For half a century, the 10 Finest Columbus Yacht Models Of All-Time
Columbus Yachts have provided luxury yachts. Some of the most innovative yachts were consistently created by the family owned enterprise. Customized luxurious interiors and eco-friendly motors with sleek designs Columbus Yachts are truly top of the line providing comfort and elegance while cruising the seas. Italian flair good quality service prices and impeccable amenities are just a few of the reasons for loving Columbus Yachts.
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History
The Palumbo family started their shipping business as a small Mediterranean carpentry and welding shop and established Columbus Yachts as one of the largest marine groups in the central Mediterranean. Columbus The family carefully select the best yacht designers for the yachts exterior and interiors. The Palumbos are experienced yachtsmen, who deal with customers directly to ensure that their needs and specifications are fully met. The 5 Mediterranean shipyards of the Columbus include Naples Malta and Mareille taking pride in keeping the yachts under the most impeccable conditions. The Columbus Yacht Company began construction of super luxury yachts in 2008. 2011 saw the launch of the first Prima. Several luxury super yachts have since been created by the Columbus Group, including the most resent hybrid yacht that is the most environmentally friendly yacht available and debuted with great success. The yacht has proven popular among young and older yachtsmen alike to limit fuel consumption and hazardous toxins. Look no further than Columbus Yachts for the elegantest sleek and luxurious yachting experience.
Collections
Classic The original Classic line maintains superiorly constructed and seaworthy yachts with classical designs and modern touches. The sleek exterior continues into the spacious and luxurious interiors. The Classic yachts are filled with amenities for cruisers with several guest and crew accommodations to enjoy a comfortable and sophisticated experience. Explorer The Columbus Yachts Explorer line is the answer to long-distance cruising. The size of the yachts is from 44 to 90 metres. These yachts are built for performance, and the Explorer yachts are environmentally friendly, as with other cruisers by Columbus Yachts. These yachts are built with luxurious comfort to ensure safe yachting. Sports Additionally Columbus Yachts has lines including Berlinetta Liberty and the Oceanic Coupe. Here are our picks for the top 10 Columbus finest yachts:
Prima
Eleanora III
The Eleonora is an all-aluminum sports hybrid yacht with a beam length of 8.20 metres. This flies at cruising speeds of 15 knots and 20.50 knots. Palumbo and Sergio Cutolo of Hydro Tech make the sleek aerodynamic design. Hot Lab designs the elegant, modern interiors. The Eleaonora boasts 5 staterooms including a master suite on the lower deck. It sleeps comfortably 10 guests and 5 crew members. The Eleanora offers plenty of sun and deck lounging space for elegant, easy-going and youthful cruise experiences. Its eco-friendliness is rated Green Plus. Tabia
The Tabia is a Classic line of the Columbus Yacht’s 57 meter luxury yacht. The yacht is 10.20 meters long with a max beam. The sleek yacht, built by Hydro Tech’s Palumbo Group and Sergio Cutolo, sails at a respectable speed of 16.5knots. It is a solid yacht, made from aluminum superstructure and steel hull. Designed by Francesca Cianficchi, the eclectic interior features nature-inspired elements with mixed wood marble and mirrored surfaces.
One of the finest yachts in Columbus Yacht is the large Classic 70 meter Oceanic. The yacht has a steel hull and an aluminum superstructure with a 13.40 m beam max. Designed by the Vafiadis Assoc group Palumbo. Classical exterior and elegant interior design. The Oceanic has 6 staterooms with a capacity for 12 guests. The staterooms include a large master suite with a VIP suite, and there are 4 guest cabins on the deck.
Global Explorer
Constructed to travel the world’s oceans. The 72.5-meter wide yacht has a maximum 13.5-meter beam. For comfortable luxury travel it travels 18 knots. Designed by Hydro Tec’s Palumbo and Sergio Cutolo, the sturdy yacht allows comfortably 14 guests with 7 cabins including a spacious master suite. The yacht permits 22 crew members. The cost to Global Explorer is $66.3 million.
Liberty 38 m
The Liberty 38 meter makes the most use of deck space, and the interior can be customized to suit the buyer’s needs. The maximized deck space built by Palombo gives plenty of room to relax in the sun and entertain. The deck features a bar and a formal dining area. The interiors can be customised. It allows 4 to 5 lower deck staterooms, and a master suite on the main deck. The galley may be located on or below the main deck, while the crew quarters may be located on the front or aft. The cost of that is $16.1 million.
Coupe 50 m
Super Sport 27 m
Super Sport is a sporty and youthful compact 27 meter. The yacht has velocities of between 30 and 32 knots. It had been designed by Too Design’s Palumbo and Marco Casali for power. The luxurious and modern interior is elegant and features 8 state-of – the-art rooms. Facebook Music Industry makes $1 trillion from Youtube Ads in 2016
Nat Berman 3 years ago
The Youtube video site has grown into one of the biggest websites on the internet and is now generating trillions of advertising revenues. Adverts are a pain in the eyes of many Youtube users, and by using an ad blocker or something similar, many people will try to get around them. However, they are a much-needed lifeline for those in the music industry who have struggled in recent years to generate a small amount or even any income whatsoever with free downloads and applications like Spotify (although membership sites like Spotify actually pay artists – in 2015 they paid the music industry $1.8 billion). Being a Musician is a tough time. However, Youtube could have provided the sector with a new source of money making. Music revenues are expected to double over the next ten years according to some rather optimistic pundits. But this is of course just some’s view. Some think there’s still a long way to go and Youtube should pay artists far more. You need to get lots of views to earn any revenue at all. You get about $2000 in revenue for every million views and then Youtube will take up a percentage of that. Other applications like Spotify, are going to pay more. But others would say any revenue generation is better than no revenue at all and it should be welcomed by the music industry. The thing everyone needs to remember is that subscription-based services bring direct revenue to the site, while advertising revenue is more indirect, so Youtube can’t pay as much. The sums simply aren’t adding up for them. They argue that both have a place, and that artists and recording professionals should be able to use both systems and generate revenue from each. Youtube is now making considerable efforts to improve relations with the music industry and they have hired music executive Lyor Cohen as their Global Head of Music to smooth broad-level relationships. Before running his own label Cohen previously ran Def Jam and Warner Music Group.
What’s the problem with the music industry, if Youtube charges so much? Music industry executives are convinced that people listening to music now use Youtube as an alternative to Spotify’s and Itunes premium services, which actually pay more. Youtube itself disputes this and argues that they are merely a tool for promoting music and pointing people toward other forms of music consumption. It is very likely due to copyright law that the music of an artist will go up on Youtube even if they don’t sign an advertising deal with the company. Youtube therefore has all the power and, in terms of advertising revenue, can largely dictate the prices it pays musicians and others in the music industry. The labels and the musicians are in between a hard place and a rock. Generally speaking, in terms of advertising, it is highly likely that most companies will choose to move their advertising channels away from older, more conventional platforms such as billboards print radio and television, which tend to be quite expensive towards online formats including Youtube. It is where people are so it makes sense to do so and it will also cost them a lot less meaning to be able to do more than they currently can. This is likely to help boost Youtube’s revenue but it will be up to them how much of this they first pass on to the people in charge of the videos – the musicians and the record labels. Youtube puts itself at the forefront of the new music industry, in terms of how people view music and artists. There are clearly advantages for musicians and labels beyond direct advertising revenue creation. They can connect directly to listeners and it is a great tool for building a brand. However, music is slightly different from other businesses in that it is a means of consumption for the audio product which is ultimately sold by the label. The company has to be careful how it works with its musicians and record label customers. You don’t want them to be annoyed. On the other hand, there’s little justification why they’d increase the percentage the brands currently hold. If the number of views increases rapidly and the amount of advertising money that comes into the system increases then it will be difficult for Youtube not to hand over some of this new revenue to the musicians and record labels. Just time will tell you what really is going to happen. FacebookNat Berman 3 years ago
The Youtube video site has grown into one of the biggest websites on the internet and is now generating trillions of advertising revenues. Adverts are a pain in the eyes of many Youtube users, and by using an ad blocker or something similar, many people will try to get around them. However, they are a much-needed lifeline for those in the music industry who have struggled in recent years to generate a small amount or even any income whatsoever with free downloads and applications like Spotify (although membership sites like Spotify actually pay artists – in 2015 they paid the music industry $1.8 billion). Being a Musician is a tough time. However, Youtube could have provided the sector with a new source of money making. Music revenues are expected to double over the next ten years according to some rather optimistic pundits. But this is of course just some’s view. Some think there’s still a long way to go and Youtube should pay artists far more. You need to get lots of views to earn any revenue at all. You get about $2000 in revenue for every million views and then Youtube will take up a percentage of that. Other applications like Spotify, are going to pay more. But others would say any revenue generation is better than no revenue at all and it should be welcomed by the music industry. The thing everyone needs to remember is that subscription-based services bring direct revenue to the site, while advertising revenue is more indirect, so Youtube can’t pay as much. The sums simply aren’t adding up for them. They argue that both have a place, and that artists and recording professionals should be able to use both systems and generate revenue from each. Youtube is now making considerable efforts to improve relations with the music industry and they have hired music executive Lyor Cohen as their Global Head of Music to smooth broad-level relationships. Before running his own label Cohen previously ran Def Jam and Warner Music Group.
What’s the problem with the music industry, if Youtube charges so much? Music industry executives are convinced that people listening to music now use Youtube as an alternative to Spotify’s and Itunes premium services, which actually pay more. Youtube itself disputes this and argues that they are merely a tool for promoting music and pointing people toward other forms of music consumption. It is very likely due to copyright law that the music of an artist will go up on Youtube even if they don’t sign an advertising deal with the company. Youtube therefore has all the power and, in terms of advertising revenue, can largely dictate the prices it pays musicians and others in the music industry. The labels and the musicians are in between a hard place and a rock. Generally speaking, in terms of advertising, it is highly likely that most companies will choose to move their advertising channels away from older, more conventional platforms such as billboards print radio and television, which tend to be quite expensive towards online formats including Youtube. It is where people are so it makes sense to do so and it will also cost them a lot less meaning to be able to do more than they currently can. This is likely to help boost Youtube’s revenue but it will be up to them how much of this they first pass on to the people in charge of the videos – the musicians and the record labels. Youtube puts itself at the forefront of the new music industry, in terms of how people view music and artists. There are clearly advantages for musicians and labels beyond direct advertising revenue creation. They can connect directly to listeners and it is a great tool for building a brand. However, music is slightly different from other businesses in that it is a means of consumption for the audio product which is ultimately sold by the label. The company has to be careful how it works with its musicians and record label customers. You don’t want them to be annoyed. On the other hand, there’s little justification why they’d increase the percentage the brands currently hold. If the number of views increases rapidly and the amount of advertising money that comes into the system increases then it will be difficult for Youtube not to hand over some of this new revenue to the musicians and record labels. Just time will tell you what really is going to happen. Facebook
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