxi, Bai Lu and Chen Du Ling was a big hit with the audience.

At the early stage of filming, Till The End of The Moon released a series of character posters and interpreted the costumes, which are a reinterpretation of ancient Chinese national style Dunhuang murals, and the unique design of Dunhuang costumes, which directly caused a sensation on the Internet.

At the age of six, Tantaijin was sent to Sheng as a hostage and suffered humiliation. The black and gray coloring sets off his lonely temperament and the metal-like ornaments accentuate the hidden danger in his body. As for Lai Susu of “The Dawn of Righteousness”, her clothes and colors are based on the image of the flying sky on the Dunhuang mural, with licorice yellow and lapis blue as the tone, adding a bit of intimacy to her.

Like the role of Ye Bingshang, in the color of the Dunhuang goose protein and indigo violet collision color, in the fabric used silk, satin and other light fabrics, texture and luster, with a unique fan-shaped sleeves, ribbons, the use of an elegant, pure, flamboyant figure in a perfect way, forming a good and innocent false face, and her selfish and self-interested create a sharp contrast. The audience cheered for this!

The costumes in Till The End of The Moon have also been well received by experts in Dunhuang, and He Wenlong, director of the Dunhuang Mogao Grottoes IP Licensing Center, has given high recognition and importance to “Till The End of The Moon”, saying, “This is an unprecedented Dunhuang immortal theme of Till The End of The Moon.”

The official announcement of Till The End of The Moon was accompanied by the release of a new costume special, in which people see a perfect combination of Dunhuang art and traditional costumes, bringing the audience a new visual feast that shows the charm and historical heritage of traditional Chinese culture to the fullest.

First of all, in terms of color matching, the costumes pay attention to color matching and coordination, and design unique color matching according to the characteristics of the characters, making the costumes more flamboyant and luxurious. For example, the King Tantaijin played by Luo Yunxi, in the color palette of the costume, can be described as “colorful”, with dark green, dark green, dark purple, ink gold and other deep colors, so that the majesty of the character seems natural and natural.

Secondly, in terms of details, Bai Lu plays the role of a mussel princess, and in terms of costume, he also added pearls, shells and other accessories to give people a sense of innocence. In the costume design, drawing on the patterns of the cave murals, the fantastical colors of the Yardan landforms, and the garland of ornaments with Western characteristics. This beautiful outfit, coupled with the facial value of the actors, impresses everyone.

It is with such details and artifacts that make the gorgeous and exquisite costumes of Till The End of The Moon highly artistic. As costume director Huang Wei said, “Till The End of The Moon is an innovation to mythology, not a breakthrough to immortality.”

Besides, the feud between the demon god Tantaijin and Li Susu, the daughter of the clan master of Hengyang, is also the focus of everyone’s attention, how did they overcome many difficulties and come together? The audience can’t wait to know what is going on.

It is understood that the Till The End of The Moon will soon be broadcast, audiences look forward to seeing more and more beautiful Dunhuang national aesthetic elements in this TV drama, feel the charm of traditional Chinese culture.