Mayari, the captivating goddess of the Moon, holds a significant place in the rich mythologies of the Philippines. In Kapampangan mythology, she is revered as the ruler of the world during nighttime, guiding the moon's gentle glow across the dark sky.

However, Mayari's prominence extends beyond the Kapampangan region, as she finds mention in Tagalog Mythology as well. Delving into the tales and legends surrounding Mayari allows us to grasp the complex and fascinating beliefs of the ancient Filipinos, offering a glimpse into their worldview and spiritual practices.

In Tagalog mythology, Mayari is depicted as the most beautiful deity in the celestial court—a radiant lunar goddess who commands awe and admiration. She is said to have two sisters, Hanan, the goddess of the morning, and Tala, the goddess of the stars.

According to the accounts of Hiligaynon anthropologist F. Landa Jocano, Mayari and her sisters were born to a mortal woman who tragically passed away after giving birth to them. Bathala, the supreme god, took the three sisters to the heavens, granting them a divine place in his celestial realm. The stories of Mayari and her sisters reflect the ancient Tagalogs' reverence for celestial bodies and their profound connection to the natural world.

While the existence of Mayari as a lunar deity in ancient Tagalog mythology has been questioned due to the lack of historical records, the worship of the moon itself is well-documented. The Spanish chroniclers noted that the ancient Tagalogs held great festivities and adoration for the moon, particularly during its new phase.

The first sliver of the moon marked a time of rejoicing and celebration, as the people believed that the moon had the power to grant their desires. Some sought wealth, others requested abundant harvests or ideal partners, while many wished for good health and long life. The moon, known as Buwan in Tagalog, was regarded as a benevolent force capable of fulfilling the people's aspirations.

Prayers dedicated to the moon were recited during the new moon phase, seeking its blessings and favor. One such prayer, recorded in the San Buenaventura dictionary, translates to "Moon, my Lord/Lady, make me rich." The lunar cycle held great significance, and the appearance of a ring around the moon was believed to foretell the passing of a chief.

The Tagalog people attributed divine qualities to heavenly bodies like the moon, using them as a means of predicting events and seeking protection from perceived threats. Laho, the serpent or dragon, was believed to devour the moon and cause lunar eclipses. In response, the people engaged in rituals to protect the moon from this mythical creature, striking bells and other objects with force to ward off the impending eclipse.

In Kapampangan mythology, Mayari's story takes on a different hue. Bathala, the creator of the world, passed away without leaving a will. This absence of guidance led to a dispute between Mayari and her brother Apolaki, as each sought sole rule over the world.

The siblings engaged in a fierce battle, wielding bamboo clubs, until Apolaki struck Mayari in the face, blinding her in one eye. Stricken with remorse, Apolaki relented and agreed to share rulership of the earth with Mayari, albeit at different times. However, Mayari's light became dimmer due to the loss of her eye—a poignant reminder of her sacrifice and resilience.

Mayari's role as the goddess of the moon in both Kapampangan and Tagalog mythology illustrates the profound significance of lunar worship in ancient Philippine cultures. Her stories offer glimpses into the interconnectedness of celestial bodies, natural phenomena, and human existence in the spiritual beliefs of the Filipinos. By exploring these mythological narratives, we gain a deeper appreciation for the cultural heritage and spiritual imagination of the ancient Philippines.