"Nearly three in four children’s homes and two in five fostering households are now provided by independent organisations, from both the private and charitable sector. For the largest private providers, income levels increased by 7.3% when comparing data between February and December 2020. Among the top 10 of children’s homes providers, seven are now owned by private equity firms." Katharine Quarmby and Sian Norris show how children in public care have become an opportunity for private investors.
Andrew Brown reviews Bleeding for Jesus, Andrew Graystone's exposé of John Smyth's beating of boys and young men and the cover up that followed.
Fintan O’Toole on John Le Carré’s decision to become an Irish citizen shortly before he died.
"Public House has echoes of Geoffrey Fletcher’s 1962 book The London Nobody Knows, famously turned into a psychedelic documentary film in 1969. Partly it’s the ambling scope of it, the diverting asides, the delight at the curious and arcane. But it’s also the palette of the illustrations, a poppy array of orange and green that gives it a trippy feel of late Beatles and swirling pub carpets." John Grindrod reviews a new cultural and social history of the London pub.
K.B. Morris looks back at a John Bowen's television play: "Robin Redbreast was written at the tail end of the counter culture of the 1960s and Bowen is exploring the dichotomy of reason versus emotion or Apollo versus Dionysus. This conflict, which was so prevalent during that period, fascinated Bowen throughout his writing career."
"Olivia Laing walks the River Ouse in Sussex from its source to the sea, mediating on its flora, fauna, mythology, history and literary associations along the way. Chief among the latter is Virginia Woolf, who lived near the river, walked by the river, wrote about the river, and died in the river." With the help of Eric Ravilious illustrations, Terri Windling reviews Laing's To the River.
