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At BroadwayCon, Diversity in Theater Takes Center Stage


“Spotlight on Women and Nonbinary Musical Theater Writers,” Friday, 10 a.m.

A panel of playwrights, composers and actors of color will discuss how to bring more work to Broadway that represents perspectives from beyond white American culture. Among them will be Jordan E. Cooper, who was recently nominated for two Tonys for writing and starring in the biting race comedy “Ain’t No Mo’” on Broadway; Helen Park, the first Asian female composer on Broadway, who earned a Tony nomination for “KPOP”; and Kristoffer Diaz, whose new musical, “Hell’s Kitchen,” written with the singer Alicia Keys, is slated to open at the Public Theater in November.

“What Is the Future of Broadway? A Dream Session with Global Majority Playwrights and Musical Theater Writers,” Friday, 11:15 a.m.

A panel of directors, writers and producers will discuss how to revive musicals like “Miss Saigon,” “South Pacific” and “The King and I” with troublesome structural or political elements (or both). Participants will include Lear deBessonet, the artistic director of Encores!, a longstanding, popular New York City Center series that stages short-run productions of decades-old musicals, and Schele Williams, who is directing the upcoming Broadway revival of “The Wiz.”

“That Wouldn’t Fly Today: The Art of Revising Revivals,” Friday, 3:45 p.m.

Performers with disabilities have become a more common sight on Broadway stages lately, appearing in productions including “Cost of Living,” “A Doll’s House” and “Grey House.” For Katy Sullivan, who was recently nominated for a Tony for her performance in “Cost of Living” as the feisty wheelchair user Ani, it’s not just the presence of disabled actors in recent productions that is encouraging — it’s the types of roles they’re being cast in.

“I would love to see a world where even more performers with disabilities are utilized within characters who aren’t necessarily written as disabled,” Sullivan said. The panel also includes Gregg Mozgala, her “Cost of Living” co-star; Madison Ferris, who became the first wheelchair user to play a lead role on Broadway when she starred in a 2017 revival of “The Glass Menagerie” opposite Sally Field; and David Connolly, who became the first amputee to perform on Broadway in a 1989 revival of the Civil War musical “Shenandoah.”



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