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Direction

Early Work: Dance Hall, 1994



It takes little talent to see clearly what lies under one’s nose, a good deal of it to know in which direction to point that organ.

–W. H. Auden, The Dyer’s Hand and Other Essays, ‘Writing’, 1963



I was looking for something else this Morning in my computer files when I came across the image above of a small piece done in my earliest painting days. It’s a loosely done watercolor of the old Dance Hall that once stood at a local amusement park, Eldridge Park. I painted this structure a number of times back then.

I have always skimmed by this particular piece, never taking a moment to stop and examine it with a more probing eye. Its first impression just never hit for me and I mentally devalued it as just a failed experiment. In fact, the small original is stored with a bin of old work that I keep meaning to destroy.

But something made me stop and look at the image this morning. There were many things in this little guy that I liked. The looseness of it and the spew lines at its bottom, for example. The color of the yellow of the sun where it meets the color of the roof. I found it infinitely more intriguing now than I did at that time. It made me wonder what might have been had I continued working in that manner.

That, of course, is a fool’s errand. Wondering what might have been is a futile exercise, especially in this case. This little piece served its purpose (and an important one) and was part of my creative evolution. I took parts of it with me and moved on to the next piece, already heading in a different Direction, pulled by forces that might not show in this piece. At the time it was painted, I was already seeing a different future that it portended.

As a result, I gave it little thought at that time for the piece it was. It just felt like an exercise and not an entity of its own. Not the kind of thing I would ever show to anyone though for some reason I did sign it in pencil at some point. It was early on because the C hadn’t yet entered my signature.

But this morning I began to see it as its own being. And I liked it. I am not saying it is a great piece. It’s not. But it is so much more than I gave it credit for the past almost 30 years. And I am grateful for the things that it gave me then and for the unexpected pleasure it gives me now as it is.

I guess those are the best kind, those small unexpected pleasures.

And that gives me an idea for another post…



This post first appeared on Redtree Times, please read the originial post: here

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