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Nathy Peluso “ELLA TIENE” New Single with Tiago PZK

Nathy Peluso “ELLA TIENE” New Single with Tiago PZK

EVOKES MOVEMENT ON NEW SINGLE ‘ELLA TIENE’ TEAMING WITH TIAGO PZK 

WITH UPCOMING LIVE APPEARANCES AT  SPOTIFY’S EQUAL FEST & BILLBOARD LATIN MUSIC WEEK

WATCH THE VIDEO HERE:

STREAM EVERYWHERE: NathyPelusoTiagoPZK.lnk.to/ELLATIENE

Lyrics:

“Ella Tiene” Spanish lyrics

Yo la vi pasar
Lloraba mientras borraba del celular
Las fotografías que tenía de usted
Mira que fatal comportamiento
Quebrándole la sien
Ella no sabía cómo actuar
Ni siquiera cómo hacer para disimular
Cuando le decías te juro no te miento
Te juro que lo siento, qué terrible fantasía
Para protagonizar una película y parecer el fuerte
Te olvidaste de taparte la carita, la mirada no miente
Ella tiene el tatuaje de una gran desilusión
Dijiste que la querías pero en el amor no se ponen condiciones
Tú te enamoraste
que no la supiste amar es evidente
Pero el que se equivoca se arrepiente
Te será difícil olvidarla si la miras a los ojos
Veo a alguien vacía
Que le obsequió a este corazón
Traición a sangre fría
Que tiene el don de convencerte a base de mentiras
Los ángeles nunca transan con el diablo
Eso es hipocresía
Y como puede ser que
Usted esté defendiéndola
Sabiendo que
No fue como ella dice
Yo siempre la quise
No actúo en una peli que no protagonice
Para protagonizar una película
Y parecer el fuerte
Te olvidaste de taparte la carita
La mirada no miente
Ella tiene el tatuaje de una gran desilusión
Dijiste que la querías
Pero en el amor no se ponen condiciones
Tú te enamoraste
Que no la supiste amar es evidente
Pero el que se equivoca se arrepiente
Te será difícil olvidarla
Si la miras a los ojos
Ella tiene en la mirada
Un tatuaje con tinta negra
Ay si tú la vieras a los ojos
Ella tiene el tatuaje de una gran desilusión
Dijiste que la querías
Pero en el amor no se ponen condiciones
Tú te enamoraste
Pero tú no la supiste amar
Oye mira tú te equivocaste
Te será difícil olvidarla
Si la miras a los ojos

September 14, 2023 – Nathy Peluso (@NathyPeluso) goes back to her roots and teams with a fellow Argentine Tiago PZK – for a new bachata collaboration, “ELLA TIENE,” offering a new glimpse into the variety of the unclassifiable artist, singer, songwriter and performer’s next musical chapter. Arriving alongside an official music visual, showcasing Nathy’s captivating dance moves, while the duo reminisces on love lost and the pain inflicted by it.

Nathy shares about the track: “‘ELLA TIENE’ is a song dedicated to romance, a song that tells a troubled love story. One of my searches is to, from my vision, bring the sound of the roots and Latin folklore into the present day. This time I did it through bachata, a genre that has always accompanied me and that I am passionate about. Tiago has a very special voice and is a great artist. I knew he would be a good partner to sing to romance.”

Next week, the undeniable and provocative performer is also set to take the stage at an arena her fans are familiar with seeing her: the WizInk Center in Madrid for Spotify EQUAL FEST. She will bring her one-of-a-kind headline show to Billboard Latin Music Week for her Miami debut on October 4th at Oasis, with rising talent Young Miko slated to open the show.

ELLA TIENE” follows the release of the provocative “SALVAJE,” described by Peluso as “music for your culo,” that has racked in over 12 million streams. Earlier this year, Peluso released the powerful, self-love anthem “Tonta” – the trio of singles on their own, and together, emphasizing Nathy’s effortless coolness and confidence as well as genre-bending abilities. Described by PAPER as “a chameleon, transcending culture and language with her slick and smart raps and production, packaged into a challenging and magnetic punk package,” Peluso continues to bring her uniqueness and charismatic energy to the Latin music scene.

Nathy Peluso has accumulated nearly 1 billion streams across the globe. At the end of 2022, she headlined her first-ever arena tour with sold-out shows across Buenos Aires, Argentina, Santiago, Chile, and Madrid, Spain. VOGUE U.S. published an exclusive behind-the-scenes report from the Madrid show. Earlier last year, Peluso closed her stage at Coachella, scoring the “best things we saw” accolades across Rolling Stone and Billboard to name a few, among the other tastemakers that continue to follow the provocative artist’s genre-versatile releases, from peers Cardi B, Megan Thee Stallion, and J Balvin. NME captured Nathy’s performance essence, Peluso is like Rosalía, Rihanna, Christine & The Queens, Grace Jones, and The Terminator in one bewilderingly awesome package.”

Nathy Peluso highlights:

Bold debut album ‘Calambre‘ was profiled in The New York Times

NME: “Meet Nathy Peluso: like Rosalia and Grace Jones crossed with the Terminator”

Billboard: “Armed with confidence, artistic prowess, and infectious beats and lyrics, Nathy Peluso has quickly become one of the most fascinating artists of our time.”

Performed “Delito” on Stephen Colbert’s #PlayAtHome series.

The Guardian “One To Watch” spotlight: “Argentinian singer… embraces traditional Latin sounds, rap and R&B.

CLASH: “Nathy Peluso is a star. The Argentina-born artist later based herself in Spain melding together trans-Atlantic pop tropes. Drawing from R&B hip-hop reggaeton and more her music has exploded in the past few years finding a global audience.” 

The FADER wrote, “The album is full of bright spots…” 

Fan-favorite “Delito”: +68 million streams + 19 Million more on Cardi B‘s Instagram.

Accrued the most viral BZRP Session, #36, with Argentine producer Bizarrap.

Collaboration with C. Tangana, ‘Ateo’ aroused the Archbishop, affirming her status as an artist who pushes boundaries.

Bossed-up female empowerment anthem ‘MAFIOSA’ encourages women to flip the male gaze.

SXSW 2021 virtual conference performance of a personal R&B jam, “Buenos Aires“

Directorial debut, ‘VIVIR ASÍ ES MORIR DE AMOR,’ is an ode to Camilo Sesto’s unforgettable 1978 hit.

CLASH said “Nathy Peluso Is Unstoppable. Meet the Latin pop revolutionary walking her own path…



This post first appeared on New York Style Guide, please read the originial post: here

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