Book Blurb:

Nazis, spies, romance, and murder collide in prewar eastern Europe in a mesmerizing historical novel by the award-winning author of Oliva’s Garden.

It’s 1936. The seaside-resort village of Split on the Adriatic coast bustles. The tourist spots are booming, passenger steamers dot the harbor, and Jewish émigrés have found tenuous refuge from persecution. But as war in Europe looms, Split is also a nest of spies, fascists, and smugglers—and now, a locale suspiciously scouted by a German Reich film crew. Then one summer morning it becomes the scene of a murder investigation when a corpse is found entangled in fishing nets in the port.

With so many suspects from all walks of life and with a myriad of motives at a time when tensions are boiling over, crime superintendent Mario Bulat has only rumors to follow. Political archrivals will take advantage of the crime. Local lovers will become embroiled in it. And a propagandist filmmaker will find himself in the wrong place at the wrong time. War is coming, and for some in Split, it’s already here.                  

My Review:

When we took our exchange student home to Split the first time, we were shocked at the still obvious ravages of war in Croatia.  He wasn’t with us two months after arriving for his senior year in an American high school before he asked to stay. His initial response to our home at the time was to pat the walls and inform us that they would not stop a grenade. No, they wouldn’t have. That was back in 1995 before the Bosnian War ended. Of course, we couldn’t say no.

So the title of this book naturally caught my eye. I checked it out, and sure enough, it was a book set in Split, right where we stayed with his parents seven years after the end of that conflict. The city so full of old world charm and the sea so green and clear, it was difficult to conceive of the conflict those walls had seen over the centuries.

Set in 1936 in Split on the Adriatic, a tourist mecca, the mood is one of caution. War is looming in Europe and there is an obvious underground of spies. There are widely spread rumors of fascists afoot and now there is a German Reich Film crew scouting the town. The political climate is tenuous, opposing factions at odds. And in the middle of it, a body is found in the port.

Superintendent Mario Bulat begins an investigation with marginal characters on each side dueling against an influx of refugees fleeing the obvious hostile advances. His investigation repeatedly takes second chair to the increasing tensions within the Yugoslavian community, introducing a cadre of old boys arguing the propagandist purpose of the German film production and the division of the political atmosphere.

I enjoyed the references to the local sites, remembered many of the words, stumbled over names, and heard in my mind’s ear the animated, often heated and spirited discussions we heard while there. It was like a visit back to his country and our immersion into his culture. The characters are varied and colorful.

Not so much of a murder investigation as a biting comment of the people, the time, and the place facing yet another conflict so quickly after the shaky resolution of the last. Interesting, probably more so for those who have had a more personal introduction to the people and the history—and it could be rather slow—the mystery getting lost in the political upheaval.

I received a complimentary review copy of this book from the author and publisher through @NetGalley that in no way influenced this review. These are my honest thoughts.

Rosepoint Rating: Four Stars

Book Details:

Genre: Historical World War II Fiction, Historical European Fiction, World War Historical Fiction
Publisher: Amazon Crossing
ISBN: ‎ 1662507046
ASIN: B0BGT8885P
Print Length: 262 pages
Publication Date: January 1, 2024
Source: Publisher and NetGalley

Title Link(s):

Amazon   |   Barnes & Noble

The Author: Alida Bremer, born 1959 in Split/Croatia, lives in Münster/Germany. She received her PhD with a thesis on the postmodern detective novel (Kriminalistische Dekonstruktion. On the Poetics of Postmodern Crime Novels, Königshausen und Neumann 1998). In the novel Olivas Garten (Eichborn 2013, TB Ullstein 2017), she wrote about her Dalmatian family participating in the resistance during World War II; her manuscript of the novel Träume und Kulissen was nominated for the 2017 Alfred Döblin Prize (Jung und Jung 2021). Her poems, stories, essays, and novels have been translated into several languages. Together with Michael Krüger, she edited the anthology Glückliche Wirkungen (Ullstein 2017); together with Ulla Hahn and Andrea Grewe, she edits the poetry calendar Fliegende Wörter (Daedalus Verlag).

She has translated from Croatian into German among others Ivana Sajko, Edo Popović, Marko Pogačar, Delimir Rešicki, Zvonko Maković, Predrag Matvejević, Renato Baretić, Asja Bakić, Damir Karakaš and from Serbian Bora Ćosić, Dragan Velikić, Iva Brdar. She has received numerous scholarships and awards, most recently the Barthold Heinrich Brockes Scholarship of the German Translator Fund (2020); in 2018 she was awarded the International Literature Prize of the House of World Cultures as a translator together with Ivana Sajko, the German Youth Theater Prize together with Dino Pešut, and the Brücke Berlin Theater Prize together with Iva Brdar.

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