Today we’ve come up with 30 great new movies to Stream in March 2023. There is always a new Movie to stream, this March is packed with interestingly great movies for your viewing pleasure. so believe me when I say; There is no lack of new movies to stream in March on the various major streamers, as blockbusters, dramas and underrated gems from 2022 all land on a combination of Netflix, Disney+, Paramount+, HBO Max, Peacock, Prime Video and Hulu in March.

Not only that but newly added library titles include Oscar winners, ’90s favourites and movies guaranteed to bring a smile to your face. Quite literally whatever mood you’re in, we’ve got a curated pick just for you.

Below, we’ve assembled a list of some of the great new movies to stream in March 2023. So thumb through, make a selection, and bookmark this page to come back throughout the month on your movie nights!

La la land

Director: Damien Chazelle

Awards: Academy Award for Best Actress in a Leading Role, MORE

Box office: 447.4 million USD

Budget: 30 million USD

Damien Chazelle’s Oscar-winning (but not Best Picture-winning) “La La Land” is at once a joyful Hollywood musical and a somber story of what we sacrifice to make our dreams come true, and is a terrific watch whether you loved or hated Chazelle’s recent polarizing Hollywood epic “Babylon.”

Ryan Gosling is an aspiring jazz musician and Emma Stone is an aspiring actress, both just trying to make it big in Los Angeles. Their paths cross, stars align, and a head-over-heels romance ensues.

But Chazelle manages to combine the fantastical with the grounded, allowing us to feel deeply for what these individuals are going through (and root for them hard).

And the songs are fantastic to boot. – Adam Chitwood.

The watch

Director: Akiva Schaffer

Box office: 68.3 million USD

Budget: 68 million USD

Casting director: Alyssa Weisberg

Cinematography: Barry Peterson

For an amiable, “Ghostbusters”-style comedy where a bunch of goofballs (Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade) start a neighborhood watch in their sleepy town and wind up uncovering an alien conspiracy, “The Watch” has been oddly controversial.

The name of the movie changed from “Neighborhood Watch” to “The Watch” only two months before its release, leaving the marketing and publicity teams to scramble due to the death of Trayvon Martin.

And even now the idea of a predominantly white cast stalking around an affluent neighborhood and roughing people up, no matter how funny feels a little iffy.

But taken at face value – a high-concept R-rated studio comedy featuring famous actors and a narrative loose enough to let them have fun (the eventual script was co-written by Seth Rogen and his partner Evan Goldberg) – “The Watch” feels like something of a lost gem, one ripe for rediscovery.

(Great, rubbery monsters too.) – Drew Taylor.

Black Panther: Wakanda Forever

Director: Ryan Coogler

Nominations: Academy Award for Best Actress in a Supporting Role, more

Language: English

Budget: 250 million USD

Screenplay: Ryan Coogler, Joe Robert Cole

The sequel to 2018’s zeitgeist-capturing “Black Panther” was always going to be difficult to pull off.

After all, the tragic passing of Chadwick Boseman in 2020 (he was only 43) led to a radical overhaul of the much-cooler-sounding screenplay and the resulting has a weird, cathartic pseudo-documentary quality, as we are watching characters mourning the loss of their friend being played by actors who are mourning the loss of their friend.

And for the most part “Black Panther: Wakanda Forever” works; it is more emotional heft than virtually any other Marvel Studios project and has admirably grand ambition.

(director/co-writer Ryan Coogler said that he was inspired by James Cameron films in particular), weaving in a plotline about a warring underwater nation (led by Tenoche Huerta’s Namor) and Wakanda’s quest for a successor to T’Challa’s mantle.

And if you haven’t seen it yet, the warped anamorphic photography by Autumn Durald Arkapaw is absolutely stunning.

This movie is thrilling and contemplative in equal measure; it’s rare that a modern blockbuster is this invested in feeling as much as it is in thrilling. – Drew Taylor.

Almost Famous

Director: Cameron Crowe

Music composed by: Nancy Wilson

Awards: BFCA Critics’ Choice Award for Best Breakthrough Performer, more

Distributed by: DreamWorks Pictures, Columbia Pictures

Box office: $47.4 million

One of the best films ever made about music, Cameron Crowe’s “Almost Famous” is a timeless classic.

Inspired by Crowe’s earlier career as a music journalist, the film follows a teen named William (played by Patrick Fugit) who scores an assignment from Rolling Stone to write a story on an up-and-coming band named Stillwater.

Embedded with the band on the road, William learns about life, love and friendship – although through Crowe’s unabashedly earnest prism, it never comes off as trite or rote.

Crowe won an Oscar for Best Original Screenplay, and Kate Hudson was rightfully nominated for Best Supporting Actress.

The impeccable ensemble also includes Frances McDormand, Billy Crudup, Jason Lee, Fairuza Balk, Anna Paquin and Philip Seymour Hoffman. – Adam Chitwood.

How to Train Your Dragon

Language: English

Story by: Cressida Cowell

Adapted from: How to Train Your Dragon

Box office: 494.9 million USD

A tremendous family film if there ever was one, 2010’s “How to Train Your Dragon” is an uplifting, deeply compassionate animated adventure.

Jay Baruchel voices Hiccup, a Viking living in a village with his father who struggles to fit in.

When he befriends a dragon – creatures thought by the Vikings to be violent and terrifying – Hiccup begins to see the world differently, and in turn convinces his friends and family to check their prejudices and consider the world from a different point of view.

This one’s a family favorite. — Adam Chitwood.

Inside Man

Director: Spike Lee

Screenplay: Russell Gewirtz, Adam Erbacher

Box office: 184.4 million USD

Art director: Chris Shriver

Distributed by: Universal Pictures

Spike Lee’s 2006 thriller “Inside Man” is one of the director’s best and most entertaining films.

The story opens in the aftermath of a bank heist, with those taken hostage giving their interviews to police about what happened.

The film then flashes back to portray the events as they unfold, with Denzel Washington playing the detective trying to talk down the robber and kidnapper (played by Clive Owen) who seems to be harboring some kind of secret.

Mind games ensue, and this one keeps you guessing all the way up through the end. – Adam Chitwood.

Invasion of the Body Snatchers

Director: Philip Kaufman

Awards: Saturn Award for Best Director

Story By: Jack Finney

Nominations: Hugo Award for Best Dramatic Presentation, more

Adapted From: The Body Snatchers

Who says all remakes are bad? The 1978 version of “Invasion of the Body Snatchers” is a terrifying and thematically rich update of the 1955 novel that was first adapted into a film in 1956.

Donald Sutherland stars as a San Francisco health inspector who begins to discover that humans are being taken over by alien doubles.

As the numbers of alien imposters mount, Sutherland and his colleagues try to outrun the growing threat, culminating in a true “humdinger” of an ending. – Adam Chitwood.

Shaft

Director: John Singleton

Box Office: 107.2 Million Usd

budget: 46 million usd, 44 million usd

Film Series: Shaft

Adapted From: Shaft

Not to be confused with Gordon Parks’ 1971 original masterpiece or the very lousy 2019 sequel, John Singleton’s 2000 movie (like those other versions, also just named “Shaft” and also based, in part, on the 1970 Ernest Tidyman novel) is a terrific, knowing crime movie and a great showcase for Samuel L. Jackson, who provides a performance both bombastic and nuanced.

In this modern-day version, Jackson’s detective is pulled from the force after investigating a racially motivated murder perpetrated by a spoiled rich guy (Christian Bale).

Once he’s on the loose, though, Shaft looks to right some wrongs. With a killer cast that includes Toni Collette, Vanessa Williams, Busta Rhymes and Jeffrey Wright as the movie’s other villain, a gangster named Peoples Hernandez, “Shaft” is an absolute delight.

But it’s more than just popcorn fare. This movie has a lot on its mind, thanks largely to the thoughtful script primarily written by Spike Lee collaborator Richard Price. And it looks like a million bucks too, with cinematographer Donald E. Thorin’s camera capturing the action in long, fluid takes.

It really is a great movie and will make you miss Singleton, who sadly passed away in 2019, even more. – Drew Taylor

Days of Heaven

Director: Terrence Malick

Nominations: Academy Award for Best Cinematography, more

Cinematography: Néstor Almendros, Haskell Wexler

Screenplay: Terrence Malick

Music Composed By: Leo Kottke, Ennio Morricone

Terrence Malick was already acclaimed for his debut feature, the based-on-a-true-story thriller “Badlands,” but it was with his second film, “Days of Heaven,” that he really stepped into his own as an artist.

All of the hallmarks of his later career, things we would today describe as “Malickian,” are on full display in “Days of Heaven” – the dreamy voiceover narration (a holdover from “Badlands”), the keen interest in the natural world (and in capturing that natural world in the most twinkly way possible) and a central narrative far less interested in plot specifics than in the feeling of scenes and sequences.

If you’ve never seen the film, it follows Bill (Richard Gere) and Abby (Brooke Adams) as they travel with Bill’s young sister Linda (Linda Mantz) to the Texas panhandle in 1916.

(Bill had been working in Chicago but gets in a fight with his boss and accidentally kills him.) While at work on the farm, they concoct a plot to swindle the wealthy landowner (Sam Shepard).

Not that the plot really matters. Instead what matters is the golden hour cinematography of Néstor Almendros and Haskell Wexler, the sweeping music by Ennio Morricone and the way the movie casts its singular spell.

One of cinema’s greatest accomplishments, now you can watch “Days of Heaven” on the same app you saw the latest “Jackass” movie. – Drew Taylor

Dead Presidents

Release Date: 4 October 1995 (USA)

Directors: Albert Hughes, Allen Hughes

Music Composed By: James Brown, Danny Elfman, Kenny Gamble, Leon Huff

Budget: 10 Million Usd, 15 Million Usd

Producers: Albert Hughes, Allen Hughes

Distributed By: Hollywood Pictures, Walt Disney Studios Motion Pictures

Like Terrence Malick, the Hughes Brothers (Albert and Allen) made a splash with their debut, the acclaimed inner-city drama “Menace II Society.” But they really came into their own with their follow-up, “Dead Presidents.”

Based in part on the nonfiction book “Bloods: An Oral History of the Vietnam War by Black Veterans” by Wallace Terry, the movie stars Lorenz Tate as a young Vietnam veteran who returns from the war and starts robbing banks.

Everything about “Dead Presidents” is grander and slicker than “Menace II Society,” benefitting the larger budget ($10 million compared to the $3.5 million of “Menace II Society”) and the studio backing (believe or not, Disney’s Hollywood Pictures produced the movie).

You can feel it in the fluid cinematography of Lisa Rinzler (clearly working with more toys than she had on “Menace II Society”) and the lush orchestral score of Danny Elfman (one of his very best).

If for some reason you haven’t seen “Dead Presidents,” it’s one of the very best (and most underappreciated) movies of the 1990’s, full of the Brothers’ inventive staging and unforgettable flourishes (if you thought iconic white make-up w