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‘The Killing Kind’ (2023) Review: A Riveting Tale Of Deception And Obsession With Some Flaws

The Killing Kind is a psychological thriller that takes viewers on a rollercoaster ride through the mind of a brilliant but twisted criminal mastermind. This six-episode Series is a gripping exploration of obsession, manipulation, and the lengths to which one person will go to possess another. The story revolves around Barrister Ingrid Lewis, a successful and accomplished lawyer whose life takes a dark turn when her colleague and close friend, Belinda, dies in a tragic accident. Ingrid’s seemingly perfect life begins to unravel as she becomes the target of a relentless stalker, John Webster, who is fixated on her to a disturbing degree. What starts as seemingly harmless harassment soon escalates into a web of deceit and danger that threatens to consume Ingrid.

One of the strong points of The Killing Kind is its ability to engage the viewers and keep them on the edge of their seats. From the very beginning, the tension is palpable, and each episode unveils new layers of the mystery, making it nearly impossible to predict what will happen next. The show’s pacing is expertly handled, with just the right amount of suspense, character development, and plot twists to keep the audience engaged. The character of Ingrid Lewis, portrayed brilliantly by the talented cast, is at the heart of this series. Ingrid is a complex character who is both vulnerable and resilient. As the story progresses, viewers watch her transform from a confident and successful barrister into a woman plagued by fear and paranoia. Emma Appleton’s performance as Ingrid is nothing short of outstanding, capturing the character’s emotional turmoil and determination to escape the fear surrounding her life.

Ingrid’s relationship with her co-worker and close friend, Belinda, adds emotional depth to the story. Belinda’s tragic death sets the stage for the unfolding drama, and her absence haunts Ingrid throughout the series. Their friendship is depicted with warmth and authenticity, making Belinda’s death all the more devastating. On the other hand, John Webster, played by Colin Morgan, is a chilling and enigmatic antagonist. John’s obsession with Ingrid is the driving force behind the series, and Colin’s character is both menacing and charismatic. But he fails to embody the duality of a man who can appear charming one moment and terrifying the next. John’s manipulative tactics and relentless pursuit of Ingrid create a sense of dread that permeates the entire narrative.

The Killing Kind delves deep into the psychology of its characters, examining how obsession can lead individuals to justify their actions, no matter how morally reprehensible. It also raises some pretty thought-provoking questions about the blurred lines between love and possession. The series effectively employs flashbacks to provide insight into Ingrid’s past, including her strained relationship with her ex-fiancé, Mark. These flashbacks are seamlessly integrated into the narrative, shedding light on Ingrid’s vulnerabilities and fears. They also serve to highlight the contrast between her past and present lives. The theme of guilt and its corrosive effects on the human psyche is another compelling aspect of The Killing Kind. Ingrid deals with guilt over her perceived failures, particularly in relation to Belinda’s death and her past relationship with Mark. This emotional weight adds depth to her character and amplifies the audience’s empathy for her plight.

It becomes clear that Ingrid is not the only one with secrets. The series skillfully weaves in multiple subplots and character arcs showing deceit and betrayal. The presence of DI Winstanley, portrayed by Sophie Stanton, adds an intriguing aspect to the show. But sometimes, her investigation into the incidents surrounding Ingrid is incomplete. At the same time, the cinematography of The Killing Kind is visually striking. The series makes excellent use of its London setting, capturing both its beauty and its underlying darkness. Rain-soaked streets, dimly lit alleys, and atmospheric interiors contribute to the show’s overall sense of foreboding. The use of camera angles and lighting effectively mirrors the shifting psychological states of the characters.

While The Killing Kind is a gripping thriller, it is not without its flaws. It won’t be wrong to say that certain plot developments and character choices seem to be somewhat implausible. Additionally, the series raises questions about the limits of suspension of disbelief, particularly in the context of the final episodes. The pacing of this series also leaves much to be desired. While some slow-burning thrillers can effectively build tension and suspense, this series tends to drag on without delivering any substantial payoff. Viewers may find themselves losing interest as the story plods along with little to keep them engaged. A significant source of frustration for viewers is the abundance of unanswered questions and loose ends.

These threads are never satisfactorily resolved, leaving viewers feeling unsatisfied and disappointed. It’s as if the series tries to create an air of mystery by leaving too much unexplained, but it ultimately comes across as a lack of proper storytelling. The climax of The Killing Kind is underwhelming, to say the least. After a series of convoluted twists and turns, the ending of the drama feels a bit rushed and unsatisfying. The true identity of Belinda’s killer is revealed in a manner that lacks the impact and shock value that a thriller of this nature should deliver. Instead of a climactic showdown, viewers are left with a sense of confusion and mostly disappointment. The overall tone of the series is also problematic. The series struggles to establish a clear identity, wavering between psychological thrillers and crime dramas without fully committing to either genre.

There are certain plot twists that can be somewhat predictable, which might disappoint those looking for more unexpected turns. The ending leaves some questions unanswered and open for interpretation, which might frustrate viewers seeking closure. In conclusion, The Killing Kind is a decent psychological thriller that manages to engage viewers with its storyline and provides a compelling viewing experience. If you enjoy stories of obsession and psychological intrigue, it’s worth a watch. With a strong performance by the lead actress, it manages to keep you engaged but not without a cost. Just be prepared for some of its narrative flaws along the way.




This post first appeared on Film Fugitives, please read the originial post: here

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‘The Killing Kind’ (2023) Review: A Riveting Tale Of Deception And Obsession With Some Flaws

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