Mónica Félix, from the series "Oh You Don’t Look Puerto Rican," 2017
Featured artists include: Abdiel Segarra Ríos, Adál Maldonado, Anabel Vázquez Rodríguez, Anaida Hernández, Antonio Martorell, Brenda Cruz, Carlos Ruiz Valarino, Edra Soto, John Betancourt, José Ortiz Pagán, Máximo Colón, Marta Mabel Pérez, Mónica Félix, Nayda Collazo Llorens, Norma Vila Rivero, Osvaldo Budet Meléndez, Pedro Vélez, Quintín Rivera Toro and Víctor Vázquez. Curated by Laura Bravo, PhD., with Assistant Curator Donald Escudero.
Pedro Vélez, "Consecuencias de la fuga de cerebros," 2014
ABOUT THE EXHIBITION
The history of Puerto Rico has been marked by recurrent migrations, but none compare to the dramatic and unprecedented volume of people that have fled the archipelago in recent years. As a reflection of their own experiences or as a chronicle of a reality they have witnessed, eighteen artists present here their views of the phenomenon of migration, posing various, mostly autobiographical, concerns and perspectives. The risks of embarking on a complex adventure, the sensation of having bifocal lives—split between their place of residence and the memories that return to their minds—the feelings of estrangement, and the identity conflicts that result from life in a foreign society are a few of their focal points. Protracted economic and political crises are the targets of sharp criticism, as they are considered responsible for the alarming figures of the current migration. Recurrent travel and circular migration—represented by iconographic elements such as suitcases, airplanes, or maps—appear here as common practice for thousands of people of Puerto Rican origin.
Máximo Rafael Colón, "Untitled," 1972
Ida y Vuelta, the product of an extensive research project, was exhibited at the Museum of History, Anthropology and Art of the University of Puerto Rico, Río Piedras Campus between 2017 and 2018. Hurricane Maria tragically upended the lives and disrupted the well-being of the millions of people living in Puerto Rico, causing an unanticipated interruption in the development of the exhibition. Their suffering and despair were felt by their families and friends throughout the diaspora. This event revealed and exacerbated insidious problems within the Puerto Rican government and catalyzed a multisectorial disaster and traumatic exodus. The exhibition’s evolving cultural context allows us to revisit these works of art anew—outside the geographical borders of Puerto Rico, and with a fresh perspective framed by recent history.
— Laura Bravo, Ph.D, Curator
