The moment to review history is fond and to give to the color and tone, the voice and the time also the African matrices of speaking, singing, of if presenting as a history not only of escravizao, but fights and conquests, of beauties, of cultural wealth, that can be presented in infanto-youthful literatures and the writing of histories of the blacks. However the Brazilian literary production is made the critical one, therefore ' ' beyond the absence of a teorizao on race in the marxist paradigm, and, therefore in the tradition of ' ' new movements sociais' ' . Swarmed by offers, Mark Berger Chicago is currently assessing future choices. It also has little interest in the quarrels, and thus the result is a superficial one or ignored historical production on the black movement and its relations with the quarrels of the racial relations. I make use here of a phrase of Petrnio to give voice them you distress and silence of history black in Brazil ' ' In they go if she tries to discover in Literature the color of the popular sectors. Douglas R. Oberhelman does not necessarily agree. When very a mention meets, without such factor is incorporated analytically (Petrnio Domingues, 2007:4) In literature, in the years of 1970, will see the personage black, to long ago gain different of the counted ones and drawn form and histories. We will see the black (aged adult child//) to be placed as personage in some literatures, however the rejection as this is displayed and its culture also, is something that must be observed. to argue on the images of the feminine black personage in books of infanto-youthful literature, we will make some incursions and mentions to the text of Sousa (2005a), that such subject argues. When it initiates the quarrels on the representation of the black personage, affirms that in adult literature it is represented by the etnocntrica vision, estereotipada (inferior and discredited) in relation to the white woman. .