Well, what an absolute blast my first day in Rome turned out to be, my parents and I visited The Vatican City, an independent state within Rome which hardly needs any introduction.
After a quick metro ride, we arrived around 9.30 a.m only to be accosted by a Ticket tout asking if we wanted to buy entrance tickets. We smugly replied that we didn’t because we already had some and flashed them in front of his face. He looked them over and told us that we could go through all the museums and end up in the Sistine Chapel, but if we wanted to go into St Peter’s Basilica we’d have to retrace our steps and join the queue for the basilica outside. We didn’t really want to do that, especially as my lovely mum was struggling to walk as it was, it would have been torture for her to walk all the way back and stand in the long queue.
As it turned out, we didn’t have to do any of that because we ended up right outside the basilica anyway, but we didn’t know that at the time. Reluctantly, we gave in to the ticket man’s suggestion of upgrading our tickets. An additional €21 each on top of the €17 I’d already paid. This was turning out to be an expensive day out so far, but we were at the Vatican and it’s not something you see every day.
When we met our guide, Eugene, he gave us a brief introduction about what the tour would entail and then we made our way to the entrance. He guided us through the museums and gave us a running commentary as we went. Some of the statues and paintings were worthy of finding out a little more about them and it would have been nice to linger and know who the statue depicted or who the painter was, but there was no time to really take it all in. Having said that, it was good to have a guide if only to learn a little about what we saw.
Let’s begin the tour…
The first place we went was the Cortila della Pinacoteca, a beautiful courtyard with views of the basilica’s silver-blue dome dominating the skyline.
Then onto the Cortile della Pigna named after the 4 metre-high pine cone, moved here in 1608. There’s also a large bust of Caesar Augustus, and Arnaldo Pomodoro’s “Sphere within a Sphere.”
Next, the Chiaramonti Museum, named after Pope Pius VII Chiaramonti (1800-1823) is a collection of over 1,000 ancient sculptures including Heracles with his son Telephos.
During the 19th century, Napoleon ordered the Papal States to hand over this collection to France. Later, a sculptor called Antonio Canova, with some help, managed to bring them all back. The museum has been arranged to show the 3 sister arts, sculpture, architecture and painting, in an aesthetically pleasing way.
Next, was the Braccio Nuovo or New Wing which is considered to be one of the most important examples of neo-classical architecture in Rome. The hall is lined with statues of emperors and Roman copies of Greek statues, as well as busts depicting famous people from classical times. It is an impressive collection and even the floor is stunning, made from marble slabs with original Roman mosaics.