Introduction

B.N. Goswamy, a distinguished Indian art critic and historian, confesses that he is not a Cat lover. Nevertheless, his encounters and interactions with feline companions have led him to explore the world of cats, resulting in his recent work, “The Indian Cat: Stories, Paintings, Poetry, and Proverbs.” In this article, we will look into Goswamy’s engaging narrative, with a focus on key aspects of his exploration.

Unexpected Connections: Cats in Art History

Goswamy recounts his encounters with cats and their admirers, such as Ursula Dohrn, who considered cats an integral part of her family. He amusingly narrates his struggles to have a quiet conversation with her without the feline participants. This prompted a humorous but intriguing assertion that as an art historian, he should love cats, as evidenced by the likes of Annemarie Schimmel and Stella Kramrisch, both esteemed art historians with a passion for cats.

The Feline Mystique in Indian Culture

Goswamy’s narrative takes an intriguing turn when he introduces the Sanskrit terms “marjara-nyaya” and “marjara-vrata,” both related to cats. These terms are associated with devotees’ approaches to their deities, with “marjara-nyaya” describing the behaviour of kittens who surrender to the protective grasp of their mother cat. “Marjara-vrata,” on the other hand, refers to concealing malice or hypocrisy under the guise of piety or virtue. This interpretation of “marjara-vrata” as a symbol of hypocrisy adds depth to the perception of cats in Indian culture.

Cats in Indian Literature and Art

Goswamy highlights that while cats in India carry connotations of cleverness, inscrutability, and even thievery, there is no real dislike for them. Famous poets like Mir and Ghalib cherished their feline companions, and the poet Jibanananda Das saw himself in a cat. Vikram Seth found cats mischievous and clever but not malevolent. In daily life, cats are addressed affectionately with endearing terms like “maano,” “maaoon,” and “mausi.” This cultural acceptance and endearment toward cats provide a unique perspective on the place of felines in India.

Unveiling “The Indian Cat”

Goswamy’s fascination with cats, influenced by a combination of experiences and musings, culminated in “The Indian Cat.” He gathers captivating tales, images, poetry, and proverbs, all centered around Indian cats. The book, as he clarifies, focuses exclusively on domestic cats in India, showcasing their unique stories and roles in Indian culture.

Conclusion: A Meandering Journey into the World of Indian Cats

B.N. Goswamy’s “The Indian Cat” offers readers an insightful journey into the world of cats in India. Despite his initial disinterest in cats, his encounters and research have allowed him to weave a fascinating narrative that explores the multifaceted relationship between these feline companions and Indian culture. Through this engaging work, readers can gain a deeper understanding of the diverse roles that cats play in the lives and stories of the Indian people.

Cats and Art History