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The Exorcist III & The Keep


This Friday, I'll be giving an introduction to the movies The Exorcist III (1990) and The Keep (1983) at the Cinematek in Brussels. Tickets for The Keep are already sold out. Only a few more left for The Exorcist III.

The Exorcist III, after the negative reception of The Exorcist II: The Heretic, was hailed as the true sequel to William Friedkin's 1973 masterpiece. The director is none other than the author of the book on which the original film was based. William Peter Blatty took his own novel Legion as a starting point and - despite studio interference - delivered a chilling detective story that thoughtfully combines theological themes with stunning scenes of pure visual terror.

The Keep, one of Michael Mann's earlier films, is a true curiosity: the director’s vision was compromised by studio interference, and the film has barely been screened since its initial release. A screenplay riddled with problems results in an uneven and at times bombastic genre exercise that nevertheless manages to conjure an extraordinary atmosphere with its mix of stunning gothic and fantastique imagery. Glowing eyes in swirling smoke, Xanadu-style laser effects in a German Expressionist mise-en-scène, all set to the ethereal electronic stylings of Tangerine Dream: this is pulp cinema at its most delirious.

More info: https://www.offscreen.be/en/b-z-double-bill-cinematek/godforsaken-demons


This post first appeared on Vanessa Morgan, please read the originial post: here

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The Exorcist III & The Keep

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