I’m Sorry Prime Minister, I Can’t Quite Remember (Barn Theatre, Cirencester) – Golden oldies, Comic tonic – The Barn Theatre in Cirencester presents a revived version of the classic BBC comedy Yes Minister. The play, originally written by Jonathan Lynn and the late Antony Jay, focuses on the lives of former Prime Minister Jim Hacker and senior civil servant Sir Humphrey Appleby as they navigate the world of politics and bureaucracy. Despite their age, the characters find new life as they reflect on the changing world around them. The production boasts a talented cast, with Paul Eddington reprising his role as Prime Minister and Christopher Bianchi as a befuddled version of the character. The play delves into the struggles of old age, providing a delightful comedy for the audience.
The Hypochondriac (Crucible, Sheffield) – The Crucible in Sheffield presents the timeless French satire The Hypochondriac by Moliere. The play tells the story of Argan, a man obsessed with imaginary ailments and the quacks who promise to cure him. In an effort to avoid expensive medical bills, Argan plans to marry off his daughter to the son of his physician. However, his daughter has other plans. This adaptation by Roger McGough, written in rhyming couplets, offers a fresh perspective on the classic play. The Production is filled with lively performances, though some of the comedic moments feel heavy-handed. Overall, it is an enjoyable production that highlights the enduring qualities of Moliere’s work.
A View From The Bridge (Chichester Festival Theatre, and then Rose Theatre, Kingston) – Chichester Festival Theatre presents a production of Arthur Miller’s powerful play A View From The Bridge. Set in 1950s America, the play follows the tragic story of Eddie Carbone, who’s infatuated with his niece and ultimately betrays her boyfriend. The production, directed by Holly Race Roughan, takes a unique approach with an opening image of a girl on a swing. The set design, featuring a neon sign and shiny black floor, adds a contemporary feel to the production. While the atmosphere may be lacking, the performances, particularly by the female cast members, carry the emotional weight of the play. Despite some underwhelming moments, it remains a thought-provoking production.
Cinderella (English Touring Opera) – The English Touring Opera presents a revival of Rossini’s La Cenerentola, also known as Cinderella. The production stars mezzo-soprano Esme Bronwen-Smith in the title role, delivering a splendid performance. The opera, translated into English by Christopher Cowell, features clever but occasionally irritating dialogue. Cinderella’s sisters, played by Nazan Fikret and Lauren Young, excel in their roles. However, the male cast members face some challenges, with the concept of setting the opera in a museum bringing mixed results. The design, focused on beige colors, adds a unique touch to the production. Some of the male performances could benefit from more nuanced phrasing and comedic timing. Overall, the production offers much to enjoy, with a standout performance by Bronwen-Smith.
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