Technique Experienced By Me:

In the digital age, as a photographer, it is expected to be familiar and well informed with Photoshop. You can argue back and forth if this is right or wrong and if Photoshop is ruining the photograph. But I see Photoshop as an instrument, just like the camera obscure was a tool for manipulating images. I put together this list of 10 techniques that help me get the most out of my images.
With the growth of my photographic skills, I also had my curiosity for better images. The more I watched the photographers I was watching photo Editing service company, the more I noticed that the images taken were not coming directly from the camera. Post-processing plays an important role in today’s photographic society. Regardless of whether subtlety or main composites are used, it is certainly an important skill to know. In recent years, through experimentation and recovery of what other photographers have shown me, I have created a workflow that I use for my post processing. This list is an overview of how I edit my photos.

There are thousands of post-processing methods
photo editing service company; this is exactly what I developed and what worked for me. This is not a beginner’s guide on Photoshop. This list is sorted by my workflow.

1. Flatten the image in Raw:

This is the basis for my editing. You can not build a house without a solid base; Well, you can not edit a photo without even one. It’s in Camera Raw where I set my image to edit in Photoshop. The first thing I do when I open my images in Camera Raw is to adjust the Color temperature or exposure if necessary. Then I will set the cursor for the highlights from -30 to -80. So I set the shadow slider between +30 and +80.I want my reflections to be a bit ‘boring and the shadows are very flat and almost in the same tonal range of my halftones.

This flattens the image a bit (the image will appear rather boring and ugly). I want the image to be really flat when you go to photo editing company. I apply the image because when I open it in Photoshop, all the colors and techniques I use will give the right amount of contrast I need. If the image has a lot of natural contrast in Photoshop, my techniques will ruin the image and give too much contrast.

(images exported from raw camera with my settings)

2. Use of the correction brush:

I like the healing brush rather than the spot healing brush because I like to choose my source points. I will use the healing brush to remove pimples, inconsistencies on the skin or any distraction in the background. I also use it on landscapes or sports shots. Run and get rid of any small distractions with this. It’s amazing what a difference it can make when removing distractions from backgrounds. Attention to detail is important here.

3. Using the Clone Stamp set to Lighter or Darker:

I frequently use the clone stamp set to lighten. I will use it on backgrounds and sometimes even on the skin. Now, before everyone goes crazy, I use it at around 15% opacity. I use it on areas that do not already have many details. I usually use this even with shots of natural light because they tend not to have many details. I will do it only when I do not find it worthwhile to use frequency separation. It can be very useful to mix transitions in the sky or on models that do not have many details.

4. Learn how to dodge and burn
I love to dodge and burn. I love to model the light a little more to my liking. There are many ways to dodge and burn. To be less destructive, I will use a curve adjustment level set to a brighter exposure and one set to a darker exposure. So, using the Layer mask and brushes, I will avoid and burn where I see fit. Sometimes I will also use the fencing and burning tools in Photoshop. I like them because I can set them to influence shadows, halftone or lights. There are many things that I like to keep in mind when you shy away and burn.

I try to burst the subject, I try to even out skin tones or other parts of the image and often darken or lighten one side of the image. I try to create a sense of depth by having a transition from darkness to light in some of my images. I also shy away from my shadows in preparation for the contrast that I will add later.
(Image after dodge and burn)

5. Frequency separation :

This is a great technique that is used to smooth the skin. This is something to be used sparingly and in moderation. I have also used frequency separation on clothes, skies, backgrounds or wherever I need background removal service.
(Images after frequency separation)

6. Black and white layer changed to Soft light :

This is my favorite post-processing trick. It’s a fantastic technique that a friend showed me that I used on almost all my images. I open a B & W layer and then change the blend mode to soft light. Now the image will probably have an excessive contrast. This is the reason why I will drag the opacity around 20-60%. I love the acute commercial look that this effect does to my images. I also like it because now I can control the luminescence of each color with the sliders on the black and white layer. By adjusting the reds and yellows you can get really beautiful skin tones.

7. Hue using color balance levels, levels and hue / sat :

After my B & W adjustment level, I use these three levels of adjustment to tone my images. I set them in a specific order to get the look I want. I will have first opened the level of color balance adjustment. Generally I will add blues, cyan or magenta to the shadows, red, green or yellow to the midtones and red or yellow to the highlights. This will usually keep the colors more realistic. But that’s where you can experiment and look really interesting.

I will then add a level of Levels adjustment. With this I will add blue and green above my shadows using the output sliders. Since the levels are at the top, it fills the shadows with the colors and almost gives the shadows a cinematic appearance. So I will use the shade / sat to fine-tune my colors. I will adjust the hue, saturation and brightness of each color. This is the place where I have more fun with editing. I love experimenting with different tones to get a different look.

8. Crush the highlights with the curves :

I will add a bit of contrast with a level of adjustment of the curves. Usually I only have a small S curve with different points. Personally I like to crush my highlights. This is when the upper point on the right hand side approaches a little and then a second near point is added by reducing the tonal range of the highlights. Now this will give the image some strange color changes sometimes, I do not do it for every image. I will often do it with higher images color correction.
(Example of where I crushed my highlights)

9. Use of layer masks :

I can not stress enough how important it is to learn level masks. When I’m editing or retouching the image, I do not want the effects to always be global. I often play, dodge and burn or modify different parts of the image using layer masks. For example, I’m always using layer masks with the Hue / Sat adjustment layer. I do it because usually hands, ears, legs, etc. They are often of different colors. I will change the tonality / sat of a color on a certain part of the body, and then I will mask where I want it to affect. Also, sometimes, I will tone the background differently from the subject. Remember: white reveals, black hides.

10. Use of different modes of merging :

This is an area that is commonly overlooked. In addition to changing the B & W level in a soft-light blend, I will sometimes change the level of my brightness curves. This only affects the contrast of the image instead of affecting the contrast and saturation when it is set to normal. I will also open an empty layer, set the blending method for the color, use a brush with low opacity (5-15%) and uniform the colors of the skin or clothes by sampling a color that I like and painting over a color that I wear like There are 26 different blend modes.

Try them, experiment them and become creative.
(Final image after toning: Flare was added with a soft white brush on an empty layer)
(Final image after toning)
(Example of final modification)
(Forpi and smugglers who use my techniques)
Remember: use these techniques carefully. I always adjust the opacity to my adjustment levels. All images shown were taken with natural light only.

Please share any image with a description of the techniques learned from this article in the comments. I would like to see your work and what you have learned.You can find more article about photography in  clippingpath4.wordpress.com/

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