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A love story about two passionate misfits who are lucky enough to find one another

The San Diego Union-Tribune reviews the Lamb’s Players’ drama Jane: A Ghost Story on stage at Lamb’s Players Theatre, 1142 Orange Ave., Coronado.
Playwright David McFadzean, who has premiered seven previous plays at Lamb’s over the years, has faithfully adapted Brontë’s novel but gives the story a twist with the title “Jane: A Ghost Story.” Without spilling any beans about the novel’s plot, I’m not sure that’s an accurate depiction of the book, but the production’s whispering gargoyle statues and mysterious screams are definitely spooky.
The highlight of both McFadzean’s script and the production is the authentic depiction of governess Jane Eyre, an outspoken, strong-willed and coltish woman who doesn’t conform to the societal mores for women of that period. Natasha Harris is perfectly cast in the role at Lamb’s. She’s fierce, bold and plain-spoken in the role. And though she’s too pretty to be the plain Jane of the novel, her minimal makeup and Jemima Dutra’s simple, homely costumes help.
Condensing a 450-page novel into a two-hour, 20-minute, play means some things have to go. It’s good that McFadzean captured Jane’s unhappy formative years at Gateshead Hall and Lowood School, but Jane’s romantic relationship with her employer Edward Rochester gets far too little stage time in the play.
The scene where they meet — when Jane spooks Edward’s horse and he tumbles to the ground — is wonderfully staged by director Robert Smyth. But after that, Harris and Manny Fernandes (who aptly plays the gruff and aloof Edward) have very little stage time together and the actors exhibit none of the passion or chemistry their characters share in the novel. The play has just a just a couple of brief scenes of their playful sparring before Edward suddenly announces his intention to marry Jane, while in the book their unusual May-December relationship develops gradually over 11 chapters.
Filling out the cast of characters from the novel are eight actors who each play multiple roles: Sam Ashdown, Sandy Campbell, Cynthia Gerber, Caitie Grady, Jordan Miller, Lizzie Morse, Marci Anne Wuebben and Eddie Yaroch. Ashdown is particularly memorable as the Rev. St. John Rivers; Morse stands out as Jane’s childhood friend Helen; Wuebben as Jane’s gentle nursemaid Bessie; and Grady as Blanche, Jane’s lovely by cruel rival for Edward’s affection.
The play’s physical production is simple, but nicely done, with sound by Deborah Gilmour Smyth (who also co-directs the play), projections by Christian Turner, lighting by Nathan Peirson, sound by Patrick Duffy and Dutra’s costumes.
Fans of the novel “Jane Eyre” will recognize the characters they love in this play, and Smyth’s lively staging builds thoughtfully to the big secret at the center of the story. But the novel is not a ghost story. It’s a love story about two passionate misfits who are lucky enough to find one another and — after overcoming huge hurdles — find happiness together. And for now, that story is not being completely told in this play. (Pam Kragen)
Keighley News reports that Haworth is now part of an initiative promoting short breaks in the Bradford district.
Members of the council's VisitBradford tourism team have launched a 'micro website', at visitbradford.com/stayandexplore.
It features a wide range of places to see and visit, covering everything from culture, literature, art and heritage to eating out and enjoying the outdoors.
Visitors to the website are greeted first with a photo of Top Withens, the ruined farmhouse on the moors above Haworth which was reputedly the inspiration for the setting of Emily Bronte's Wuthering Heights. (Alistair Shand)
Sensacine (Spain) recommends Emily as Emma Mackey's best work. AnneBrontë.org posts about 'Anne Brontë And Scarborough Castle'.

And finally, an alert for later today as seen in the Wharfedale Observer.
"Brontës and Landscape" will be the subject of a talk at Rawdon Community Library.
A spokesperson said: "It is difficult to think of writers more tied to place than the Brontës. How integral was the landscape of the moors, and how does its influence manifest itself in their work?
"Diane Fare, Outreach Officer at the Brontë Parsonage Museum, is a popular speaker at Rawdon Community Library. She never fails to delight and intrigue her audience. On this visit she will look at the weather, walking and wuthering winds of Brontë Country."
The talk will be at 2pm on Tuesday, October 10th in Rawdon Community Library. Tickets are just £5 (£3 for students) and include refreshments. The library has a ramp for easy access and accessible toilets. (Claire Lomax)


This post first appeared on BrontëBlog, please read the originial post: here

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