Rick Mitz, author of The Great TV Sitcom Book, once joked that Amos ‘n’ Andy constituted the “two dirty words” of American broadcasting (and he even thought the “’n’” suspect). I myself refer to the program as “the third rail” of old-time radio, insomuch as the medium’s first true phenomenon has been clouded with controversy ever since its premiere over Chicago’s WMAQ on March 19, 1928 (the show went national over NBC’s Red network in August of 1929) and stayed with the show long after it left the airwaves on November 25, 1960. Created by Freeman Gosden and Charles Correll, two vaudeville performers who had a talent for black dialect, the long-running serial/sitcom began as Sam ‘n’ Henry over rival Windy City station WGN in 1926; the two men left the following year after a dispute with the station…and since they were unable to use the “Sam ‘n’ Henry” name (it was still owned by WGN) they changed the name of the characters to their better known alliterative association.
Freeman Gosden & Charles Correll |
With the cancellation of The Amos ‘n’ Andy Music Hall, Freeman Gosden and Charles Correll weren’t quite ready to abandon the characters that made them famous…and with the prompting of ABC, anxious to duplicate the success of their hit animated series The Flintstones, they came up with an idea that would allow them to continue the show in cartoon form. It was not a new idea; a cartoon version of Amos ‘n’ Andy had actually been attempted as far back as 1934 at the Van Beuren Studios but after two entries (The Rasslin’ Match and The Lion Tamer) the series was abandoned. This time around, Freeman and Charlie would lend their characterizations to a pair of anthropomorphic animals…and Calvin and the Colonel was born.
Charlie & Gos with their cartoon counterparts |
The Colonel had a Sapphire-like spouse in Maggie Belle (voiced by Virginia Gregg)—although her name is spelled “Maggi Belle” in the show’s closing credits, I’m going to go with “Maggie.” Instead of having to put up with a mother-in-law like the Kingfish, Colonel Klaxon suffered under the domineering thumb of Susan Culpepper (Beatrice Kay)—Maggie Belle’s sister, affectionately known as “Sister Sue.” The character of Maggie Belle is not one of Ginny’s finest thespic hours, mostly because of the severe limitations of the role (she’s there to be a constant scold to the Colonel and little else) …but Kay doesn’t come off that much better (though I do giggle when she calls The Colonel an “old foof”). I believe this can be explained by the fact that the radio counterparts of Sapphire and “Mama” were also rather thinly written…yet I wish they had considered letting Ernestine Wade and/or Amanda Randolph perform the Maggie Belle/Sister Sue roles to give their cartoon counterparts a little more oomph. (I can certainly understand the reluctance to do this, though.) The remaining character on Calvin and the Colonel was “Judge” Oliver Wendell Clutch (Paul Frees)—a shady lawyer (appropriately portrayed in weasel form) for which the Colonel was always asking for advice (Clutch was the show’s Stonewall/Algonquin J. Calhoun counterpart).
Bob Mosher & Joe Connelly |
My interest in Calvin and the Colonel was stoked by the recent Oldies.com purchase of three volumes of the show released by Alpha Video. I’d previously watched an episode or two at YouTube, but the more episodes I tuck under my belt the more I enjoy this pleasurable little series. I’ll state right off the bat that this is due in large part to my familiarity with the source material, but as someone who loves old-time radio I think like-minded folks will follow my lead. It’s quite hooty hearing the voices of Kingfish and Andy emanate from a fox and a bear, and in addition to the regular cast you’ll hear OTR/character favorites (in various episodes) like Joe Flynn, Jesse White, Frank Nelson, Barney Phillips, Will Wright, June Foray, Howard McNear, Hans Conried, Charlie Cantor, Frank Gerstle, Marvin Miller, Elvia Allman, Forrest Lewis, Olan Soule, and Peter Leeds. (“It’s too piercing, man…too piercing.”)
It’s television animation, of course, but despite the limited budget the style of Calvin and the Colonel is reminiscent of that in the creations of Jay Ward (Rocky and His Friends) or Total Television (King Leonardo, Underdog). A 2006 post at Michael Sporn Animation notes that the company who produced Calvin was TV Cartoons/Creston Studios (who also did the non-Jay Ward version of Crusader Rabbit), and the roster of talent that cranked out the installments included Chuck McKimson, Norm Gottfredson, Lee Mishkin, Phil Roman, John Sparey, Ben Washam, Tom McDonald, Volus Jones, Dave Weidman, Jim Davis, and Bob Bemiller—“They were more WB & Disney people unlike the Hanna Barbera shows which initially seemed to use more of their MGM cohorts.”
That post also observes that Calvin and the Colonelwas the “second prime time show to premiere” after The Flintstones—which I don’t think is entirely accurate if The Bugs Bunny Show is worked into the equation (you can argue that the animation on Bugs had already appeared in motion picture theatres…but the segments that introduced the cartoons had not). (Television Obscurities notes that CBS Cartoon Theater even predated The Flintstones by four years—though like Bugs, the show featured shorts previously unspooled in theatres.) It is accurate to say that the success of that “modern Stone Age family” ushered in a slew of prime-time cartoon efforts in the 1961-62 season, with Calvin joined by the premiers of The Bullwinkle Show (okay, technically a continuation of Rocky and His Friends), The Alvin Show, and Top Cat. Calvin only lasted two months in its 8:30pm Tuesday slot (stiff competition from Alfred Hitchcock Presents and The Many Loves of Dobie Gillis) before it returned in January of the following year to a Saturday time slot (7:30pm) to fulfill its obligation to sponsor Lever Brothers. It then made Saturday a permanent home—mornings, that is—for another year before fading from the small screen landscape.
Calvin and The Colonel working for the sponsor. |
…which I will graciously share here with you until some hoser pulls the YouTube plug. “Job” (the black-and-white version), “The Polka Dot Bandit,” “Thanksgiving Dinner,” and “The Costume Ball” are featured on Alpha’s first volume of the series, while Volume 2 includes “Sycamore Lodge,” “Wheeling and Dealing,” “Sister Sue’s Sweetheart,” and “Nephew Newton’s Fortune.” (“Wheeling” is one of my favorite Calvin outings—The Colonel is under orders from the women in his life to ship Nephew Leroy’s car to him out on the Wes Coast…but he and Calvin have a mishap that results in Leroy’s ride being filled with cement. It’s an unusual episode in that The Colonel emerges victorious in this one—at the end of the show, he breaks the fourth wall as he enjoys breakfast in bed: “I know I didn’t earn all this love and affection, but…I’m a married man, so I’m gonna take what little I can get.”)
But if you’re like me and there’s often too much month at the end of the money, Volume 3 is the Alpha Calvin and the Colonel collection is the one you should get—it features four color episodes in “The Colonel’s Old Flame,” “Sister Sue and the Police Captain” (this one was an episode I watched on YouTube—in color!—but it has apparently been yanked), “Calvin’s Glamour Girl,” and “Colonel Out-Foxes Himself.” This last one is very funny (it’s the one on which I heard Conried and Cantor), as The Colonel attempts “The Pocketbook Swindle” after it’s been pulled on him…with unsuccessful results. Animation history king Jerry Beck calls the show “illustrated radio” …which is certainly fair, though I’ve heard the same term applied to much of the Hanna-Barbera product as well, and Calvin and the Colonelcan certainly hold its own with Huck, Yogi, and the rest of my childhood heroes.
I told Grover I'd only buy these dolls if one of them said "Holy mackerel, Calvin!" |
Dell Comics published two Calvin and the Colonelcomic books in 1962 (one of which was in their “Four Color” series, which is why the second issue was labeled “#2”) and Milton Bradley released a board game to capitalize on the (non)popularity of the program (Leal also notes that there were “Calvin” and “The Colonel” dolls available for purchase—they talk, too!—and Beck has published this image of a C&C coloring book)—you can find the board game/comic books on eBay, if you’re curious. I’d settle for a DVD release of the complete series only because I believe it’s much better than its reputation and it doesn’t deserve its current obscurity.