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Tooth in Provenance: Getty Public Collections



This information is for research purposes only. The best source for provenance 
information is the institution that owns the work.

 Provenance of Paintings Record 12861
REMBRANDT HARMENSZ. VAN RIJN
Self-Portrait
Boston, MA, Isabella Stewart Gardner Museum
P21n6
wood

1895 - 1896
Colnaghi's, and Tooth, (Arthur), and Sons. London, England, UK; New York, NY, USA (bought at Sawyer sale by Colnaghi's; went into joint account with Tooth shortly after (may have been briefly owned by Tooth alone summer of 1895); sold by Colnaghi's to Berenson 1896; in account books of both firms as "A Young Gentleman")
Tooth, (Arthur), and Sons, and Colnaghi's. London, England, UK; Paris, France; New York, NY, USA
[Gardner catalogue says Tooth bought the painting at Sawyer sale but the sale catalogue says "Colnaghi" as do Colnaghi's stockbooks: July 13, 1895, no. 226. TPC Tooth and Sons: from Colnaghi 1895/08/30; to Colnaghi 1896/02/06.]


1896 - 1896
Berenson, Bernard, buying for Gardner, Isabella Stewart. Firenze, Italia (from Colnaghi's (and Tooth))

 Provenance of Paintings Record 1007
ALMA-TADEMA, LAWRENCE
Promise of Spring (Opus CCCIII)
Boston, MA, Museum of Fine Arts
Res. 39.94
wood

by 1910 -
Tooth, (Arthur), and Sons (?). London, England, UK; Paris, France; New York, NY, USA (Tooth did have a painting titled "The Voice of Spring" in stock 1910, but its dimensions were 19 1/4" x 45 3/4")

https://collections.mfa.org/objects/32674

 Provenance of Paintings Record 1044
BAIL, CLAUDE JOSEPH
At the Fountain
23.465

- 1908
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[probably Tooth New York stock no. 4086; in New York sales by day (vol.35), Jan 4, 1908]


1908 - 1923
Longfellow, Ernest Wadsworth. Boston, MA, USA (from Tooth; d.1923)

 Provenance of Paintings Record 1067
BEECHEY, WILLIAM
Portrait of a Woman (said to be Miss Moysey)
21.2532

1908 - 1908
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Owen sale; as Beechey)
[Tooth London stock no. 5005 (trans. 4000)]


1908 -
Blakeslee Galleries. New York, NY, USA (from Tooth; as Hopp[n]er)

 Provenance of Paintings Record 2971
[BRITISH - 18TH C. - 1725-1775]
Portrait of a Woman (said to be Jennie Cameron)
35.1227

1924 - 1924
Tooth Brothers. London, England, UK (bought at Gaskell sale)
[not in Tooth and Son stock records.]

 Provenance of Paintings Record 4012
COROT, JEAN BAPTISTE CAMILLE
Bacchanal at the Spring: Souvenir of Marly-le-Roi
17.3234

1898 - 1898
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Petit; presumably sold in New York)
[probably Tooth London stock no. 555: Corot, "Nymphes sur Bois" 32 x 26; from Petit 1898/06/12; to New York Sales 1898/03/31]

 Provenance of Paintings Record 10087
FORAIN, JEAN LOUIS
Witness Confounded
48.542

1926 - 1926
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[Tooth London stock no. 8105, Forain, "Témoin Confondu," from the artist 1926/04/26, to Howard Young Galleries 1926/06/07]


1926 - 1926
Young, (Howard), Galleries. New York, NY, USA; London, England, UK (from Tooth)

 Provenance of Paintings Record 10380
GÉRÔME, JEAN LÉON
Moorish Bath
24.217

1903 - 1903
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Turner sale)
[presumably Tooth London trans no. 2936, Gerome, "Bain Mauve" 20 x 16; bought at Turner sale; sold to Milburn 1903/04/04.]


1903 -
Milburn, J.D. (from Tooth)
[the name in the stock inventory for 1903 is illegible; name gotten from Picture Sales vol. II, p.37]

 Provenance of Paintings Record 10660
HENNER, JEAN JACQUES
Young Woman with Brown Hair
39.651

1904 - 1904
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[Tooth London stock no. 3541(? or trans no?); from the artist 1904/01/26; transferred to New York sales 1904/12/21]


1904 - 1924
Edwards, Robert J.. Boston, MA, USA (from Tooth; d.1924)

 Provenance of Paintings Record 10845
LAWRENCE, THOMAS
William Lock of Norbury
02.514

1896 - 1898
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Agnew's)
[Tooth London stock first entered 1896/07/09, no.562, from Agnew and Sons; carried over through two books; transferred to New York Sales 1898/08/12]


1898 - 1902
Ross, Denman Waldo. Cambridge, MA, USA (from Tooth)

 Provenance of Paintings Record 10937
MASTENBROEK, JOHANN HENDRIK
Rotterdam Harbor
23.471

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[can't find in Tooth stock records without date.]

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 Provenance of Paintings Record 11069


Provenance of Paintings Record 11069
MONET, CLAUDE
Rue de la Bavolle, Honfleur
Boston, MA, Museum of Fine Arts
48.580
canvas

by 1867 -
Bazille

1897/03/08 (0102)
Diot sale (Tual) Paris
- 1897
Diot, Aimé. Paris, France

- 1902
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[not in Tooth stock records; was probably in Paris stock.]

1902 - 1902
Durand-Ruel. New York, NY, USA; Paris, France (from Tooth)

1912 -
Thannhauser (from Durand-Ruel)

Schmitz, Oskar. Dresden, Deutschland

- 1940
Wildenstein. London, England, UK; New York, NY, USA; Paris, France

1940 - 1948
Spaulding, John Taylor. Boston, MA, USA (from Wildenstein)
[address: 99 Beacon St.]

1948 -
Boston, MA, USA. Museum of Fine Arts (bequest of Spaulding)


https://collections.mfa.org/objects/33309

PROVENANCE (20 MAY 2022 - MFA Boston)1867, possibly Frédéric Bazille (b. 1841 - d. 1870), Paris [see note 1]. Until 1897, possibly Aimé Diot, Paris; March 8-9, 1897, possibly posthumous Diot sale, Hôtel Drouot, Paris, lot 102 [see note 2]. About 1901, with Arthur Tooth and Sons [see note 3]; November 21, 1902, sold by Tooth to Durand-Ruel, Paris; August 12, 1912, sold by Durand-Ruel to Galerie Thannhauser, Munich [see note 4]; 1915, probably sold by Thannhauser to Oscar Schmitz (b. 1861 - d. 1933), Dresden and Zürich [see note 5]; 1936, sold by the estate of Oscar Schmitz to Wildenstein and Co., Paris and New York [see note 6]; 1940, sold by Wildenstein to John Taylor Spaulding (b. 1870 - d. 1948), Boston; 1948, bequest of John Taylor Spaulding to the MFA. (Accession Date: June 3, 1948) 

NOTES: 
[1] This painting, or a closely-related variant (Mannheim, Städtische Kunsthalle), is depicted in Bazille's "The Artist's Studio, Rue Visconti, Paris" of 1867 (Richmond, Virginia Museum of Fine Arts).  

[2] See Daniel Wildenstein, "Monet: catalogue raisonné" (1996), vol. 2, p. 21, cat. no. 33.  

[3] The painting was probably with the Paris branch of this London-based gallery. The dates of the Durand-Ruel transactions are taken from Henri Loyrette and Gary Tinterow, "Origins of Impressionism, 1859-1869" (exh cat. Réunion des Musées Nationaux, Paris and Metropolitan Museum of Art, New York, 1994-1995), p. 425. cat. no. 124. 

[4] While with the Galerie Thannhauser, the painting was published by Georg Biermann, "Die Kunst auf dem internationalen Markt. Gemälde aus dem Besitz der modernen Galerie Thannhauser, München," Der Cicerone, no. 21 (May 1913), p. 325 and in the Katalog der Modernen Galerie Heinrich Thannhauser München (Munich, 1916), cat. no. 26; see below, n. 5. 

[5] According to "La Collection Oscar Schmitz" (exh. cat., Wildenstein and Co., Paris, 1936), p. 90, cat. no. 40, Schmitz acquired the painting in 1915. Though it was illustrated in the Katalog der Modernen Galerie Heinrich Thannhauser München, published in 1916 (see above, n. 4), it is still quite possible that Schmitz purchased the painting from Thannhauser in 1915, after the gallery catalogue went to press but before its publication in 1916. In 1931, Schmitz left Germany and moved his collection to Switzerland. It was exhibited at the Kunsthaus, Zürich, "Sammlung Oscar Schmitz," January 14-February 14, 1932, cat. no. 45, as "Rue dans une ville de Normandie." 

[6] A large portion of the Schmitz collection was for sale as early as 1934. In 1936, Wildenstein acquired it and held the exhibition "La Collection Oscar Schmitz" (as above, n. 5). See Heike Biedermann, "Die Sammlungen Adolf Rothermundt und Oscar Schmitz in Dresden," in "Die Modernen und ihre Sammler: Französische Kunst im deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik," ed. Andrea Pophanken and Felix Billeter (Berlin, 2001), 213-222.



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 Provenance of Paintings Record 11239
OWEN, WILLIAM
Thomas John Dibdin
97.444

1897 - 1897
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Pender sale; as Opie, "Charles Dibden, writer of Nautical Songs")
[Tooth London stock first entered 1897/06; bought at Pender sale; carried over to next book; transferred to New York Sales 1897/09/10]


1897 -
Boston, MA, USA. Museum of Fine Arts (from Tooth; formerly as Opie)

 Provenance of Paintings Record 11340
REYNOLDS, JOSHUA
Anne Vansittart, Lady Palk
95.178

1894 - 1895
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Lawrie)
[Tooth London stock first entered 1894/10/25; to New York sales at an unknown date (but before next inventory of 1895/07/01). After the title is the notation, "collection Rev. E.L. Crake, of Mystole Mansion, Chartham", which appears to refer to this painting. It is possible that it refers to the next painting in the stock inventory, however, and since the provenance gives the painting as remaining in the Palk family until at least ca. 1891, I decided to leave it out.]


1895 -
Boston, MA, USA. Museum of Fine Arts (from Tooth)

 Provenance of Paintings Record 11762
SISLEY, ALFRED
Early Snow at Louveciennes
48.600

- 1939
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Gérard)
[too late for Tooth stock records.]


1939 - 1948
Spaulding, John Taylor. Boston, MA, USA (from Tooth)

 Provenance of Paintings Record 2140
GENTILESCHI, ORAZIO
Portrait of a Young Woman as a Sibyl
Houston, TX, Museum of Fine Arts
61-73
canvas

1951 -
Tooth, J. (bought at anonymous sale)
[possibly Jeffrey Tooth? Too late to check against Tooth stock records.]



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Tooth in Provenance: Getty Public Collections

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