Recently, I publicly lamented my inability to navigate current exhibits in the Chelsea Gallery District. With the added precautions needed when going out during the Covid Life, and the fact that my former gallery-hopping companion has relocated to the west coast, I am too distracted and overwhelmed with minutiae to research which new exhibits will appeal to my unique visual aesthetic. It is cause for great joy then that I have discovered New York Gallery Tours — which does the hard work of figuring out where to go for you! Founded in 2002 by Rafael Risemberg — a former college professor with a Ph.D. in arts education — New York Gallery Tours hosts meticulously-curated two-hour adventures in Contemporary Art featuring the very best of what’s happening at the Chelsea Galleries (and other arts neighborhoods as well). Tour groups are kept super small (one to five people) so that there’s room to socially distance and more time for Rafael to explain the art, and encourage lively conversation. On a recent Saturday afternoon, my art-loving neighbors Leslie and Kat and I met up for a tour with Rafael, and we were able to hit up nine different galleries across ten blocks, because that is how we roll.

Lead by Rafael, New York Gallery Tours opens your  mind to the discovery and appreciation of art beyond the familiar mediums of painting and sculpture. I feel like I saw an amazing selection of the most diverse art I’ve seen in years, which I will now share it with. Let’s get to it!

Crow Hill Quilt By Jesse Krimes

Jesse Krimes: American Rendition
Malin Gallery
515 West 29th Street

Incarcerated for six years, Jesse Krimes creates artwork that frequently addresses the personal, communal and national level impacts of mass incarceration and the ways in which media and on-line representations of individual and group identities reinforce societal structures related to punishment and confinement. American Rendition features large-scale textile works from two different series: The Elegy Quilts (seen above and below) were constructed using fragments of personal clothing, textiles and other ephemera collected from currently and formerly incarcerated people.

Raybrook

These quilts depict domestic scenes inspired by the subjects’ memories of their homes or other domestic spaces that they felt evoked the concept of home. Solitary, empty chairs are prominently featured, powerfully evoking the disastrous effects of Covid in prisons and jails, and the absence of Americans who have effectively “disappeared” from their families and communities into the criminal justice and penal systems. According to Jesse, “The furniture and interiors are made mostly of old clothing and serve as symbolic stand-ins for the body that yearns to return.”

Read more about this exhibit and the art of Jesse Krimes at This Link.

Post Continues, With More Photos, After The Jump!

From Within By Nathalia Edenmont

Nathalia Edenmont: Rebirth
Nancy Hoffman Gallery
520 West 27th Street

Known for her images of women wearing dresses composed of fruits and flowers, Swedish artist Nathalia Edenmont takes the next step with dresses composed of luminous creatures — no longer alive — golden, green, iridescent pink, blue, shiny, shimmery beetles.  A beautiful blonde model sits placidly as a dress is composed around her, a process that takes from 14-22 hours of work for a team of ten people.  Edenmont is the director, the creator, the orchestrator of the photo shoot.  Everything in the photo is real: there is no photoshop, no digital manipulation, no correction of any kind.  The artist has to capture what she wants when she clicks the camera or many sheets of 8 x 10 film, hours of work and cost are gone.

Lick My Eye

In the above photo, the model’s eye-piece and collar are made from real (deceased of natural causes) butterflies. Rafael told us that the hairdresser for this shoot only has one other client: the Queen of Sweden.

Beetle Dress, Detail

More Information about Edmonton and her art can be found at This Link.

Sculpture and Drawings By Alice Aycock

Alice Aycock and Dennis Oppenheim
Marlborough Gallery
545 West 25th Street

The recently renovated Marlborough gallery is currently hosting large-scale works and drawings by Alice Aycock (front gallery) alongside an installation by Dennis Oppenheim (rear gallery). Trivia: Aycock and Oppenheim were once briefly married to each other!

Works in Aycock’s exhibit include metal sculptures of various sizes taken from The Turbulence Series along with several recent large-scale drawings referencing waves, wind turbulence, turbines, gyroscopes, and vortexes of energy. Very cool!

The Dennis Oppenheim installation (which, I confess, was my favorite exhibit of the day) presents three unique variations from his series Architectural Cactus (2008). These were so much fun to walk around. Each cactus is slightly different on either side.

Find out more about Aycock, Oppenheim, and these exhibits at This Link.

Spherical Sculpture Made From Stacked Glass Tubes By Tara Donovan

Tara Donovan: Intermediaries
Pace Gallery
540 West 25th Street

 Intermediaries, at Pace Gallery, is a solo exhibition by Tara Donovan, whose large-scale installations, sculptures, drawings, and prints utilize everyday objects to explore the transformative effects of accumulation and aggregation. Exhibited works were created by Donovan throughout 2019 and 2020.

Stacked Grid (2020), for example, emulates the “white cube” of the gallery. The translucent sculpture is made from plastic dividers that you might find inside a box of candles or soaps. More information on Tara Donovan and Intermediaries is available at This Link.

Tropicália, Installation View

Hélio Oiticica: Tropicália 
Lisson Gallery
504 West 24th Street

I first became familiar with the work of Brazilian artist Hélio Oiticica (1937—1980) when the Whitney Museum hosted a large-scale retrospective of his work in 2017. Tropicália at Lisson Gallery is a smaller-scale version of that exhibit’s main installation. Conceived in late 1966 and created in 1967, Tropicália was the first architecturally scaled installation that the artist realized, and the first in a series of works that would portray, and critique, his native country of Brazil. In this work, Oiticica addresses the clichés of the country’s association with a tropical paradise, including bright colors, sand, and exotic birds and flowers. It is composed of two Penetrables, small wooden shed-like structures referencing Brazil’s favela shantytowns, arranged to form a maze and intended to be entered and explored.

The installation includes two Amazon parrots who are on-loan from a bird sanctuary in New Jersey, and who were well taken care of by the gallery staff. This exhibit is now closed, but you can see what you missed at This Link.

Maelstrom, Installation View

Teresita Fernández: Maelstrom
Lehmann Maupin
501 West 24th Street

The centerpiece of Teresita Fernández’ Maelstrom is a monumental, 16-foot high sculptural rendition of a palm tree suspended from the ceiling, hovering a few feet off the ground, which is entitled Rising (Lynched Land). This somber work embodies the gravitas of violence and aftermath of destruction while also evoking a redemptive and dignified metaphorical rising. Composed of scorched wood and weathered patinated copper, Rising (Lynched Land) anthropomorphizes the landscape by transforming the natural resources of vegetation and minerals into a suspended body that ascends, uprooted from the ground. Experienced from underneath, viewers are challenged to stand under the sprawling diameter of the tree’s copper crown and to gaze up in a gesture of reverence and reflection. Sadly, Maelstrom has also closed, but information and more photos from the exhibit can be found at This Link.

Willow Tree, September 2020, Photo-Mosaic By Terry Evans

Terry Evans: Ancient Prairies
Yancey Richardson Gallery
525 West 22nd Street

Ancient Prairies is the title of a very cool exhibition of new photographs by Chicago-based artist Terry Evans, on now at Yancey Richardson. In these works, Evans expands on her decades-long connection with the prairie as the spiritual center of her work. Through the creation of photographic mosaics of these ecosystems, she explores the complexity of the prairie landscape, the element of time in landscape photography and the delicate relationship between nature and humankind.

Dune and Swale, Northern Indiana, September, 2018

This exhibit is especially fun you appreciate a unique take on nature photography, or enjoy it as a hobby.

Night, Near Salina, Kansas, April 2020

This one reminded of the night sky as seen from the Berkshires, where I sometimes vacation. Find out more about this exhibit at This Link.

Display #28 (1991) By Haim Steinbach

Haim Steinbach: 1991 – 1993
Tanya Bonakdar Gallery
521 West 21st Street

There is much more going on with the art of Haim Steinbach than what meets the eye. Steinbach explores the psychological, aesthetic, and cultural aspects of collecting and arranging found objects. In selecting items that range from the obscure to the ordinary, the private to the ethnographic, Steinbach emphasizes notions of circulation and human connection. The exhibition at Tanya Bonakdar Gallery highlights a concentrated three-year period in the artist’s career and draws upon memory, offering a recontextualization of his own historic practice and an occasion for reflection.