Fédération Acadienne de la Nouvelle-Écosse and its Disappearing Contact Us Page Callout.
Uncovering-the-Hidden-ContemporaryAcadian-Visual-Artists-the-Heritage-Patrimonial-industry-does-not-want-you-to-see
The Vanishing Contact Us Page we don’t need anymore.
In the age of digital communication, having a functioning “Contact Us” page is not just a convenience but a necessity. However, the Fédération Acadienne de la Nouvelle-écosse (FANE), an organization meant to be the official spokesperson for French Acadian communities in Nova Scotia, seems to have overlooked this fundamental aspect of accessibility. Contemporary artists and concerned citizens have recently called out FANE for its inexplicable decision to remove its “Contact Us” page.
From Spokesperson to Zombie Corporation
FANE was established with the noble mission of representing and advocating for the interests of French Acadian Communities in Nova Scotia. Over time, however, it appears to have morphed into what can only be described as a bureaucratic zombie corporation. Disconnection between the organization’s original purpose and its current modus operandi has left French Acadian communities feeling unheard of.
Uncovering-the-Hidden-ContemporaryAcadian-Visual-Artists-the-Heritage-Patrimonial-industry-does-not-want-you-to-see
The Problem of Self-Serving Bureaucracy in the New World Order of Things
The callout against FANE is not just about the absence of a “Contact Us” page; it’s a symptom of a more significant issue. It highlights the emergence of self-serving bureaucratic procedures that prioritize the organization’s interests over the needs of the people it was designed to serve. French Acadian communities in Nova Scotia continue to grapple with socio-economic and cultural challenges, including drug and alcohol issues. Yet, their concerns seem to fall on deaf ears within FANE.
French Acadian is the New Black Mi’kmaq
French Acadian culture in Nova Scotia faces a difficult path toward extinction through assimilation. The lack of proactive representation and support from FANE mirrors the historical struggles faced by Indigenous communities in the past. Mainstream Halifax-centric media outlets often overlook French Acadian Culture, relegating it to the status of the “new Black Mi’kmaq.” This comparison underscores the urgent need for FANE to step up its efforts to promote and preserve French Acadian heritage. The disconnect is also endemic in the executive council of CMA2024, and no one seems to care very much about the issue of disconnect and disaccord.
Contemporary Artists Leading the Way
While FANE seems content with maintaining a tired and irrelevant heritage agenda frozen in the past, forward-thinking contemporary artists like Claude Edwin Theriault are taking it upon themselves to breathe new life into French Acadian culture. These artists recognize that culture must evolve to remain relevant, and they are actively working to push the boundaries and redefine what it means to be a French Acadian in the 21st century.
The Fédération Acadienne de la Nouvelle-écosse and Contemporary Artists’ Callout on the The Disappearing Contact Us Page
Uncovering-the-Hidden-ContemporaryAcadian-Visual-Artists-the-Heritage-Patrimonial-industry-does-not-want-you-to-see
In the age of digital communication, having a functioning “Contact Us” page is not just a convenience but a necessity. However, the Fédération Acadienne de la Nouvelle-écosse (FANE), an organization meant to be the official spokesperson for French Acadian communities in Nova Scotia, seems to have overlooked this fundamental aspect of accessibility. Contemporary artists and concerned citizens have recently called out FANE for its inexplicable decision to remove its “Contact Us” page.
A Call for Change to move the culture forward instead of keeping it in its Patrimonial Heritage frozen in the past mode of non-growth
The disappearance of FANE’s “Contact Us” page is not merely an inconvenience; it symbolizes a deeper issue within the organization, where it no longer needs to be accountable for nothing in an age of political decline and disintegration. It is part of the Insular academic future endemic in all of Atlantic Canada, from News media to Universities. French Acadian communities in Nova Scotia deserve a proactive and responsive spokesperson that advocates for their needs and concerns. The time has come for FANE to reevaluate its mission, reconnect with its roots, and embrace a more transparent and responsive approach to serving its constituents.
Contemporary artists like Claude Edwin Theriault lead the way, demonstrating that innovation and forward-thinking can revitalize and invigorate French Acadian culture. It’s high time that FANE takes a cue from these artists and refocuses its efforts on fostering a thriving and dynamic French Acadian community in Nova Scotia. The heritage of the past should serve as a foundation for the culture of the future, not as a prison that inhibits progress and growth. French Acadian culture is too vibrant to be consigned to the pages of history; it deserves to flourish in the modern world. That is shifting beneath our feet as we speak out for Innovative change, for a change instead of the same old same old.
