Top Netflix Series 2022 that you should not be missing out on. As our primary source of entertainment is no longer limited to TV and movie theaters alone, we can’t deny Netflix has become part of our life. Netflix has become an always-available source of entertainment, and it is always available around you. When you are at home, traveling, or in any place that suits you, that makes Netflix an essential source of entertainment for us.

Which are the top Netflix shows 2022

While our choices were limited, so were the resources; in the present time, the options are abundant, and it takes a toll to decide what you want to watch or what you should watch. With so many OTT platforms in our daily life and Netflix being one of the primaries, We cannot overlook the vast number of series or movies it offers. So here we have shortlisted binge-worthy series that might be interesting for you. If you have not yet watched them, you should try them, and do not forget to tell us how you felt about them. Also, if you have watched all this before, you should recommend your favorites to us so we can review them later.

Our Recommendations:

Here are ten recommendations from our end that are top Netflix series 2022 that must be on your watchlist. 

Stranger Things: 

A series of extraordinary mysteries that will blow your mind. A group of youngsters keeps on unfolding mysteries in the small town of Hawkins in Indiana in the 1980s. The city becomes a victim of government exploits and supernatural powers that result from scientific experiments on the human race. This series contains a combination of mystery, thrill, romance, and drama.

Created by the Duffer Brothers and starring Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine, Noah Schnapp, Sadie Sink, Joe Keery, Dacre Montgomery, Sean Astin, Paul Reiser, Maya Hawke, Priah Ferguson, Brett GelmanThe Stranger Things is an American science fiction drama horror television series that shows a story revolving a boy who goes missing and the town starts facing supernatural threats and discovers a strange little girl.

This series has four seasons, and might look forward to the next season to be launched in 2024. Though the launch of the 5th season is still not confirmed, it can be revealed in the following year. This series is worth giving a shot if you are into mystery and supernatural fiction involving horror and drama.

Here is the link to the fantastic Netflix series, which can be shortlisted as a must-watch: click here.

Money Heist:

The next one on the list of top Netflix series 2022 is the Money Heist. As the name suggests, it is all about a well-planned heist for money. A criminal mastermind builds up a team of eight with their own unique qualities and no attachments and nothing to lose. The mastermind of the group had planned up the biggest heist in the history of humankind.

Created by Álex Pina this Spanish series casts few amazing actors like Úrsula Corberó, Álvaro Morte, Itziar Ituño, Pedro Alonso, Paco Tous, Alba Flores, Miguel Herrán, Jaime Lorente, Esther Acebo, Enrique Arce, María Pedraza, Darko Perić, Kiti Mánver, Hovik Keuchkerian, Luka Peroš, Belén Cuesta, Fernando Cayo, Rodrigo de la Serna, Najwa Nimri.

The series has two long heists planned to target the Royal Mint of Spain and the Bank of Spain and shows a lot of plot twists. This drama revolves around the execution of a well-planned heist and includes romantic and thrilling shots. This is another must-watch series among the top Netflix series 2022.

Click Here to watch this mind-boggling series that will give you chills.

The Witcher

In late 2019, it was, by some measures, the most popular television show in the world, and it was Netflix’s second most-viewed TV debut to that point. Then Covid-19 set in, and two years passed without more “Witcher.” A few shows, notably “Squid Game,” overtook it in the all-time Netflix rankings. But Season 1 of “The Witcher” is still hanging in there, comfortably in fifth place. That’s impressive and a little surprising for a “Game of Thrones”-an on-a-budget sword-and-sorcery adventure whose visual and dramatic quality ranged from “hey, not bad” to “[helpless giggle].” Maybe it was a testament to the popularity of the source material, a cycle of stories and novels by the Polish writer Andrzej Sapkowski that has also inspired a successful video-game franchise. Maybe the audience for sprawling medieval fantasy, even when it’s medium grade, is simply that large.

Now the show’s pandemic-delayed second season is here, premiering Friday on Netflix, and based on six of the eight episodes, a lot of what made the series charming has been set aside. But that may not stop it from racking up equally impressive viewership numbers this time. Picking up in the wake of the scorched-earth battle between kingdoms that ended Season 1, the show takes Geralt away from peripatetic monster-slaying for hire. It puts him on a narrower path as a bodyguard and teacher to Ciri (Freya Allan), the refugee princess with mysterious powers. The third central character, the mage Yennefer (Anya Chalotra), has lost her magic and is also on the run. Jaskier (Joey Batey), the traveling bard — the 13th century’s version of a fabulous cabaret star — who was responsible for much of the sniping humor, is offstage in the early episodes.

It feels as if, after the good times of Season 1, the series’s creator and showrunner, Lauren Schmidt Hissrich, decided it was time to get serious — to start incorporating more of the elaborate mythology and terminology of Sapkowski’s books. Now there are more and more extended conversations filling in the history of the story’s setting, called the Continent, and of the various species who inhabit it, including elves, dwarves, and humans. Geralt and Ciri come off the road and hunker down in a witcher fortress where she trains to be a warrior, leading to discussions of whether she’s a savior or a destroyer. (There’s also a sheen of topicality, with elves representing an oppressed Indigenous population.) If you are a fan of GOT or Lord of the Rings, you should check them out.

The Umbrella Academy

 The Umbrella Academy is back, reuniting us with the superpowered Hargreeves siblings and their super-sized daddy issues. Season 2 ends with the apocalypse and the time travel shift, but that supposed victory had dire consequences.

The Hargreaves time travel shenanigans created a different timeline, one where the ruthless Sparrow Academy has replaced the Umbrella Academy. They’ve also triggered a chain of events that threatens the apocalypse, so it’s up to them to once again save the world. Since this is now The Umbrella Academy’s third installment, the “we only have x amount of time to stop the apocalypse” formula risks feeling a little overdone. Lucky for us, Season 3 avoids that pitfall (for the most part), keeping the Hargreeves’ adventures feeling fresh with powerful new character developments and a fun set of villains to face off against.

While The Umbrella Academy has always boasted a fun ensemble of characters, Season 3 is where each of our leads gets their real chance to shine. Luther (Tom Hopper) is delightful in full himbo mode, but a new romance makes him reconsider his priorities. Former vigilante Diego (David Castañeda) faces new responsibilities in the aftermath of his relationship with Lila (Ritu Arya). In one of the season’s more heartbreaking storylines, Allison (Emmy Raver-Lampman) grieves the loss of her husband and daughter from previous timelines.

Meanwhile, Klaus (Robert Sheehan) expands his powers’ potential with the help of this timeline’s version of Reginald Hargreeves (Colm Feore) and Number Five (Aidan Gallagher) tires of trying to save the world over and over. Suppose all this is not enough for you to watch a sci-fi ensemble. In that case, we must inform you that the season’s most significant development is Viktor’s (Elliot Page) transition, which the show addresses early on and treats with immense care. The scenes in which Viktor comes out to his family and discusses realizing he’s trans are among the best of the season. On top of his transition, Viktor is also grappling with the return of a figure from his past, someone who threatens to drive a wedge between him and his siblings.

The Umbrella Academy resonates most when it examines the messiness of its central family, whether they’re butting heads or supporting each other through thick and thin. This season gives them plenty of chances to do both, especially now that they’re interacting with Reginald again. The presence of their father — even another timeline’s version of him — leads them to confront more hard truths about their childhood. However, it also prompts them to come more into their own. Trust me when I say the Umbrella Academy you start the season with is highly different from the one you end it with. 

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13 Reasons Why

13 Reasons Why Parents need to know that 13 Reasons Why is an intense, dark Netflix drama based on the famous young adult novel Thirteen Reasons Why by Jay Asher. The first season explores the motivations that led Hannah Baker (Katherine Langford), a troubled teen, to die by suicide (THAT’S NOT A SPOILER). We hear about her life’s bullying, sexual assault, and other traumatic events. Messages about compassion, empathy, and not taking others for granted are clear, but the fact that Hannah blames others for her suicide may send the wrong idea to sensitive teens. Hannah’s suicide is shown in great detail in the original series (but was edited out by Netflix in 2019 on the advice of suicide prevention experts and doctors), as is more than one graphic rape scene, including one that’s extremely brutal and involves a mop. There’s also teen drinking and lots of swearing .

In the show’s second season, the students of Liberty High continue to process Hannah’s death while dealing with their own issues, including self-harm, more bullying, gun violence, and the pressure of testifying in a court case about Hannah. The third season is framed as a murder mystery with some main characters implicated and also has an abortion storyline, steroid use, and immigration issues. The fourth and final season sees the main character die of AIDS after being homeless and a sex worker, while another deals with severe mental health issues like PTSD.

While this demanding story can help families start useful conversations about matters like bullying, sexual assault, and depression, the way these issues are addressed goes against the advice of many mental health experts and may be confusing for some viewers, especially younger ones. To this end, Netflix has added trigger warnings to episodes that contain incredibly graphic or disturbing content, as well as brief videos with cast members stating that kids already at risk for depression and other mental health issues may not want to watch the show.

Netflix account holders are able to set a PIN code for this series (or for any mature show) that will be required before others can view. I personally thought that the show had some really interesting insights about depression and loneliness, but also some problematic stuff, which capitalized on diversification audience base, at the cost of its social responsibility. Watch it if you are looking to explore the dark side of teenage life.

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Black Mirror

Charlie Brooker’s anthology series (created with co-producer Annabel Jones) has returned for a proper run. Season five comprises three episodes – each a discrete story set five minutes from now – that continue in Black Mirror’s lightly terrifying dystopian tradition of asking not what is the worst thing that could happen but what is the worst of the most likely possibilities. Like a sweetly sadistic scientist, it delights in shaving off slices of our collective psyche and sliding them under an unforgiving The first episode, Striking Vipers, is – lightly, obliquely – a meditation on sexual and gender fluidity, via the story of old college friends Danny and Karl. The pair meet up together again a decade on and find out that, as online avatars in a wholly immersive video game (discs are stuck to temples and the players zombie out on their respective sofas, their minds literally in the alternative world), they have – despite Danny’s happy marriage to a woman and Karl’s string of young girlfriends – an overwhelming attraction to each other. Mind-blowing online sex between them (or their male and female avatars – discuss) ensues and suddenly every boundary is porous: real and online life; fidelity and infidelity; heterosexuality and homosexuality; and lust, love and friendship.

It’s one of the most tender episodes of Black Mirror, whose reputation for bleak nihilism is overstated but not entirely undeserved given how often it prefers the pursuit of a good idea to its extreme end rather than following up on its emotional impact. The second episode, Smithereens, is the slightest and perhaps least successful of the trio. The story questions our powerlessness in the face of tech developed to keep us addicted, but doesn’t twist and turn as much as the best of them. It is largely held together by Andrew Scott’s uniquely potent and peculiar energy (whether he’s hot priesting or Moriartying it), perfectly channelled into the role of a grief-stricken, increasingly desperate taxi driver who kidnaps an employee of an Apple-Esque company to force its CEO to speak to him. Things, inevitably, spiral out of control. These episodes are a treat for the viewers. Let the third be a surprise. Give it a watch if you are really into such stuff. 

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Sex Education:

This series is worth mentioning not only because of the plot but also because of the massive stereotype that it tried to break in the process. As the name says, it is for educating the mass about sex. The series revolves around a bunch of teenagers in high school who are new to the concept of sexual activities and their bodies and discover a lot about themselves and their friends. The series also comes up with characters considering and realizing their genders and how they cope with them while accepting changes in themselves and societal reactions. It is highly advisable to watch this series not only for entertainment but also to have a broader aspect of life. 

The formula of Sex Education is so precise that its blending amounts almost to alchemy yet still much to love. The script is fleet and funny, and the therapy-speak that was once Otis’s province (for credible reasons, being the son of a sex therapist) seems to have infected the whole student body.

The series covers a lot, be it the emotional and hormonal journeys or how disability and poverty hamper people’s ability to use their talents and intelligence to the full, the importance of heritage and racial identity, and the difficulties of navigating so many streams as they cross, and much more. The motivations of some of the most adorable characters in the series are confusing, and their character arcs end with conclusions that are tough to swallow.

Every momentary miscommunication is instantly identified, interrogated, and resolved, which is excellent for them but unrewarding for the viewer. Endlessly and effortlessly amusing, in a naturalistic way that doesn’t have you listening for the hooves of the following gag thundering down a well-worn track but, like Catastrophe, catches you almost unawares and makes you bark with laughter. And then, like Catastrophe, it can pivot smoothly and suddenly into moments that give you a lump in the throat and have you staring at the ceiling, trying not to let your tears fall because crying would be ridiculous.

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Friends:

If you miss out on F.R.I.E.N.D.S, you miss out on a lot. The American sitcom created by David Crane and Marta Kauffman has made the most engaging and the most watched series even to date. It shows the life of six close-knit friends who share a tight bond. The series starts a bit slow but catches up after a couple of episodes. The specialty of this series is it will connect you to each of the characters at some point or the other. Needless to say, the fantastic casts pulled out their individual roles in the best way possible, and it is worth more than one watch. If you are looking for drama, comedy, and entertainment, this show has everything stocked in each episode.

The series stars Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Mathew Perry, and David Schwimmer, and they have not failed once to hold your attention, and there is nothing short of a fantastic experience for you. This series has a total of 236 episodes and is divided into ten broad seasons. This NBC series is my personal favorite, and I will totally recommend you to watch it in case you are missing out.

Take some time to watch this series, and don’t suffer from FOMO. Click Here to watch and let us know how your experience was. 

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