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Good Night World Season 1 Review

Good Night World, the latest original anime series from Netflix, offers a sombre yet surprisingly heartfelt take on the appeal of escapism. Based on the manga by Uru Okabe, the 12-episode series follows the members of the dysfunctional Arima Family as they cope with their various issues and traumas by escaping into Planet, a Virtual reality MMORPG. 

On the surface, Good Night World seems like a fairly standard entry in the popular “trapped in a video game” subgenre, a la Sword Art Online or Log Horizon. We’re introduced to the powerful player Ichi, who is revealed to be the shut-in eldest Arima son Taichiro. He and his estranged family members, including his overachieving younger brother Asuma, distant father Kojiro, and neglectful mother Sayaka, all play Planet but are unaware that they are unknowingly adventuring together as the guild The Akabane Family. 

Good Night World diverges from the typical narrative by offering a raw, unflinching examination of how each character uses the game to navigate their personal pain and dysfunction. Taichiro, grappling with depression following a tragedy, has become a shut-in. Asuma, on the other hand, is driven by feelings of inadequacy to constantly overachieve. Their parents, evading their real-world responsibilities, find solace in their virtual personas.

“This unique approach to storytelling and visual representation sets Good Night World apart from its contemporaries.”

The anime’s dark tone and aesthetic are reminiscent of Psycho-Pass and Serial Experiments Lain. The design elements, particularly those representing the real world, channel the same feelings of unease and disquiet. This unique approach to storytelling and visual representation sets Good Night World apart from its contemporaries.

Good Night World deserves praise for crafting such flawed yet sympathetic characters. Taichiro, in particular, is portrayed in a very human light as someone clearly suffering from depression who finds the game world the only place he feels free and empowered. Similarly, Asuma’s obsessive need to be the ideal student makes sense once we learn of the immense pressure he feels to make up for his brother’s shut-in status. Their parents may be more neglectful, but it becomes clear their dedication to the game comes from their own inability to face reality and their many regrets in a healthy way.

This depth and nuance in the characterization elevates what could have been a simplistic take on escapism. The series makes it clear the Arimas are using Planet in an unhealthy way to avoid their problems, but it never demonizes or judges them. We come to root for this fractured family to find a way to reconnect, both online and offline.

Good Night World explores several mature themes over its 12 episodes, including depression, grief, neglect, suicide, and domestic violence. Yet, it handles these sensitive topics with commendable nuance and care. The series recognizes the dangers of escapism without outright condemning it, and the ultimate message seems to be that human connection, both real and virtual, has value.

There are certainly missteps in the pacing and some plot points that could have used more development. But overall, Good Night World manages to find poignancy in the parallel journeys of a family hoping to defeat the game’s mysterious final boss, the Black Bird of Happiness, and overcome their real-world dysfunction. 

On the production side, Good Night World stands out with its gorgeous animation and evocative soundtrack. The virtual world of Planet pops with vibrant colours and imaginative creature designs. The real-world segments have a more muted palette that emphasizes the gloomier everyday lives of the Arimas, painting just how much a struggle just living a day-to-day life is when struggling with trauma. 

“The series recognizes the dangers of escapism without outright condemning it, and the ultimate message seems to be that human connection, both real and virtual, has value.”

The musical score, particularly during more emotional scenes, is also noteworthy for enhancing the melancholy, reflective tone. And major props to Kuzuha for the catchy opening theme, Black Crack, which perfectly encapsulates the anime’s mix of escapist fun and darker undertones.

Good Night World will likely resonate most with older teens and adults who can appreciate its nuanced look at family relationships and the appeal of virtual escapes. It gets bogged down at times by trying to juggle its real-world drama with its final boss/guild battle storyline. But at its core, this is a sombre yet hopeful tale that succeeds at humanizing its flawed characters and their struggles. 

Escapism, especially via online worlds, can be unhealthy. But Good Night World makes the case that it can also forge meaningful connections between people unable to do so otherwise. For its empathetic take on family, grief, and the power of human bonds, real or virtual, Good Night World earns a heartfelt recommendation.



This post first appeared on CGMagazine, please read the originial post: here

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