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SO YOU WANT TO DO CRAFTSHOWS…LESSON 5: Get Those Applications In Early

LESSON 5: GET THOSE APPLICATIONS IN EARLY

John Jacob thought he could set up anywhere and anytime. So he missed the April 30th deadline for the Red Hills Fair. And he sent in an incomplete Application without the required pictures to Napa Sweets Festival. And he didn’t take seriously the fact that Naples Symphony Days was a juried competition. And he couldn’t understand how adding one more jewelry vendor to the Rocky Mountain Showroom would make much of a difference.

He had calculated that he needed to do 4 shows a year to make a living. But for several years now, although he had applied to at least 12 shows each year, he rarely was approved for more than 2.

Sample Application Form

THE APPLICATION

1. PREPARE A GENERIC APPLICATION

2. UNDERSTAND THE JURIED SELECTION PROCESS

3. SUBMIT APPLICATIONS AND FOLLOW-UP ON THEM

4. SCHEDULE YOURSELF FOR THE YEAR

Prepare a Generic Application

1. PREPARE A GENERIC APPLICATION

Some organizations have a formal, printed application form to fill out. More and more, however, organizations are using online application services.

I suggest creating a generic application form, from which you can cut and paste into these printed or online application forms.

They may ask you for these types of information:

1. Company information, address, phone, email, contact phone, onsite-contact phone, website, license plate #, re-sale or tax number and state which issued it

2. Type of merchandise to be sold

3. Hand-made?

4. High and low price range of merchandise

5. Describe your craft (techniques, materials, designs)

6. Artist Statement (about 150–250 words)

7. Booth size requirements (will you need more than one 10’x10’ booth space?)

8. Requirements for additional services, such as electricity, table and chair rental, tent

9. 5 photos of your crafts (be sure your photos are sharp and attractive, as if they were publishing in a book. No dark photos. .jpg or .tif)

With photos, you might need slides, or you might need .jpg images that are 72–96 dpi, or you might need hi-resolution .jpg images which are 300 or 600 dpi. Use 16-bit color. Be prepared with each of these.

10. 3 photos of your booth set-up (They want visually appealing, customer enticing, user friendly booth set-ups, again, no dark photos.)

11. List of special preferences, such as “corner booth, if available”.

12. Credit card number, expiration date, security code number, billing address (They will probably want this number to keep on file.

2. UNDERSTAND THE JURIED SELECTION PROCESS

At this point, you have selected shows which you feel are a good fit with your business.

Now, determine if you are eligible for them. Do they put any limitations on who can and cannot apply? Do they require that your creative work be juried?

Most craft shows make simple acceptance decisions based on
 — submitting an application form, and
 — paying the fee

Some may restrict the number of jewelry vendors they accept, because they want a balance of types of merchandise, and often, too many jewelry vendors apply.

Other shows want to maintain some level of merchandise quality standards. They subject the applicant to a more intensive jury-review process.

The jury process is probably what you would expect. Usually a few people review all the application and score them against a set of criteria. They choose the ones which score the highest.

Some typical criteria they use:
 — products considered best for the show
 — aesthetics and visual appeal
 — functionality
 — creativity
 — originality
 — technique
 — marketability
 — quality of work
 — booth design

They want to end up with vendors whose wares will sell, where there won’t be much duplication, and whose presence and set-up is exciting for the people who attend the show.

Your short write-up and submitted photographs need to make your case.

WHAT DOES IT MEAN WHEN A JUROR SAYS “NO!”?

Most rejections are based on the limited number of openings, particularly for jewelry vendors.

Another major reason for rejections is the poor quality of photos submitted. Look at your photos. Share them with some friends. Judge them according to the previously discussed judging criteria. How well do they make your case? Are they clear, focused, bright?

3. SUBMIT APPLICATIONS AND FOLLOW-UP ON THEM

You have created your list of possible shows, based on your sense of fit, the goals you have set for yourself, and your budget, given the costs involved. You have determined whether you are eligible for them.

Decide about how many shows you want to do a year. Select 5–10 more shows in addition to the number you ant to do.

Another rule of thumb is to select 3 events to apply to for each weekend you want to work. If you want to work 4 weekends, then apply to 12 events.

Get their application forms, and review the rules and application deadlines.

READ ALL THE RULES !!!

Determine how long their review processes are, and figure out when you should know whether you have been accepted.

Call or email each one, and verify that all the information you have — dates, fees, application requirements, deadlines — are true. Things change. Things get printed wrong.

4. SCHEDULE YOURSELF FOR THE YEAR

Organization is critical here.

Get a good 3-year calendar. Map out every date. Every Application deadline. Every application acceptance notification. Every deadline for notifying them, confirming your acceptance, and submitting any up-front fees. Every show date, including set-up and break-down dates and times.

Remember, for many craft shows, you will be applying 6–12 months ahead of time.

It takes a lot of coordinated effort to keep everything on track. You might set up a spread-sheet or data-base. I use a calendar app that links with my email program. I set up automatic reminders, so they pop up when I need to take action.

After you send in your fees, follow-up in 2 weeks to be sure they received your application and payment.

5. BEFORE SAYING YES!…

Re-review your
 — fit with the show
 — break-even analysis
 — calendar schedule
 — the money needed up front

And, …
 — whether there are any cancellation penalties or rules
 — what kinds of local and state licenses, certificates and permits you will need
 — if the show promoters assist you in obtaining temporary ones for the duration of the show

Other Articles of Interest by Warren Feld:

Should I Set Up My Craft Business On A Marketplace Online?

The Importance of Self-Promotion: Don’t Be Shy

Are You Prepared For When The Reporter Comes A-Calling?

A Fool-Proof Formula For Pricing And Selling Your Jewelry

Designer Connect Profile: Tony Perrin, Jewelry Designer

My Aunt Gert: Illustrating Some Lessons In Business Smarts

Copyrighting Your Pieces: Let’s Not Confuse The Moral With The Legal Issues

Naming Your Business / Naming Your Jewelry

Jewelry Making Materials: Knowing What To Do

To What Extent Should Business Concerns Influence Artistic and Jewelry Design Choices

How Creatives Can Successfully Survive In Business

Getting Started In Business: What You Do First To Make It Official

I hope you found this article useful. Be sure to click the CLAP HANDS icon at the bottom of this article.

Also, check out my website (www.warrenfeldjewelry.com).

Visit Land of Odds online (https://www.landofodds.com)for all your jewelry making supplies.

Enroll in my jewelry design and business of craft video tutorials online. Begin with my ORIENTATION TO BEADS & JEWELRY FINDINGS COURSE.
Check out these two other tutorials:

Pricing and Selling Your Jewelry. Learn an easy-to-use pricing formula and some marketing tips.

So You Want To Do Craft Shows… 16 Lessons I Learned Doing Craft Shows. Understand everything involved and make the smart choices.

Subscribe to my Learn To Bead blog (https://blog.landofodds.com).

Add your name to my email list.



This post first appeared on Learn To Bead, please read the originial post: here

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SO YOU WANT TO DO CRAFTSHOWS…LESSON 5: Get Those Applications In Early

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