Consciousness allows us to master the concepts of space and time. Consciousness affords us the opportunity to be cognizant of the events and experiences we observe and experience. These events however are interpretive in nature, illusionary in context and symbolically bundled to fit the personal inclinations, interpretations and impressions of the observer. Yet every observation made within the constraints of consciousness appears to be real. This impression of reality is undermined by the fact that energy is in perpetual motion and that every observation is impermanent, momentary, transient and holographic in character. What then is real?
Space and time create the reference required for an event to be experienced. Likewise space and time are governed by observation. Design allows for the integration of time with space. Design affords consciousness the opportunity to bring meaning and purpose to every event and experience. Design is instrumental in creating form and invites movement from both within and beyond every Field of energy in motion.
The field we describe as consciousness permeates all that is, has been and has yet to become. Design allows consciousness to become aware of its self by means of symbol, metaphor and analogy. These events and experiences appear within the matrix and background of dimensional space and time.
Consciousness is fluid-like. Consciousness is both electric and magnetic, micro and macro in scale and supports the concept of "reality" by means of establishing a context in which one's own awareness of events and creation can be experienced. Light is a symbolic re-presentation and figurative metaphor for what we describe as consciousness. When observed microcosmically light is qualitatively re-presented in the form of a wave. When viewed quantitatively light is re-presented in the form of a particle. Both attributes are part of a design made apparent within a framework we view, interpret and describe as light.
Consciousness is fluid-like. Consciousness is both electric and magnetic, micro and macro in scale and supports the concept of "reality" by means of establishing a context in which one's own awareness of events and creation can be experienced. Light is a symbolic re-presentation and figurative metaphor for what we describe as consciousness. When observed microcosmically light is qualitatively re-presented in the form of a wave. When viewed quantitatively light is re-presented in the form of a particle. Both attributes are part of a design made apparent within a framework we view, interpret and describe as light.
Consciousness is re-presented in every design. Both design and consciousness appear virtual in character while being sensed in the context of a particular form, feeling or awareness. Consciousness is an amorphous field of energy in motion capable of integrating, permeating and characterizing all forms of light by means of awareness. When viewed microcosmically and from the dimension of 3D space/time, consciousness appears to be dualistic in nature. When viewed macrocosmically consciousness appears to have no beginning and no end.
Design brings an identity to consciousness. Forms are attributes that symbolically qualify and quantify every intention by means of substantiation, i.e. embodiment. These figurative articulations make themselves apparent at all levels and dimensions of consciousness, i.e. space/time.
Forms are patterned about specific frequencies that create, surround and engulf every symbol, e.g. language. These symbols are metaphors that harbor, re-cognize* and/or respond to different meanings and purposes, i.e. designs. Design will pattern these expressions into a variety of densities, i.e. states of substance/ plasma ... from the intangible to the tangible.
* Cognize: to perceive or become aware of.
Every "state" is an expression of energy-in-motion, i.e. light. Every state propagates its own light ... symbolically. Every state is a design held together within the parametric constraints of space time. Every state is a consequential product of change. Every state appears temporal in reference to its original source. Every state re-presents change in the form of a pattern of photons. Every state that appears to emerge from within the depths of the unknown is a momentary impression observed from within the parameters of space time. Every state is observed from a particular POV. In essence, every state, i.e. form of light, re-present a holographic moment (impression) in time and space conjured up by a desire and intent (meaning and purpose). This is a function of the imagination. This is a function of design.
Design opens the door and creates the paths necessary to enter the metaphysical. Design allows both science and art to explore and expand beyond the constraints of the physical world. Design is the only way in which to enter dimensions other than 3D space/time. Design gives the "dream state" the structure necessary to explore its riches in balance and a harmony. A design guided by the intuition gives precedence to the imagination.
Forms are patterned about specific frequencies that create, surround and engulf every symbol, e.g. language. These symbols are metaphors that harbor, re-cognize* and/or respond to different meanings and purposes, i.e. designs. Design will pattern these expressions into a variety of densities, i.e. states of substance/ plasma ... from the intangible to the tangible.
* Cognize: to perceive or become aware of.
Every "state" is an expression of energy-in-motion, i.e. light. Every state propagates its own light ... symbolically. Every state is a design held together within the parametric constraints of space time. Every state is a consequential product of change. Every state appears temporal in reference to its original source. Every state re-presents change in the form of a pattern of photons. Every state that appears to emerge from within the depths of the unknown is a momentary impression observed from within the parameters of space time. Every state is observed from a particular POV. In essence, every state, i.e. form of light, re-present a holographic moment (impression) in time and space conjured up by a desire and intent (meaning and purpose). This is a function of the imagination. This is a function of design.
Design opens the door and creates the paths necessary to enter the metaphysical. Design allows both science and art to explore and expand beyond the constraints of the physical world. Design is the only way in which to enter dimensions other than 3D space/time. Design gives the "dream state" the structure necessary to explore its riches in balance and a harmony. A design guided by the intuition gives precedence to the imagination.
Forces in the form of photons both attract and repel each other. When attracted they re-present unity, integration, harmony, solidarity, concordance, singularity and uniformity. When attracted photons appear to propagate from within a more expansive, brighter and intense light.
When repelled a design appears to re-present separation, motionlessness, stasis, dormancy, lethargy, lifelessness and darkness. Considered from a holistic point of view light appears to retain its neutrality throughout the process. From the perspective of 3D space/time Light, i.e. consciousness, brings reference to a Design that appears to emanate from within the depths of the unknown. It is the choice of the observer to determine if the source is an expression of Light or merely an impression cast within the shadow of the same.
Observation substantiates every concept and idea of reality. Awareness in conjunction with the imagination allows an observer the opportunity to experience the concept of reality in the form of an idea. Design brings forward the meaning and the purpose supporting every observation, experience and event. Events and experiences are made both tangible and intangible by design.
In essence, observations are symbolically re-presented in every form as a vibratory simulation, i.e. hologram. What appears to be virtual in character is made apparent by the senses. Variations are figuratively differentiated by means of a symbolic coherence and/or incoherence between the observer and the context (field) in which the event or experience appears.
The concept of a “source” represents a contextual field of virtual origin. It is a synthetic expression of one’s own sense of creation stemming from a fractal image of holographic proportions. It is a concept, an idea bearing witness to one’s own creative consciousness.
Light in the form of both a wave and a particle bring to awareness the symbiotic relationship between qualitative and quantitative states of consciousness. Each re-presents a different universe. Each brings an expression to a parallel universe that when joined together give meaning and purpose to the concept of light symbolically interpreted. Waves and particles merely give expression to a series of impressions (waveforms) that when brought together give meaning and purpose to a phenomenon that permeates and defines the universe.
When observed quantitatively light can be categorized into a broad spectrum of expressions. When viewed qualitatively each frequency voices a meaning all its own. Design allows every interpretation to blend metaphorically for purposes of greater understanding from every point of view. In this fashion design brings form and expression to what we describe as change. Change is made manifest by means of an event and/or experience. Change is a symbolic event metaphorically expressed and figuratively understood.
A dynamic can be born of two elements of equal measure and potential. There will always appear to be a spectrum of variation generated between two or more "sources". Every formation stemming from a common source (macro) is made apparent by virtue of the microcosmic articulations, i.e. qualities, created within and about the contextual constraints of every force field. Magnitude is merely a perception based upon an observer’s POV.
Realizations are based upon a measure of entanglement brought to reason by means of observation (POV). Events and experiences could be described as frozen frames of light brought to realization by means of symbolic resonance. Images are made discernible through the transmission of light between referential points, i.e. fermions/particles/positions/states of energy. These are holographic utterances, i.e. vibrating by-products, of a fractal universe of energy-in-motion. The concepts of space and time which include the realizations, materializations and imaginings that together bring essence to every field, resonate to similar qualities, i.e. frequencies, harbored within the field of every observer. The concepts of space and time are realized, i.e. sensed as being real, solely in reference to the symbolic vocabulary of the observer.
Light can be pixelated by means of vibratory resonance. Within the parameters of space and time this event can likewise become a distinguishable part of a recognizable field in the form of energy in motion. The transition between light appearing as a wave and light appearing in the form of a particle and from the POV of 3D space/time, is a specific event made cognizant by means of a resonance between the observer and the geometry (matrix) of the pattern being observed.
“You collapse waves into particles through your intentions and preferences, and all that energy then becomes vibrational reality. The vibrational reality you intend is embraced by the vastness you are and thus amplified through the attention of all that you are (and all that we are). Thus this creation gains momentum and gestates and alters the Oneness that is by expanding it. Creation starts to orchestrate all the things to bring about the new creation that you have generated through your focus and your sustained resonance with this opens up the flow for what you've created to be realized in your personal reality.”
