Ibiza Pareo, Ibiza Pareo
Geiser Discos, Argentina
Rating: 80
by Zé Garcia
Sand, water, heat, jungle. These are the words that illustrated an emerging band from Argentina still in its demo phase. Ibiza Pareo "couldn't be more devoted to dance and the sun" the girls explained to me via email: "we are inspired by the sun, nature, travel, and the dance floor". All of these elements are present on the band's self titled debut. Ibiza Pareo sounds like 90s music: alt rock, lounging house, & a lethargic hi-NRG. Ani & Marina perform some compelling vocal performances (wailing in anguish but also rapture) yet the entire album is sung in the shadow of an alluring deadpan delivery. Ibiza Pareo is arid dance music. Ibiza Pareo is tropicgoth.
Second tracks on pop albums are generally a slot reserved for the album's top banger. It is interesting that Ibiza Pareo choose to devote this space to "Viva, Ahí Están los Chicos", a song that only begins to reveal its appeal after repeated listens. This is also true for the rest of Ibiza Pareo, an album that would undoubtedly fall under the "grower" adjective. Ibiza Pareo is a quiet hit with a promise that signals Ani & Marina's best work is still to come. The choice tracks on the record employ a flute that could be described as Andean (think "Suerte"). The beaches of Ibiza don't come to mind while the flute plays, but the Sonoran and the Atacama Deserts do. "Dame un guitarron, esa dulce flauta" Ani & Marina beckon on the foggy safari of "Cha Rup" whereas second single "Ritmas" is the perfect example of the way that flute delves into a more personal space and demands spiritual communion. "Ritmas" sounds transcendant, the keyboards echo, become decidedly house by the end of the first chorus. Where the chorus of "Ritmas" speaks to the soul, the verses are delivered with an attitude befitting Sentidos Opuestos. First single "Arido Espejismo" is a candidate for Record of the Year. A live version has the potential to create something akin to our generation's Negra Tomasa, Ibiza Pareo just has to allow the track to become an all out tropicgoth cumbia. Vocals are pushed to a certain extreme,"Sigo tus huellas movedi-ZAS" the effect is almost psychotic, but the girls catch themselves: "siento la intensidad del aire. Aaaaah". The harmonizing laments (auuuuu, aaaaaah) sound desolate & divine and work as the track's de facto chorus. The flute soars high above the heavens- an avian cry full of stoic pain. The lyrics sound romantic, but their delivery suggests a vía dolorosa: "busco tu imagen en la arena / te veo en el reflejo del sol".
"Viajeros" is another key feature of the many accents of Ibiza Pareo. The synths this time are atmospheric & introspective- the textures of Klaus & Kinski come to mind with the percussive claps of "Triangle Walks". An elegant saxophone meets unrestrained electronic effects channeling a dimension where empathogens, psyschedelics, & a somber poise connect. "Viajeros" (like the rest of the album) is sung in a druggy delirium that is made all the more powerful by Ibiza Pareo's affirmation: the world is in chaos. "Disco de Verano" sounds mischievous and operates like an interlude (in a similar vein to the aptly titled "After") for the road, high from the party you just left, on your way to the next oasis. It is unclear whether the sun is setting or rising: this is for the low-key pregame or the sleep deprived, blissful comedown. "Discoteca" also sounds like an interlude, but this one has lyrics that signal the album's mantra: "que el beat tome mi cuerpo / quiero viajar en el sonido, en la melodía". Six minutes into the trance and you are swept under its somber, spellbinding qualities. "Nuestro Amor Es Musica" takes us on a far out, melodic techno odyssey right before we escape to the cascading closing track of "Tunisia" where synths rise and wane. A guitar wails, the club beat thumps. "Tunisia" becomes impossible not to picture the silhouette of las chicas losing it on guitar and keyboards in a live setting- the strobe lights steady, sweat streaming down your face.
Ibiza Pareo proves that even dance records in the 2015 Club Fonograma sphere carried a moodier tone. A trend towards guitars and distortion will be even more noticeable as our Best Of 2015 lists become available in the days ahead. On Ibiza Pareo, we find ourselves club hopping in the desert. But these days and nights spent turning up aren't vapid. This desert nightclub is a place for introspective wonder, a place to process, celebrate friends, celebrate bodies, movement, & melody. Ibiza Pareo have technically delivered a dance record, a dance record veiled by the morose: "esta noche voy a bailar con mis amigos, celebrar que estamos vivos."
Geiser Discos, Argentina
Rating: 80
by Zé Garcia
Sand, water, heat, jungle. These are the words that illustrated an emerging band from Argentina still in its demo phase. Ibiza Pareo "couldn't be more devoted to dance and the sun" the girls explained to me via email: "we are inspired by the sun, nature, travel, and the dance floor". All of these elements are present on the band's self titled debut. Ibiza Pareo sounds like 90s music: alt rock, lounging house, & a lethargic hi-NRG. Ani & Marina perform some compelling vocal performances (wailing in anguish but also rapture) yet the entire album is sung in the shadow of an alluring deadpan delivery. Ibiza Pareo is arid dance music. Ibiza Pareo is tropicgoth.
Second tracks on pop albums are generally a slot reserved for the album's top banger. It is interesting that Ibiza Pareo choose to devote this space to "Viva, Ahí Están los Chicos", a song that only begins to reveal its appeal after repeated listens. This is also true for the rest of Ibiza Pareo, an album that would undoubtedly fall under the "grower" adjective. Ibiza Pareo is a quiet hit with a promise that signals Ani & Marina's best work is still to come. The choice tracks on the record employ a flute that could be described as Andean (think "Suerte"). The beaches of Ibiza don't come to mind while the flute plays, but the Sonoran and the Atacama Deserts do. "Dame un guitarron, esa dulce flauta" Ani & Marina beckon on the foggy safari of "Cha Rup" whereas second single "Ritmas" is the perfect example of the way that flute delves into a more personal space and demands spiritual communion. "Ritmas" sounds transcendant, the keyboards echo, become decidedly house by the end of the first chorus. Where the chorus of "Ritmas" speaks to the soul, the verses are delivered with an attitude befitting Sentidos Opuestos. First single "Arido Espejismo" is a candidate for Record of the Year. A live version has the potential to create something akin to our generation's Negra Tomasa, Ibiza Pareo just has to allow the track to become an all out tropicgoth cumbia. Vocals are pushed to a certain extreme,"Sigo tus huellas movedi-ZAS" the effect is almost psychotic, but the girls catch themselves: "siento la intensidad del aire. Aaaaah". The harmonizing laments (auuuuu, aaaaaah) sound desolate & divine and work as the track's de facto chorus. The flute soars high above the heavens- an avian cry full of stoic pain. The lyrics sound romantic, but their delivery suggests a vía dolorosa: "busco tu imagen en la arena / te veo en el reflejo del sol".
"Viajeros" is another key feature of the many accents of Ibiza Pareo. The synths this time are atmospheric & introspective- the textures of Klaus & Kinski come to mind with the percussive claps of "Triangle Walks". An elegant saxophone meets unrestrained electronic effects channeling a dimension where empathogens, psyschedelics, & a somber poise connect. "Viajeros" (like the rest of the album) is sung in a druggy delirium that is made all the more powerful by Ibiza Pareo's affirmation: the world is in chaos. "Disco de Verano" sounds mischievous and operates like an interlude (in a similar vein to the aptly titled "After") for the road, high from the party you just left, on your way to the next oasis. It is unclear whether the sun is setting or rising: this is for the low-key pregame or the sleep deprived, blissful comedown. "Discoteca" also sounds like an interlude, but this one has lyrics that signal the album's mantra: "que el beat tome mi cuerpo / quiero viajar en el sonido, en la melodía". Six minutes into the trance and you are swept under its somber, spellbinding qualities. "Nuestro Amor Es Musica" takes us on a far out, melodic techno odyssey right before we escape to the cascading closing track of "Tunisia" where synths rise and wane. A guitar wails, the club beat thumps. "Tunisia" becomes impossible not to picture the silhouette of las chicas losing it on guitar and keyboards in a live setting- the strobe lights steady, sweat streaming down your face.
Ibiza Pareo proves that even dance records in the 2015 Club Fonograma sphere carried a moodier tone. A trend towards guitars and distortion will be even more noticeable as our Best Of 2015 lists become available in the days ahead. On Ibiza Pareo, we find ourselves club hopping in the desert. But these days and nights spent turning up aren't vapid. This desert nightclub is a place for introspective wonder, a place to process, celebrate friends, celebrate bodies, movement, & melody. Ibiza Pareo have technically delivered a dance record, a dance record veiled by the morose: "esta noche voy a bailar con mis amigos, celebrar que estamos vivos."
