There aren’t many films who showcase a folk of ladies in their 35s going on a vacay mode together. Vinod Bachchan, the presenter and Kamal Pandey, the filmmaker, dive in this unidentified and interesting region with different degrees of success.

It is as obvious as an overly sunny day that Swara Bhaskar’s Shivangi, Meher Vij’s Mansi, Shikha Talsania’s Neha, and Pooja Chopra’s Sakina are disgustingly miserable and the great complainers in the casinos of life. One of them has to work nonstop to satisfy her in-laws, and Swara does so with wonderful assurance as she assumes the character of the wife who fears her husband.Shikha Talsania, another, hasn’t had intimate relations with her husband in two years. A third woman, is tired of her husband making threats to execute a triple talaaq on her,as she belongs to Muslim background and despite the fact that a politically astute elder nearby points out that it is forbidden. When the women band together for a holiday to Goa, most of what occurs in Jahan Chaar Yaar is unlawful because they have nothing to lose but their chayan, harmony. They welcome an Australian stranger (an Indian actor with brassy blonde hair who is performing a cheesy impression of Saif Ali Khan in Go Goan Gone) into their hotel suite for a weekend of illegal enjoyment, defying all logic and morality.If you can accept the notion of four inhibited middle-class women fawning over a “Australian” traveller in the seclusion of their hotel (who could be anyone from a drug dealer to a contract killer to Saif’s long-lost twin), then maybe everything that happens afterward will make sense.
While the fundamental notion of giving domestically bound women a break is intriguing, much of Kamlesh Pandey’s writing borders on being awkward. The four female friends’ conversations seem laborious and frequently intended to upset conservative elements. Well keeping all the elements in mind the movie is slated to have 2.5 star rating out of 5.

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