‘A World of Women’ imagines just that. First published in 1913, it’s eerily relevant.

Hopkins was a pioneering Black mental, playwright and journal editor who used her appreciable literary abilities to rally assist for the reason for racial justice. In “Of One Blood,” the final of her 4 novels, she blends a number of subgenres into what’s an exceptionally entertaining work of well-liked fiction, albeit one with a critical subtext: race.

Set in Boston in what should be the Eighties, “Of One Blood” focuses on Reuel Briggs, a superb, penniless and moody younger medical researcher who’s strongly drawn to the key information present in alchemical texts. Nobody is aware of a lot about his background, however he’s considered of Italian descent. His solely shut pal, Aubrey Livingston, bears “the gorgeous face of a Greek god” and is, in reality, the devil-may-care scion of an previous Virginia household.

One night time, these two pals attend a choral live performance offered by college students from Fisk College, the headliner being a stunning soprano named Dianthe Lusk. “She was not in any approach the preconceived thought of a Negro. Truthful because the fairest girl within the corridor, with wavy bands of chestnut hair, and nice, melting eyes of brown, gentle as these of childhood; a willowy determine of beautiful mould, clad in a somber robe of black.” Reuel instantly acknowledges her as the lady he has glimpsed in a current mystical imaginative and prescient.

A number of weeks later, on Halloween, Aubrey’s fiancee, the spirited 18-year-old Molly Vance, reveals {that a} ghostly girl in white can typically be seen wandering the grounds of the home subsequent door. That night time, Reuel encounters this spectral imaginative and prescient, whom he acknowledges as Dianthe Lusk.

Up up to now, “Of One Blood” would possibly nicely be a Gothic novel, tinged with spookiness and thriller. Reuel may virtually be a latter-day Victor Frankenstein when he attracts on his occult information to revive life to a corpse-like hospital affected person given up for useless. There’s additionally extra to the younger scientist than meets the attention. Aubrey alone is aware of that his pal received’t be crossing the colour line by falling in love with Dianthe Lusk. Sadly, Reuel isn’t the one one infatuated with the gorgeous singer.

The e-book’s first part is dominated by pictures of whiteness. In its center chapters, the novel turns to the “Afritopian” component confused by science fiction author Minister Faust in his biographically informative — and angrily impassioned — prefatory essay: At one level, Faust alludes to “imperialist scouts for mass-murdering kleptocrats,” including: “schoolbooks name them ‘explorers.’” (Should you’re delicate to spoilers, Faust’s introduction reveals an excessive amount of of Hopkins’s plot, as does the paperback’s again cowl. Each must be learn after you’ve loved the novel.)

Science fiction — please, let’s not call it ‘sci-fi’ — is more than just a reaction to the present

All through her narrative, Hopkins recurrently quotes Shakespeare, Longfellow and different poets but in addition appears to be nicely learn within the subgenre often known as the Misplaced World or Misplaced Civilization Romance. Established by H. Rider Haggard in “She” (1886) and “Allan Quatermain” (1887), its most well-known fashionable instance is James Hilton’s “Misplaced Horizon” (1933), which gave us Shangri-La. In these novels, a legend, a map or a dying man’s confession reveals the existence of an unknown kingdom, someplace largely inaccessible, the place an historic civilization survives, hidden from the trendy world. There, its clergymen or sages possess powers far past these of any we all know. Most of the time, its persons are additionally awaiting or fearing the achievement of a centuries-old prophecy. For example, in Gilbert Collins’s “The Valley of Eyes Unseen” (1924), the hero seems to be the long-promised reincarnation of Alexander the Nice.

In Hopkins’s novel, Reuel, desperately needing cash, joins an expedition to Africa, trying to find a wonderful treasure. En route, he learns in regards to the superior technological and cultural achievements of the long-vanished Ethiopian kingdom of Meroe. However has this Wakanda-like civilization actually disappeared? As Reuel ultimately discovers, “within the coronary heart of Africa was a information of science that each one the wealth and studying of recent occasions couldn’t emulate.”

In her e-book’s first act, Hopkins appears to be re-creating a basic Gothic romance; in its second, she gives a suspenseful Misplaced World journey; and within the third, she boldly updates Greek tragedy, because the South’s racist historical past embroils her fundamental characters. In the end, the White, or seeming White, of Boston and the Black of Africa commingle, when she brings her color-themed plot to a thrillingly melodramatic end.

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At one level, the metaphysically minded Reuel confesses that he longs to resolve the thriller of “the whence and whither” of our earthly existence. In her flip, Hopkins — who died in 1930 at age 71 — longed to dismantle what we now name systemic racism, partly by stressing our widespread humanity. As God, in her e-book’s New Testomony-derived epigraph, firmly declares: “Of 1 blood I made all nations of man.”

Michael Dirda is a Pulitzer Prize-winning columnist and the creator of the memoir “An Open Guide” and 4 collections of essays.

By Paula Hopkins. Introduction by Minister Faust

M.I.T. Press/Radium Age. 222 pp. Paperback, $19.95.