From Herbie Hancock’s Rockit to Phil Collins’s Sussudio; Blue Monday to Eddie Murphy — the Oberheim DMX defined the profound and the pap of the early 1980s with its meaty, realistic drum sounds and early […]
From Herbie Hancock’s Rockit to Phil Collins’s Sussudio; Blue Monday to Eddie Murphy — the Oberheim DMX defined the profound and the pap of the early 1980s with its meaty, realistic drum sounds and early […]