Bombshell: All About Drama Starring Charlize Theron And Margot Robbie

The late Roger Ailes was a right-wing executive president, Donald Trump-supporting Fox News, who had a significant influence on American media and politics until he was forced to resign, in 2016 (with a payment of $ 40 million) Allegations of sexual harassment of employees.

Bombshell captures the toxic environment inside the Fox News building, where Ailes will pursue or end a woman’s career based on sexual desires. His behaviour was derived from an open secret and an impurity, which was stated here, “that no woman in corporate America demands her boss.”

However, this was about to change.

As such, the film proposes a #MeToo revolution. With a trio of highly contrasted performances by Charlize Theron, Nicole Kidman and Margot Robbie, it has a dazzling appearance and a sarcastic and light touch that seems quite daring given the seriousness of the subject, but that works due to the twisted and manufactured media. The medium that contains your story.

The double meaning of the title reflects not only the commotion caused by the fall of Ailes but also the feminine image (low-cut tops, high heels, similar to Barbie) that he created for his television cameras and his own, Designed for perverts. Private look

Theron plays Megyn Kelly, a star news anchor on Fox, who was cut off by the wings of confidence in the initial segment of the film when he challenges Trump for his unbridled sexism, for the presidency and his troll. Suffer a year of attack by the army.

As a result, when lower-level presenter Gretchen Carlson (Kidman) files a sexual harassment lawsuit against Ales (a reasonably good John Lithgow) and the office is awake in hopes of follow-up charges, Kelly remains silent, despite that. , Similar experience.

Meanwhile, Kayla Pospisil (Robbie), a fictional composition, is a young employee who drank Fox’s kool-Aid and is connecting it without thinking to get to the top, until she is in Ailes office. Reach and realize what happens. Robbie painfully explains Kayla’s shock and humiliation as the old man pleads in front of him, and the seductive prelude of Bombshell ends abruptly.

Robbie is very good at heart; his character has experienced the dramatic heart of the movie. Theron and Kidman say goodbye a little less well, their physical changes distract the disorderly complexity of their real-life characters apparently out of reach of despair.

This poses a problem for director Jay Roach (meeting parents) and writer Charles Randolph (The Big Short), whose work is powerful to some extent. Still, the program could make Murkily go deeper into the politics of the tangled office.

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