Writing about the Accelerated Dragon the other day jogged my memory where my one-time favourite Sicilian, the Scheveningen, was concerned. The Scheveningen was the Sicilian variation that first appealed to me in my youth: it appealed also to the most exciting and strongest young player in the world. So whatever happened to the Scheveningen?

I grew up in a house full of books, and more than a few of these were chess books: the first opening books I saw were probably Barden's on the Ruy Lopez


and Hooper's on the Petroff


the second of which was a particular influence.

But those books had been there as long as I remembered: the Barden may even have turned up before I was born. Certainly both were around before I knew there was such a thing as chess.

The first opening book I can remember actually arriving was Craig Pritchett's Batsford book on the Scheveningen, published in 1977, just as I was beginning to play tournament chess.


What I recall attracting my attention was this strange 2...e6 move, which seemed perfectly sensible to me but also seemed eccentric, given that when the Sicilian appeared in, say, My Sixty Memorable Games, it was always with 2...d6 or 2...Nc6. How strange. But it looked more solid and less subject to getting mated in twenty moves than the alternatives, so I paid attention.

Later in my teens I found myself tempted by the Taimanov - I'd been looking at Karpov's games, and he had been an aficionado in his earlier days - and less sensibly the Najdorf, in which you likely did get mated in twenty moves. But I was interested enough to get Garry Kasparov's book, or what I thought was Garry Kasparov's book, though these days I tend to ask myself how much of it was Nikitin's work and how much Kasparov's name on the cover. What the cover didn't say, in fact, was "Scheveningen". But the Scheveningen was basically what it was.


That was 1983, which when I both went to university and went into a few years' semi-retirement from chess, playing just a small number of inter-college games and some postal games to keep my hand in. While I was sort of away, Garry Kasparov played quite likely the most famous of all Scheveningen games- and for that matter, one of the most famous games played between the end of the Spassky-Fischer match and the present day.


When I came back, half a decade later, I played (at first) the same openings that I had before, including the Scheveningen, even playing a couple ofhalf- decent games with it, or at least a half-decent game and a half. (The half-decent game can be viewed below. The half half-decent game is viewable here.) And then at some point or other I noticed that nobody who was any good seemed to be playing any Scheveningens, not via 2...e6 at any rate. In 1993 Kasparov played ten Sicilians against Nigel Short, all with 2...d6: later in the decade, at supergrandmaster level, there was a lot of 2...Nc6, leading to the Sveshnikov. (Whatever did happen to the Sveshnikov?) But the Scheveningen seemed to be forgotten.

It turned out I hadn't been paying proper attention in 1984-5: without my noticing it, Kasparov had apparently become disillusioned with Black's prospects in the Scheveningen, at least when reached by way of 2...e6. In fact, though in the first two matches with Karpov he'd played several Scheveningens, only the first game of the first match had come about by that move-order. Game 43 in the first match arose via the Najdorf with 6. Be2, as did game 45, at least if you follow the move-order Ray gives


in his instantly-recycled-Spectator-columns book of the match


but not, for some reason, by the current chessgames.com page, which gives 2...e6.


Similarly with game 5, for which Ray gives 2...d6


but chessgames.com gives 2...e6.


Be that as it may, games 35 and 37 were Richter-Rauzers. Game 3, though it began with 2...e6, went into a Taimanov, as did games 12 and 16 in the second match. Games 2, 10 and 18 of the second match, and of course game 24 as given above, were all Scheveningens - but they all got there via 2...d6.

There was also game 14, which began with the hybrid 1. e4 c5 2. Nf3 e6 3. d4 cxd4 4. Nxd4 Nc6 5. Nc3 d6, after which Karpov continued 6. g4 taking aim at a knight which had not yet come to f6. And in this eccentric choice lay, apparently, the secret of Kasparov's reluctance to come to the standard Scheveningen position by the standard order: the Keres Attack, 6. g4. Strong enough to play even without a knight yet there to threaten: stronger still when it's been waiting for you on f6 from move four.


That was what Karpov had played in that very first game of the very first match, and although nothing apparently terrifying for Black had occurred in the game itself, Kasparov obviously had not liked either what he had seen or what he found later. He liked it for White, at any rate.

And that, as far as I can see, is what happened to the Scheveningen: the Keres Attack. By the time I found out I'd had a quarrel with it myself, by way of Mihai Suba's immensely interesting Dynamic Chess Strategy (Pergamon, 1991)


which touched on the game van der Wiel-Kasparov. Amsterdam 1988 and the forced draw which White played in that game. Suba says

I can recommend the safer 10...b6 or just switching to the Caro-Kann

and not fancying the first of those choices I went looking for another way to play with Black.

Nevertheless I still got Pedersen's 1998 Cadogan book, which is unfortunately just about the dullest opening book I've ever bought


but two later efforts haven't tempted me to open my wallet.


I even bought an old secondhand copy of the original Pritchett, just for old times' sake, but I'd lost interest in it as an opening for the present day. Still have.

At which point you may be asking, as I did not - what happens if Black goes with Kasparov's move order, via the Najdorf, and White plays 6. Be2 - is the Scheveningen still viable? And to tell you the truth, I haven't really got a clue. Nor much interest, since not playing the Najdorf was always what I was trying to do. But I can't say as I've seen much of it lately, by any move order.

Then again. I can't claim to have been paying attention. And for all I know it'll crop up in the next few weeks as the opening of choice in Moscow.

Or it really might be dormant, or dead, as an option at the highest level. If it is - who, other than Karpov and Keres, killed it?



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