Silence is the way to wisdom, anger is the way to self-immolation, killing self-intelligence. Clobbering is hurtful and disturbing but the words heard inside the mind in silence is more powerful and emphatetic to draw one's attention to mindfulness than the sound of punches. The usage of ultimate weapons such as strategic planning, emotional intelligence to have a great understanding of the kernel of enmity whose hatredness causes one to become enemy would disarm enmity. Therefore, the wise is he who lives in the prepardness of what will the day culminate with.
And as Stephen Hawkings once rightly said, " Quiet People Have The Loudest Minds."
Such is the resourceful story of Antim: The Final Truth, a perfect crime drama, as astutely directed & screenplayed by Mahesh Manjrekar for the superstar of almost 3 decades. And as a responsible actor, who's in his experienced quinquennium years has maintained the character likewise. Rajveer Singh, a son of a punjabi farmer and a cop shadowing to improve bad soil from the garden of his mother-land, not by dabangy style this time; as his own hands are handcuffed to the government, but by using the tools and methods of deliberately manipulating to dominate and control the rivalry between the established gangster and an aspiring one, and mindfully setting them all on fire of their own lit to destroy the antagonism for the desiderium of absolute rulership.
It was quite astonishing to see his chest getting wider & muscles getting bigger as he gets older. For a man of his age, having such muscular physique is the best gift to encourage fitness.
Technically, the protaganist in Salman featuring Movie is not Salman this time, but someone from his own family, Ayush Sharma, playing Rahulya, who comes from the father of wrestling and had won a prestigious title of Maharshtra-Kesari. He is also a farmer and have his feet on the ground. He's well-cultured and neighbourly and has always breathe in the open sky of righteous freedom, morality and ethicality, and seeks justice not in revenge.
But, Rahulya is not what his father is patient to. He's always after the apricity - the warmth of the sun in winter, a layabout, combative and agressive for sociomoral reasoning, lounging his father's mistakes for selling their farmland for meagre price in desperation and giving away his sister to marry a greedy family who send their daughter back home after receiving a huge dowry from Rahulya's father.
But, Rahulya is not what his father is patient to. He's always after the apricity - the warmth of the sun in winter, a layabout, combative and agressive for sociomoral reasoning, lounging his father's mistakes for selling their farmland for meagre price in desperation and giving away his sister to marry a greedy family who send their daughter back home after receiving a huge dowry from Rahulya's father.
However, his father's silence towards the dilemma of eviction, hardiness and immanence of tragic persistenece to poverty and slavery, labouring to earn sustenance happens to turn Rahulya into a prodigal son right from an incident that changes his whole life. His masculinity is hurt when he sees an old man being beaten up by the goons of extornist upon refusing to pay tax on being allowed to work as a porter at a vegetable market yard. He fights with them till he becomes a goon, a murderer, an extornist, and a land mafia by splitting the blood of the same man whom he was backed by in his initial days to seek family's revenge so that the land yields their fruit and he earn rights to money, power, material possession and societal contentment, and above all bring back the possession of their farmland his father was conspired by a business man to sell for a steal price when he was mired in mountains of destitution and indebtness.
Sad but true, the permanent abode of 6 by 3 finds its dweller through vengeance, and this is the moment Rahulya receives an accepting smile from his father for embracing the punishment that he has inflicted by his own actions.
One must say, this is Ayush's first movie as a potential actor who has outplayed the character of Rahulya better than Rahulya, if we are to compare, not giving an inch to the reflection of his own side in the process of living the dynamic way of life of a typical Marathi villager boy from Maharashtra. And Salman 's performence was like a disciplined, strict and sturdy, and intelligent cop showing the art of lion taming.
Music and lyrics is not suiting the sequence. However, if you're fond of acting based & crime drama movies, Mahesh Manjrekar would remind you of what happened to Raghu in Vaastav, Rahulya would have a similar end too but for different reasons and divergent circumstances. And Ayush Sharma would indeed convince your psychological truthfulness about acting is not acting.
Please Note: I am excited to announce that this blog is perhaps the exclusive and the first 'Reflective Report On Movie' ever written or published anywhere. Until now, we have been reading movie reviews and box office reports, but we may not have heard of 'Reflective Report On Movies'. I have worked really very hard to reestablish this genre out for brining the joy of newness in your reading experience. Reflective Reports will give you a literary analysis of the story of the movie and will be an informative guide & summary to conveying not the story but the background of the movie. I'd request you to please share this as much as possible. Your support is greatly gratifying. Let's read to lead!
Authored By
Zain Khan
One must say, this is Ayush's first movie as a potential actor who has outplayed the character of Rahulya better than Rahulya, if we are to compare, not giving an inch to the reflection of his own side in the process of living the dynamic way of life of a typical Marathi villager boy from Maharashtra. And Salman 's performence was like a disciplined, strict and sturdy, and intelligent cop showing the art of lion taming.
Music and lyrics is not suiting the sequence. However, if you're fond of acting based & crime drama movies, Mahesh Manjrekar would remind you of what happened to Raghu in Vaastav, Rahulya would have a similar end too but for different reasons and divergent circumstances. And Ayush Sharma would indeed convince your psychological truthfulness about acting is not acting.
Please Note: I am excited to announce that this blog is perhaps the exclusive and the first 'Reflective Report On Movie' ever written or published anywhere. Until now, we have been reading movie reviews and box office reports, but we may not have heard of 'Reflective Report On Movies'. I have worked really very hard to reestablish this genre out for brining the joy of newness in your reading experience. Reflective Reports will give you a literary analysis of the story of the movie and will be an informative guide & summary to conveying not the story but the background of the movie. I'd request you to please share this as much as possible. Your support is greatly gratifying. Let's read to lead!
Authored By
Zain Khan
