Starring Domnhall Gleeson, Rose Byrne and Sam Neill, with the voices of James Corden, Margot Robbie, Daisy Ridley, Elizabeth Debicki and Sia
Based on the works of Beatrix Potter
Screenplay byWill Gluck & Rob Lieber
Directed by Will Gluck
Reviewed by Patrick & Paul Gibbs
The works of Beatrix Potter have been beloved for generations, and the backlash against putting them into a modern setting with a contemporary, "hip" sensibility have been loud and widespread. And it's not hard to understand why purists would feel that way, but it's always best to wait until one has actually seen a film before condemning it.
|Image Courtesy Columbia Pictures and Sony Pictures Animation|
In order to enjoy this film, you have to be willing to accept that this is only one new and loose take on the story, not meant to be definitive and not capable of retroactively destroying anyone's childhood or making anyone roll over in the grave. In terms of tone and quality, it lands somewhere in between Paddington and Alvin and the Chipmunks, with too much of the humor feeling a bit lowbrow and with plenty of allusions to groins, buttocks and other things the kids seem to love (or at least Hollywood thinks they do) and the moments when it starts to feel like a return to the short lived Home Alone genre of the '90's made me want to back my head against the chair in front of me, but there's a fair amount of genuine whimsy and fun as well. Gleeson and Byrne are quite charming, and with lesser actors it may not have come together. Corden does a capable job as Peter, though Daisy Ridley and Margot Robbie as Cottontail and Flopsy, respectively, are even better, as is Colin Moody as cousin Benjamin.
There's an over reliance on pop songs, as director Will Gluck relies on the familiar crutch to set the mood and sell an album at the same time. But it all moves at a brisk pace and it's cute and often very easy to embrace.
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