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Sainte-Chapelle: A Symphony of Light & Color

If we could hear light and colors instead of seeing them, Paris’ Saint-Chapelle would be a full blown symphony. It has the most beautiful Medieval Stained Glass, some of which is over 750 years old!

The History

Sainte-Chapelle was part of Palais de la Cité, the residence of the Kings of France from the sixth century until the 14th century. In this old illustration, you can see Sainte-Chapelle on the right, surrounded by other buildings in the royal palace compound:

By Limbourg brothers – R.M.N. / R.-G. Ojéda, Public Domain

Sainte-Chapelle means “holy chapel,” which is only fitting. You see, the primary purpose of the chapel was to house a collection of Christian relics. Those relics included the crown of thorns worn by Jesus at his crucifixion. The crown remains in Paris to this day, housed at the Cathedral of Notre Dame until the 2019 fire made it necessary to move it.

King Louis IX (later canonized and made Saint Louis) purchased the relics in an effort to gain religious and political influence. When the relics arrived in France, King Louis hosted a week-long celebration. For the final stage of their journey to Paris, the King himself carried the relics while barefoot and dressed as a penitent.

From the 14th century until the French Revolution, Sainte-Chapelle was headquarters of the French treasury, judicial system, and the Parlement of Paris. Today, the site primarily houses the Palais de Justice.

According to the Sainte-Chapelle web site, it took a mere seven years to build the chapel. (By comparison, it took 200 years to build Notre Dame. In Barcelona, Sagrada Familia’s construction began in 1882, and has yet to be completed.) Construction of Sainte-Chapelle began sometime after 1238, and consecration of the chapel took place in 1248.

The Architecture

Experts consider the chapel a prime example of Gothic Rayonnant architecture, characterized by an intense focus on illumination and the appearance of structural lightness. They say that King Henry III of England, after attending the consecration of Sainte-Chapelle, had Westminster Abbey rebuilt with key elements of the Rayonnant style.

Inside the church, it seems as if the building is nothing more than a framework to support the medieval Stained Glass windows. It provides a stunning contrast to most churches of that era, where stained glass windows served as more of an accessory than the main attraction.

There are two distinct areas of the Sainte-Chapelle building: an upper chapel and a lower chapel. The lower chapel was the parish church for those who lived at the palace. Visitors today enter the lower chapel first, where they see a statue of Saint Louis, surrounded by gilt-painted columns.

By PHGCOM – Own work, CC BY-SA 3.0

The upper chapel earned Sainte-Chapelle’s reputation for having the most significant and stunning collection of Medieval Stained glass.

The Medieval Stained Glass

Stepping into the upper chapel of Sainte-Chapelle is like watching that scene in “The Wizard of Oz” when Dorothy transitions from life in dull, black-and-white Kansas to an explosion of technicolor in the land of Oz. It is breathtaking, overwhelming, and awe-inspiring.

There are 15 windows, each about 45 feet high, depicting 1,113 scenes in colorful glass panes. Added together, the medieval stained glass covers 6652 square feet! Although some of the windows received heavy damage during the French Revolution and underwent restoration in the 19th century, nearly two-thirds of them are authentic and original.

Three of the windows feature the New Testament. They show scenes of The Passion, the Infancy of Christ, and the Life of John the Evangelist. One heavily restored window features scenes from the Book of Genesis, and ten other windows depict scenes from other portions of the Old Testament. The fifteenth window shows the rediscovery of Christ’s relics, the miracles they performed, and their relocation to Paris by King Louis.

In addition to the fifteen tall stained glass windows, a rose window was added to the church around 1490.

By Didier B (Sam67fr) – Own work, CC BY-SA 2.5

Damage & Restoration

While nearly two thirds of the windows are authentic, much of the chapel that visitors see today is a re-creation of what once stood there. Sainte-Chapelle suffered a great deal of damage during the French Revolution. At that time, the steeple was removed, the relics dispersed, and various reliquaries were melted down.

Less than 20 years later, Sainte-Chapelle was requisitioned as an archival depository in 1803. As a result, six feet of the medieval stained glass was removed to facilitate working light. It was either destroyed or put on the market.

Then there’s damage caused by the best of intentions. Fearing damage from World War II bombing, authorities applied a layer of varnish to protect the medieval stained glass. As time passed, the varnish darkened, which made it more difficult to see the images. In 2008, a €10 million, seven year program to restore the windows began. The restoration included the application of a thermoformed glass layer for added (clear) protection.

Restoration seems to be an ongoing operation. When I visited, I noticed several architectural elements up against the side of the building in a fenced off area.

Visiting Sainte-Chapelle

Sainte-Chapelle is a worthy destination when visiting Paris. It stunning medieval stained glass makes it unlike most other historic churches in Europe, and it is simply amazing to behold. Here’s what you need to know if you are planning a visit:

HOURS: Sainte-Chapelle opens at 9:00 am daily. October 1 thru March 31, it closes at 5:00 pm. April 1 thru September 20, it closes at 7:00 pm. It is closed January 1, May 1, and December 25 each year.

COST: Admission is €11.50 for adults. Admission is free for children under 18 if visiting with their family.

METRO: The closest Metro stop is Cité on Line 4.

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