Facebook is bringing communities together–and deciding what we might say and read. This includes both outright Facebook censorship in which posts are taken down and people are placed in “Facebook Jail,” to new algorithms which limit what we see on our timeline. The new algorithms have greatly reduced traffic to many outside sources harming blogs, the independent media, and even internet comedy.
Antimedia writes that Facebook Begins Killing the Independent News Industry. While Facebook has had considerable impact on internet traffic for years, the problem became more severe with the spread of anti-Russia hysteria based on highly exaggerated claims regarding the role of social media on the results of the 2016 election. The response from Facebook has to fight “fake news,” which, as Glenn Greenwald has warned, is often used as an excuse for censorship. Presumably the writings of those of us who warned about the dubious arguments for the Iraq war, along with the revelations of the Pentagon Papers on the Vietnam war, would have been classified as “fake news” by the mainstream in the past. Today alternative views on both the left and right are being restricted. Anti-Media saw the turning point as when Barack Obama spoke with Mark Zuckerberg about battling “fake news.”
…Zuckerberg has slowly been chipping away at “fake news” sites even when he previously believed that they were not even a particular issue. Following the infamous PropOrNot report barely a week later, which effectively labelled every single site that criticizes U.S. foreign policy as a Russian agent, alternative media has faced a slow and inevitable decline.
In September last year, acclaimed writer Chris Hedges of Truthdig wrote:
“In the name of combating Russia-inspired ‘fake news,’ Google, Facebook, Twitter, The New York Times, The Washington Post, BuzzFeed News, Agence France-Presse and CNN in April imposed algorithms or filters, overseen by ‘evaluators,’ that hunt for key words such as ‘U.S. military,’ ‘inequality’ and ‘socialism,’ along with personal names such as Julian Assange and Laura Poitras, the filmmaker. Ben Gomes, Google’s vice president for search engineering, says Google has amassed some 10,000 ‘evaluators’ to determine the ‘quality’ and veracity of websites. Internet users doing searches on Google, since the algorithms were put in place, are diverted from sites such as Truthdig and directed to mainstream publications such as The New York Times. The news organizations and corporations that are imposing this censorship have strong links to the Democratic Party. They are cheerleaders for American imperial projects and global capitalism. Because they are struggling in the new media environment for profitability, they have an economic incentive to be part of the witch hunt.”
At first, it was corporate gate-keepers like the Guardian who were begging for donations in the age of Trump, as they had lost all credibility in keeping up with the needs and interests of the people. Now, we are all asking for donations, as Facebook’s algorithms are cutting off close to 100 percent of our Facebook audiences…
This has nothing to do with combating “fake news.” I have written over 400 articles online, and close to 100 percent of my sources are from mainstream outlets like Reuters, the New York Times, the Guardian, the BBC, the Washington Post, and others. Why should we be censored for referencing the very news outlets that people like Obama want us to trust in the first place?
We are being censored because we look for the paragraphs in those reports which need highlighting, or the hidden reports that go overlooked, and we broadcast it to millions of people on a daily basis.
Many other sites on both the left and right are reporting similar difficulties. As Hedges pointed out, this has often been pushed by the establishment wing of the Democratic Party. Supporters of Hillary Clinton have been especially aggressive in filing bogus complaints with Facebook regarding those who disagree with them, and Clinton has outright attacked sources such as Wikileaks, while using what she claims is “fake news” critical of her (even when it is often true) as justification for censorship. Donald Trump has taken a position similar to Clinton’s in backing censorship.
While not true of all, many of us in the blogosphere and alternative press also frequently use mainstream news outlets as a major source of information, even if we do highlight key facts which are often ignored by the talking heads who try to tell us what to think on cable and broadcast news. Articles coming from a small site such as this typically are backed up with multiple references from major media sources, but Facebook algorithms now hide what we write.
The alternative press is probably suffering the most, but Funny or Die also complains about How Facebook Is Killing Comedy:
The whole story is basically that Facebook gets so much traffic that they started convincing publishers to post things on Facebook. For a long time, that was fine. People posted things on Facebook, then you would click those links and go to their websites. But then, gradually, Facebook started exerting more and more control of what was being seen, to the point that they, not our website, essentially became the main publishers of everyone’s content. Today, there’s no reason to go to a comedy website that has a video if that video is just right on Facebook. And that would be fine if Facebook compensated those companies for the ad revenue that was generated from those videos, but because Facebook does not pay publishers, there quickly became no money in making high-quality content for the internet…
Facebook is essentially running a payola scam where you have to pay them if you want your own fans to see your content. If you run a large publishing company and you make a big piece of content that you feel proud of, you put it up on Facebook. From there, their algorithm takes over, with no transparency. So, not only is the website not getting ad revenue they used to get, they have to pay Facebook to push it out to their own subscribers. So, Facebook gets the ad revenue from the eyeballs on the thing they are seeing, and they get revenue from the publisher. It’s like if TheNew York Times had their own subscriber base, but you had to pay the paperboy for every article you wanted to see.
The worst part is that as an artist, it feels like your own fault. We’re used to a world where if you put something out there that’s good, people see it and share it. But that’s just not true in this world. Someone can make something really good, and just because of some weird algorithmic reasons, or if it’s not designed specifically for Facebook, it doesn’t do well. And then it becomes impossible to know what a good thing to make is anymore…
Facebook says that they are building communities, but really they’re fracturing us. We are all on our own little news bubbles and on our own little islands. It’s also fracturing our own creative projects. The internet has turned into a place where you can’t have many different people speaking as one entity and expect those people to make a living. And to me, those are the most exciting, rewarding projects, and I can’t make those now. I am looking at the past with rose-colored glasses, but you can say categorically that the internet was a better place 3-4 years ago. It used to be fruitful, but it’s like a desert now.
It looks like we have been warned about this. Back in 2015, Mark Carrigan warned about Mark Zuckerberg’s philosophy of techno-fascism.