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The Musical Ascetic from Amravati

One of Maharashtra's greatest tragedies is the perverted polarization that separates the unfairly privileged Western Maharashtra from the rest of the state. Consequently, many legends remain perennially unsung, whether during their lifetimes or posthumously. One such luminary was singer-composer Pandit Manohar Kavishwar.


His "Geet Govind" was inspired by G. D. Madgulkar's Geet Ramayan and although the numbers were equally soulful and more profound, they were denied the place of pride that was given to Geet Ramayan on a platter. Not stopping at Geet Govind, Kavishwar composed Geet Gajanan, Geet Gautam, and Geet Chakradhar, and yet this humble school teacher from Amravati remains unknown to most Maharashtrians.   

Thanks to the divine voice of Sudhir Phadke, Kavishwar continues to mesmerize us every time Aakashwani airs his माना मानव वा परमेश्वर, मी स्वामी पतितांचा which articulates the essence and credence of Lord Krishna precisely and purposefully.

Rarely do we find lyrics and the music become one like they do here. Beyond doubt, Lord Krishna has blessed the composition with eternal life.



माना मानव वा परमेश्वर, मी स्वामी पतितांचा
भोगी म्हणुनी उपहासा, मी योगी कर्माचा
दैवजात दुःखाने मनुजा पराधीन केले
त्या पतितांचे केवळ रडणे मजला ना रुचले
भूषण रामा एकपत्नी व्रत, मला नको तसले
मोह न मजला कीर्तीचा, मी नाथ अनाथांचा
रुक्मिणी माझी सौंदर्याची प्रगटे जणू प्रतिमा
किंचित हट्टी परंतू लोभस असे सत्यभामा
तरीही वरितो सहस्त्र सोळा कन्या मी अमला
पराधीन ना समर्थ घेण्या वार कलंकाचा
कर्तव्याला मुकता माणूस, माणूस ना उरतो
हलाहलाते प्राशुन शंकर देवेश्वर ठरतो
जगता देण्या संजीवन मी कलंक हा धरितो
वत्सास्तव मम ऊर फुटावा वत्सल मातेचा

- पं. मनोहर कवीश्वर    


This post first appeared on The Lost Accountant, please read the originial post: here

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The Musical Ascetic from Amravati

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