A dear friend was recently involved in a car accident en route to the airport for a vacation. Fortunately, no one suffered serious injuries--but a sore back, a banged-up knee, and a two-week vacation delay is no fun. So, he turned to a comfort movie later that day...selecting Hot Rods to Hell.
|Gloria and the guys out for some kicks on the highway.|
|Laurie Mock as Tina.|
It's easy to dismiss Hot Rods to Hell as a campy melodrama with outdated dialogue. Two of the most overwrought scenes feature Tina, writhing in bed as she thinks of Duke and later frantically clutching her father in the car as Duke and a pal play "chicken" with the Phillips family.
|Mimsy Farmer as Gloria.|
In a historical context, Hot Rods to Hell serves as an intriguing transition from the Beach Party films of the early 1960s to the violent biker pictures heralded by the previous year's The Wild Angels (1966). It's almost as if the alienated youth characters from the 1950s had regressed from Brando's gang leader to parodies like Eric Von Zipper and then moved forward again with Duke and Gloria and eventually the Hells' Angels.
|Jeanne Crain as Tina's mother.|
It's an entertaining time-capsule film with a rock score performed by Mickey Rooney, Jr. and his Combo. My only major complaints are that the ending comes across as a cop-out and that Gloria, the film's most vibrant character, disappears well before the climax.
Mimsy Farmer, who played Gloria, and Gene Kirwood, who was Duke's pal Ernie, enjoyed intriguing careers after Hot Rods to Hell. Mimsy Farmer married an Italian screenwriter and forged a solid career in European cinema. Her most famous role may be as the lead to Dario Argento's 1971 thriller Four Flies on Grey Velvet. As for Gene Kirkwood, he became a producer on films such as Rocky, The Idolmaker, and New York, New York. That's just proof that alienated youths can grow into responsible adults.