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African-American Art: Enter and Exit the "New Negro"

Winold Reiss, “Langston Hughes”, 1925.
Film still from Richard D. Maurice’s “Eleven P.M.”, 1929.
Aaron Douglas, “Dance Magic”, 1929-1930.
Carl Van Vechten, “Aaron Douglas”, 1933.
Cover of Harmon Foundation Exhibition Catalogue with William H. Johnson’s “Self-Portrait”, 1929.
Doris Ulmann, “Baptism
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African-American Art: Enter and Exit the "New Negro"

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